Twelve Scotch popular songs for one voice with the accompaniment of pianoforte, violin and violoncello

Twelve Scotch popular songs for one voice with the accompaniment of pianoforte, violin and violoncello (1921). archive.org, twelvescotchpopu00hayd. https://archive.org/details/twelvescotchpopu00hayd.

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Record details
Kind
Book
Title
Twelve Scotch popular songs for one voice with the accompaniment of pianoforte, violin and violoncello
Date
1921
Repository
archive.org
Identifier
twelvescotchpopu00hayd
Rights
Public domain
Rights basis
published in 1921, before 1930, so the 95-year US copyright term has run. Derived by machine on 2026-09-09 from the year this record already states, corroborated by the year printed in the volume's own front matter, at leaf 5 of this volume's front matter. That transcript was read by the local OCR station; no person has checked the leaf image.

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Corrections

7 corrections have been made to what this record says. They are kept here so a reader can see that a line was wrong, when it was caught, and why it changed. Only a change to what the record says is logged — rewording a warning, restating how a document was read, or reflowing a paragraph is not a correction and does not appear.

  1. line corrected Places and dates of work

    It said KLOZ (Matthias). German violin-maker who worked in the Tyrol about 1670-1696. He was a pupil of Stainer, and produced instruments of good quality. His son, Sebastian, … — trade term as printed: "violin-maker" — from OCR (read_as: ocr)

    It now says KLOZ (Matthias). German violin-maker who worked in the Tyrol about 1670-1696. He was a pupil of Stainer, and produced instruments of good quality. His son, Sebastian, …

    Why No reason was recorded with this change.

  2. line corrected Places and dates of work

    It said KLOTZ, MATTHIAS, Tyrolese, about 1675, considered by Fetis to have been a pupil of Steiner, and the first violin maker of this well known name. He made some instruments, which established his reputation as a careful artiste. — trade term as printed: "violin maker" — from OCR (read_as: ocr)

    It now says KLOTZ, MATTHIAS, Tyrolese, about 1675, considered by Fetis to have been a pupil of Steiner, and the first violin maker of this well known name. He made some instruments, which established his reputation as a careful artiste.

    Why No reason was recorded with this change.

  3. line corrected Places and dates of work

    It said Matthias Klotz died a plain, modest man, but his name will live as long as a violin maker lives in Mittenwald. He first brought German — trade term as printed: "violin maker" — from OCR (read_as: ocr)

    It now says Matthias Klotz died a plain, modest man, but his name will live as long as a violin maker lives in Mittenwald. He first brought German

    Why No reason was recorded with this change.

  4. line corrected Places and dates of work

    It said Matthias Klotz, violin maker, — trade term as printed: "violin maker" — from OCR (read_as: ocr)

    It now says Matthias Klotz, violin maker,

    Why No reason was recorded with this change.

  5. line added Places and dates of work

    It now says KLOZ (Matthias). German violin-maker who worked in the Tyrol about 1670-1696. He was a pupil of Stainer, and produced instruments of good quality. His son, Sebastian, … — trade term as printed: "violin-maker" — from OCR (read_as: ocr)

    Why No reason was recorded with this change.

  6. line added Places and dates of work

    It now says As printed on this page: "Matthias Klotz, a Tyrolean maker, was the best pupil of Stainer. He worked from 1670 to 1696. Other instruments of later date, bearing the same name, are believed to have been made by his sons; who did not set their own names to the violins and tenors which they made until the death of their father. The names of his sons were George, Sebastian, and Egitia."

    Why No reason was recorded with this change.

  7. line added Places and dates of work

    It now says As printed on this page: "Matthias Klotz, a Tyrolean maker, was the best pupil of Stainer. He worked from 1670 to 1696. Other instruments of later date, bearing the same name, are believed to have been made by his sons; who did not set their own names to the violins and tenors which they made, until the death of their father. The names of his sons were George, Sebastian, and Egitia."

    Why No reason was recorded with this change.