Palermo · 1650 to 1680
Historical maker
Named in 5 books.
What the books printed
Cremona, London: Robert Cocks & Co., 1894. p. 19.
As printed on this page: "7. ALBANI, Paolo. Palermo, 1650-1680. A pupil of Nicolas Amati: he made good instruments, with finished workmanship, broad model, clear brown varnish."
The Violin, 1875. Page 47, scan 83. Held as more than one scan.
ALBANI, Paolo, Palermo, 1650—1680, made many excellent instruments. He was one of the pupils of Nicholas Amati. The pattern is broad, and the workmanship carefully executed.
The violin, Hart, George. London: Dulau, 1880. Page 41, scan 57.
ALBANI, Paolo, Palermo, 1650—1680, made many excellent instruments. He was one of the pupils of Nicholas Amati. The pattern is broad, and the workmanship carefully executed.
The violin, Hart, George. London, Dulau and co. [etc.], 1884. Page 72, scan 126.
ALBANI, Paolo, Palermo, 1650—1680. Is said to have been a pupil of Niccolò Amati. The pattern is broad and the work carefully executed.
The violin, its famous makers and their imitators, Hart, George. London, Dulau, 1887. Scan 100.
ALBANI, Paolo, Palermo, 1650—1680, Is said to have been a pupil of Niccolò Amati. The pattern is broad and the work carefully executed.
- Entries from 5 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.
Same name
Whether any of these is the same person, the books do not say. 7 more Albani pages under A.
Same town, same time
1 other Palermo maker has a year in the 1600s.
- 1633 Albani, Signor