Bow & Bridge

Fischer, Johann Ulrich

As printed

  1. A dictionary of violin makers (1896)

    Fischer, Johann Ulrich. The label, “J. Fischer, Landshut, 1722,” was in a tromba-marina in the Collection of the Gesellschaft der Musikfreunde, Vienna. A viola da gamba was dated 1720.

    scan page 37, line 23See the scan

    Read the transcript line

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    scan page 37, line 23

    2. Fischer, Anton, b. 1794; d. 1879. A maker in Vienna.
    4. Fischer, Johann Ulrich. The label, "J. Fischer, Landshut, 1722," was in a tromba-marina in the Collection of the Gesellschaft der Musikfreunde, Vienna. A viola da gamba was dated 1720.
    6. Fischer, Zacharie, b. Nov. 5, 1730, Würzburg; d. there Nov. 27, 1812. He announced, in 1786, that in making his instruments he employed a new method by means of which they equalled those of Stradivari and of Stainer. This was the method of drying the wood in an oven, which has since often been tried but never found to answer, as it is impossible to make the process gradual enough, the result being that the tone loses all brilliancy. His instruments are liked.

  2. A dictionary of violin makers (n.d.)

    Fischer, Johann Ulrich. The label, “J. Fischer, Landshut, 1722,” was in a tromba-marina in the Collection of the Gesellschaft der Musikfreunde, Vienna. A viola da gamba was dated 1720.

    scan page 39, line 23See the scans: 39, 39source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 39, line 23

    2. Fischer, Anton, b. 1794; d. 1879. A maker in Vienna.
    4. Fischer, Johann Ulrich. The label, "J. Fischer, Landshut, 1722," was in a tromba-marina in the Collection of the Gesellschaft der Musikfreunde, Vienna. A viola da gamba was dated 1720.
    6. Fischer, Zacharie, b. Nov. 5, 1730, Würzburg; d. there Nov. 27, 1812. He announced, in 1786, that in making his instruments he employed a new method by means of which they equalled those of Stradivari and of Stainer. This was the method of drying the wood in an oven, which has since often been tried but never found to answer, as it is impossible to make the process gradual enough, the result being that the tone loses all brilliancy. His instruments are liked.

Named in 2 books, all printed 1896. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

If you can add to this record, we want to hear from you. As it stands, one or more sources name this maker and nothing else on this site confirms it: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896). Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record. No claim beyond what those sources state is invented here, so not established is the honest word for it.

What the books say

Places and dates of work
Fischer, Johann Ulrich. The label, “J. Fischer, Landshut, 1722,” was in a tromba-marina in the Collection of the Gesellschaft der Musikfreunde, Vienna. A viola da gamba was dated 1720. reported1
Places and dates of work
Fischer, Johann Ulrich. The label, “J. Fischer, Landshut, 1722,” was in a tromba-marina in the Collection of the Gesellschaft der Musikfreunde, Vienna. A viola da gamba was dated 1720. reported1
Places and dates of work
Fischer, Johann Ulrich. The label, “J. Fischer, Landshut, 1722,” was in a tromba-marina in the Collection of the Gesellschaft der Musikfreunde, Vienna. A viola da gamba was dated 1720. reported1

How the pages were read

3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “A DICTIONARY OF VIOLIN MAKERS.”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 2 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 39, line 23

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 39, line 23

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 37, line 23