As printed
A dictionary of violin makers (1896)
Krigge, Heinrich. A maker in Danzig, 1756-58. His instruments suggest the Maggini pattern, in the general model, large size, neat edges and work, and double purfling in ink. Three violins and a tenor of his are known, the latter with a fine tone.
scan page 61, line 31See the scan
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 61, line 31
- Kren, Franz. A maker of cithers in Munich, 1833.
- Krigge, Heinrich. A maker in Danzig, 1756-58. His instruments suggest the Maggini pattern, in the general model, large size, neat edges and work, and double purfling in ink. Three violins and a tenor of his are known, the latter with a fine tone.
- Kriner, Joseph. A maker in Mittenwald about 1785-95.
A dictionary of violin makers (n.d.)
Krigge, Heinrich. A maker in Danzig, 1756-58. His instruments suggest the Maggini pattern, in the general model, large size, neat edges and work, and double purfling in ink. Three violins and a tenor of his are known, the latter with a fine tone.
scan page 63, line 31See the scans: 63, 63source record
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 63, line 31
- Kren, Franz. A maker of cithers in Munich, 1833.
- Krigge, Heinrich. A maker in Danzig, 1756-58. His instruments suggest the Maggini pattern, in the general model, large size, neat edges and work, and double purfling in ink. Three violins and a tenor of his are known, the latter with a fine tone.
- Kriner, Joseph. A maker in Mittenwald about 1785-95.
KRIGGE, Heinrich. Danzig, 1756-58. Maggini pattern, model large size, neat edges and work, and double purfling in ink.
scan page 282, line 4See the scan
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 282, line 4
- KOLDITZ, Mathias Johann. Munich, 1720-55.
- KOLIKER, Jean Gabriel. Paris, 1783-99. Clever repairer.
- KRAMER, H. Vienna in 1717.
- KRIGGE, Heinrich. Danzig, 1756-58. Maggini pattern, model large size, neat edges and work, and double purfling in ink.
- KRINER, Joseph. Mittenwald, 1785-95.
- KRUPP, Pierre. Worked in Paris, Rue St Honoré, 1777-91; he also made harps.
- KÜHLEWEIN UND TETZNER. Makers in Markneukirchen. Exhibited in Munich, 1854.
Named in 3 books printed between 1896 and 1905. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.
Details and sources
Record note
Printed in A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); Old violins (1905), and nowhere else on this site: that is the entire basis of this maker’s record. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond the printed naming is invented here — not established is the accurate word for it, and we want to hear from you if that can change.
What the books say
- Places and dates of work
- Krigge, Heinrich. A maker in Danzig, 1756-58. His instruments suggest the Maggini pattern, in the general model, large size, neat edges and work, and double purfling in ink. Three violins and a tenor of his are known, the latter with a fine tone. reported1
- Places and dates of work
- Krigge, Heinrich. A maker in Danzig, 1756-58. His instruments suggest the Maggini pattern, in the general model, large size, neat edges and work, and double purfling in ink. Three violins and a tenor of his are known, the latter with a fine tone. reported1
- Places and dates of work
- Krigge, Heinrich. A maker in Danzig, 1756-58. His instruments suggest the Maggini pattern, in the general model, large size, neat edges and work, and double purfling in ink. Three violins and a tenor of his are known, the latter with a fine tone. reported1
- Places and dates of work
- KRIGGE, Heinrich. Danzig, 1756-58. Maggini pattern, model large size, neat edges and work, and double purfling in ink. reported1
How the pages were read
4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “DICTIONARY OF VIOLIN MAKERS”.
Notes
- Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩
The books behind this record
This record draws on 3 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.
scan page 63, line 31
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.
scan page 63, line 31
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.
scan page 61, line 31
- Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.
scan page 282, line 4