As printed
A dictionary of violin makers (1896)
Leduc, Pierre. Was working in Paris in rue St.-Honoré in 1647, is therefore one of the oldest makers there of whom anything definite is known. In a small violin or “kit,” fairly well made, is the label: “Pierre Leduc à Paris rue Saint-Honoré au Duc doré, 1647.”
scan page 64, line 5See the scan
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 64, line 5
- Lecuyer, Pierre. A maker in Paris, rue des Fossés-Saint-Jacques, 1775-83.
- Leduc, Pierre. Was working in Paris in rue St.-Honoré in 1647, is therefore one of the oldest makers there of whom anything definite is known. In a small violin or "kit," fairly well made, is the label: "Pierre Leduc à Paris rue Saint-Honoré au Duc doré, 1647."
- Leeb, J. Carl, b. 1792; d. 1819. Was a maker in Vienna.
A dictionary of violin makers (n.d.)
Leduc, Pierre. Was working in Paris in rue St.-Honoré in 1647, is therefore one of the oldest makers there of whom anything definite is known. In a small violin or “kit,” fairly well made, is the label: “Pierre Leduc à Paris rue Saint-Honoré au Duc doré, 1647.”
scan page 66, line 3; scan page 66, line 5See the scans: 66, 66source record
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 66, line 3
- Lecomte (or Fouquet-Lecomte), Antoine. Was working in Paris, rue des Fossés, Saint-Germain-des-Prés, about 1775-1800.
- Lecuyer, Pierre. A maker in Paris, rue des Fossés-Saint-Jacques, 1775-83.
- Leduc, Pierre. Was working in Paris in rue St.-Honoré in 1647, is therefore one of the oldest makers there of whom anything definite is known. In a small violin or "kit," fairly well made, is the label: "Pierre Leduc à Paris rue Saint-Honoré au Duc doré, 1647."
- Leeb, J. Carl, b. 1792; d. 1819. Was a maker in Vienna.
- Lefebvre (Lefebre), J. B. Was a Frenchman who worked in Amsterdam about 1735-70. He followed the Amati pattern, using good yellow varnish; it is supposed that he gained experience in Italy before going to Amsterdam, as his work is superior in merit to that made in France at that date. In a violoncello of small size, with yellow varnish and of carefully finished work, is the label: "J. B. Le Febvre fecit in Amsterdam, 1770."
- Lefèvre (Lefebvre), Toussaint Nicolas Germain. A maker in Paris in rue du Cimetière Saint-Jean about 1783-89.
Named in 2 books, all printed 1896. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record.
Details and sources
Record note
One or more sources name this maker, and this record states only that: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896). Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record. Beyond what is printed there, nothing on this site confirms this record and no claim has been invented — not established, and we want to hear from you if you can change it.
What the books say
- Places and dates of work
- Leduc, Pierre. Was working in Paris in rue St.-Honoré in 1647, is therefore one of the oldest makers there of whom anything definite is known. In a small violin or “kit,” fairly well made, is the label: “Pierre Leduc à Paris rue Saint-Honoré au Duc doré, 1647.” reported1
- Places and dates of work
- Leduc, Pierre. Was working in Paris in rue St.-Honoré in 1647, is therefore one of the oldest makers there of whom anything definite is known. In a small violin or “kit,” fairly well made, is the label: “Pierre Leduc à Paris rue Saint-Honoré au Duc doré, 1647.” reported1
- Places and dates of work
- Leduc, Pierre. Was working in Paris in rue St.-Honoré in 1647, is therefore one of the oldest makers there of whom anything definite is known. In a small violin or “kit,” fairly well made, is the label: “Pierre Leduc à Paris rue Saint-Honoré au Duc doré, 1647.” reported1
How the pages were read
3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “A DICTIONARY OF VIOLIN MAKERS.”.
Notes
- Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩
The books behind this record
This record draws on 2 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.
scan page 66, line 3
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.
scan page 66, line 5
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.
scan page 64, line 5