Bow & Bridge

Linarolo, Venturo

As printed

  1. A dictionary of violin makers (1896)

    Linarolo (Linerolli, Linelli), Venturo, son of Francesco Linarolo. A maker of lutes and viols in Venice, worked there till 1581. Label: “Ventura di Francesco Linarolo …

    scan page 65, line 33See the scan

    Read the transcript line

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    scan page 65, line 33

    2. Linarolo, Giovanni, son of Venturo Linarolo. Label: "Giovanni D'Ventura Linarol in Venetia, 1622."
    4. Linarolo (Linerolli, Linelli), Venturo, son of Francesco Linarolo. A maker of lutes and viols in Venice, worked there till 1581. Label: "Ventura di Francesco Linarolo in Venetia, 1581." Was then in Padua: label, "Ventura de Francço Linarol in Padova, f. 1585"; but probably returned to Venice shortly after, for there is a label "fece in Venetia, a. 1591." Two tenor-viols exhibited in London in 1872 were probably made by him; they both had a scroll with four pegs substituted for the ancient head with six or seven pegs; the great breadth left between the sound-holes shows that the instruments were originally made for six or seven strings.
    6. Lippeta, J. G. A maker in Neukirchen, Saxony, in 1771.

  2. A dictionary of violin makers (n.d.)

    Linarolo (Linerolli, Linelli), Venturo, son of Francesco Linarolo. A maker of lutes and viols in Venice, worked there till 1581. Label: “Ventura di Francesco Linarolo …

    scan page 67, line 33See the scans: 67, 67source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 67, line 33

    2. Linarolo, Giovanni, son of Venturo Linarolo. Label: "Giovanni D'Ventura Linarol in Venetia, 1622."
    4. Linarolo (Linerolli, Linelli), Venturo, son of Francesco Linarolo. A maker of lutes and viols in Venice, worked there till 1581. Label: "Ventura di Francesco Linarolo in Venetia, 1581." Was then in Padua: label, "Ventura de Franco Linarol in Padova, f. 1585"; but probably returned to Venice shortly after, for there is a label "fece in Venetia, a. 1591." Two tenor-viols exhibited in London in 1872 were probably made by him; they both had a scroll with four pegs substituted for the ancient head with six or seven pegs; the great breadth left between the sound-holes shows that the instruments were originally made for six or seven strings.
    6. Lippold. A family of makers in Markneukirchen in the 18th century.

Named in 2 books, all printed 1896. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

One or more sources name this maker, and this record states only that: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896). Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record. Beyond what is printed there, nothing on this site confirms this record and no claim has been invented — not established, and we want to hear from you if you can change it.

What the books say

Places and dates of work
Linarolo (Linerolli, Linelli), Venturo, son of Francesco Linarolo. A maker of lutes and viols in Venice, worked there till 1581. Label: “Ventura di Francesco Linarolo … reported1
Places and dates of work
Linarolo (Linerolli, Linelli), Venturo, son of Francesco Linarolo. A maker of lutes and viols in Venice, worked there till 1581. Label: “Ventura di Francesco Linarolo … reported1
Places and dates of work
Linarolo (Linerolli, Linelli), Venturo, son of Francesco Linarolo. A maker of lutes and viols in Venice, worked there till 1581. Label: “Ventura di Francesco Linarolo … reported1

How the pages were read

3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “A DICTIONARY OF VIOLIN MAKERS.”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 2 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 67, line 33

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 67, line 33

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 65, line 33