As printed
Dictionary of Violin makers (1928)
MORRISON (James) — Dunfermline towards 1860. Stradivari model. Red varnish. Good average workmanship.
scan page 213, line 19See the scan
Read the transcript line
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scan page 213, line 19
- MORRISON (John) — London 1760-1833. Well finished make. Red varnish. Often adorned his instruments with inlaid work.
- MORRISON (James) — Dunfermline towards 1860. Stradivari model. Red varnish. Good average workmanship.
- MORRISON (Archibald) — Glasgow 1820-1895. Distinguished violinist who was also a skilled violin maker. It is generally recognised that his instruments have real tone qualities. Models after those of the Cremonese masters. Label : « ARCHIBALD MORRISON, maker, Glasgow 18.. ».
MORRISON, JAMES, Dunfermline: nineteenth century.
scan pages 252, 254 · line 5See the scans: 252, 254source record
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This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 252, line 5
- MORRISON, ARCHIBALD, Glasgow: 1820-95. He worked in Great Hamilton Street, where he had a music shop, and where he made a large number of fiddles of all sorts. His shop was a rendezvous of fiddle enthusiasts and players, who were known about Glasgow as "Morrison's Band."
- MORRISON, JAMES, Dunfermline: nineteenth century.
- MORRISON, JOHN, London: 1760-1827. He worked mostly for the trade.
Named in 2 books printed between 1920 and 1928. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.
Details and sources
Record note
British Violin Makers (1920); British Violin Makers: A Biographical Dictionary of British Makers of Stringed Instruments and Bows and a Critical Description of Their Work (1920); Dictionary of Violin makers (1928) is what this record is built on, nothing more. Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond that naming has been invented here, so not established is the honest state of the record — tell us if you can change it.
What the books say
- Places and dates of work
- MORRISON, JAMES, Dunfermline: nineteenth century. reported1
- Places and dates of work
- MORRISON, JAMES, Dunfermline: nineteenth century. reported1
- Places and dates of work
- MORRISON (James) — Dunfermline towards 1860. Stradivari model. Red varnish. Good average workmanship. reported1
How the pages were read
3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “VIOLIN MAKERS.”.
Notes
- Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩
The books behind this record
This record draws on 2 sources, both read from machine text. The count weighs how well each source was read, not just how many are cited. A stack of half-read sources does not outweigh one page read properly.
- W. Meredith Morris, British Violin Makers (London: Robert Scott, 1920). archive.org, bwb_W9-CSA-426. https://archive.org/details/bwb_W9-CSA-426.
scan page 254, line 5
- W. Meredith Morris, British Violin Makers: A Biographical Dictionary of British Makers of Stringed Instruments and Bows and a Critical Description of Their Work (R. Scott, 1920). archive.org, britishviolinmak0000wmer. https://archive.org/details/britishviolinmak0000wmer.
scan page 252, line 5
- Arnold Sewell, Dictionary of Violin makers (1928). archive.org, dictionaryofviol0000arno. https://archive.org/details/dictionaryofviol0000arno.
scan page 213, line 19