Renault, Sébastien

As printed

  1. A dictionary of violin makers (1896)

    Renault, Sébastien. A maker in Paris about 1775 to 1805, living in the rue de Braque. Cithers of his are known dated 1779, 1786, and 1804; …

    scan page 84, line 31See the scan

    Read the transcript line

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    scan page 84, line 31

    1. Renault, Nicolas. A French maker about the end of the 16th century. Is said to have been a pupil of Tywersus (a maker in Nancy), and afterwards to have worked in Paris.
    2. Renault, Sébastien. A maker in Paris about 1775 to 1805, living in the rue de Braque. Cithers of his are known dated 1779, 1786, and 1804; a violin is described as made on a good pattern, with yellow varnish of fair quality. He was in partnership with F. Chatelain for some time, he then used the labels: "Renault et Chatelain rue de Braque au coin de la rue St.-Avoye à Paris, 1797," and "A la renommée, rue de Braque, au marais, Renault et Chatelain, luthiers, font et vendent louent, achètent et raccommodent toutes sortes d'instruments de musique, etc., à Paris."
    3. Renisto. A maker in Cremona about 1735-40. Pupil of Carlo Bergonzi, whose work he copied rather closely; but his instruments are more arched,
  2. A dictionary of violin makers (n.d.)

    Renault, Sébastien. A maker in Paris about 1775 to 1805, living in the rue de Braque. Cithers of his are known dated 1779, 1786, and 1804; …

    scan page 86, line 31See the scans: 86, 86source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 86, line 31

    1. Renault, Nicolas A French maker about the end of the 16th century. Is said to have been a pupil of Tywersus (a maker in Nancy), and afterwards to have worked in Paris.
    2. Renault, Sébastien. A maker in Paris about 1775 to 1805, living in the rue de Braque. Cithers of his are known dated 1779, 1786, and 1804; a violin is described as made on a good pattern, with yellow varnish of fair quality. He was in partnership with F. Chatelain for some time, he then used the labels: "Renault et Chatelain rue de Braque au coin de la rue St.-Avoye à Paris, 1797," and "A la renommée, rue de Braque, au marais, Renault et Chatelain, luthiers, font et vendent louent, achètent et raccommodent toutes sortes d'instruments de musique, etc., à Paris."
    3. Renisto. A maker in Cremona about 1735-40. Pupil of Carlo Bergonzı, whose work he copied rather closely; but his instruments are more arched,

Named in 2 books, all printed 1896. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

Nothing on this site confirms this record beyond what one or more sources state, and that is the whole basis for it: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896). Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record. No claim beyond that has been invented here, which leaves the record not established; tell us if you can change that.

What the books say

Places and dates of work
Renault, Sébastien. A maker in Paris about 1775 to 1805, living in the rue de Braque. Cithers of his are known dated 1779, 1786, and 1804; … reported1
Places and dates of work
Renault, Sébastien. A maker in Paris about 1775 to 1805, living in the rue de Braque. Cithers of his are known dated 1779, 1786, and 1804; … reported1
Places and dates of work
Renault, Sébastien. A maker in Paris about 1775 to 1805, living in the rue de Braque. Cithers of his are known dated 1779, 1786, and 1804; … reported1

How the pages were read

3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “A DICTIONARY OF VIOLIN MAKERS.”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image.

The books behind this record

This record draws on 2 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 86, line 31

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 86, line 31

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 84, line 31