How to make a violin : The violin, its construction practically treated

How to make a violin : The violin, its construction practically treated (London: W. Reeves, 1892). archive.org, howtomakeviolinv00broa_0. https://archive.org/details/howtomakeviolinv00broa_0.

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Record details
Title
How to make a violin : The violin, its construction practically treated
Place
London
Publisher
W. Reeves
Date
1892
Repository
archive.org
Identifier
howtomakeviolinv00broa_0

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Corrections

9 corrections have been made to what this record says. They are kept here so a reader can see that a line was wrong, when it was caught, and why it changed. Only a change to what the record says is logged — rewording a warning, restating how a document was read, or reflowing a paragraph is not a correction and does not appear.

  1. line corrected Places and dates of work

    It said Bellosio, Anselmo. A maker in Venice about 1720-80. Pupil of Santo Serafino. He made good violoncellos, but as a rule his instruments are not so well made as those of his master. M. A. Cerin was a pupil of his. Label: "Anselmij Bellosij, fecit Venetiis, 17—." — governing section heading: "VIOLIN MAKERS." — the trade evidence is the heading over this list, not the entry's own line — from OCR (read_as: ocr)

    It now says Bellosio, Anselmo. A maker in Venice about 1720-80. Pupil of Santo Serafino. He made good violoncellos, but as a rule his instruments are not so well made as those of his master. M. A. Cerin was a pupil of his. Label: "Anselmij Bellosij, fecit Venetiis, 17—."

    Why No reason was recorded with this change.

  2. line corrected Places and dates of work

    It said BELLOSIO, ANSELMO, Venice, b. after 1715, d. 1789. A son of Giovanni Bellosio and a pupil of Serafino Santo. Although not an equal to his master, he was one of the best violin makers of his time. His violins have an excellent tone, although his wood and varnish are not of the highest grade. — trade term as printed: "violin makers" — from OCR (read_as: ocr)

    It now says BELLOSIO, ANSELMO, Venice, b. after 1715, d. 1789. A son of Giovanni Bellosio and a pupil of Serafino Santo. Although not an equal to his master, he was one of the best violin makers of his time. His violins have an excellent tone, although his wood and varnish are not of the highest grade.

    Why No reason was recorded with this change.

  3. line corrected Places and dates of work

    It said BELLOSIO, ANSELMO, Venice, b. after 1715, d. 1789. A son of Giovanni Bellosio and a pupil of Serafino Santo. Although not an equal to his master, he was one of the best violin makers of his time. His violins have an excellent tone, although his wood and varnish are not of the highest grade. — trade term as printed: "violin makers" — from OCR (read_as: ocr)

    It now says BELLOSIO, ANSELMO, Venice, b. after 1715, d. 1789. A son of Giovanni Bellosio and a pupil of Serafino Santo. Although not an equal to his master, he was one of the best violin makers of his time. His violins have an excellent tone, although his wood and varnish are not of the highest grade.

    Why No reason was recorded with this change.

  4. line added Places and dates of work

    It now says Bellosio, Anselmo. A maker in Venice about 1720-80. Pupil of Santo Serafino. He made good violoncellos, but as a rule his instruments are not so well made as those of his master. M. A. Cerin was a pupil of his. Label: "Anselmij Bellosij, fecit Venetiis, 17—." — governing section heading: "VIOLIN MAKERS." — the trade evidence is the heading over this list, not the entry's own line — from OCR (read_as: ocr)

    Why No reason was recorded with this change.

  5. line added Places and dates of work

    It now says BELLOSIO, ANSELMO, Venice, b. after 1715, d. 1789. A son of Giovanni Bellosio and a pupil of Serafino Santo. Although not an equal to his master, he was one of the best violin makers of his time. His violins have an excellent tone, although his wood and varnish are not of the highest grade. — trade term as printed: "violin makers" — from OCR (read_as: ocr)

    Why No reason was recorded with this change.

  6. line added Places and dates of work

    It now says As printed on this page: "BELLOSIO, Anselmo. Venetian; pupil of Serafino and master of M. A. Cerin, 1720-80."

    Why No reason was recorded with this change.

  7. line added Places and dates of work

    It now says As printed on this page: "Bellosio, Anselmo. A maker in Venice about 1720-80. Pupil of Santo Serafino. He made good violoncellos, but as a rule his instruments are not so well made as those of his master. M. A. Cerin was a pupil of his. Label: "Anselmij Bellosij, fecit Venetiis, 17—.""

    Why No reason was recorded with this change.

  8. line added Places and dates of work

    It now says As printed on this page: "Bellosio, Anselmo. A maker in Venice about 1720-80. Pupil of Santo Serafino. He made good violoncellos, but as a rule his instruments are not so well made as those of his master. M. A. Cerin was a pupil of his. Label: "Anselmij Bellosij, fecit Venetiis, 17—.""

    Why No reason was recorded with this change.

  9. line added Places and dates of work

    It now says As printed on this page: "Bellosio, Anselmo. A maker in Venice about 1720-80. Pupil of Santo Serafino. He made good violoncellos, but as a rule his instruments are not so well made as those of his master. M. A. Cerin was a pupil of his. Label: "Anselmij Bellosij, fecit Venetiis, 17—.""

    Why No reason was recorded with this change.