Bow & Bridge

Didelin, Joseph

As printed

  1. A dictionary of violin makers (1896)

    Didelin, Joseph. A maker in Nancy about 1765-75, at the sign “de la Guitare des Dames de France.” The few instruments known of his are inferior. An alto is dated 1775.

    scan page 31, line 5See the scan

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    2. Dickeson (Dickson), John. Born in Stirling, but worked both in London and Cambridge, about 1750-1780. There are instruments dating from both places. He followed the Amati pattern and his work was excellent.
    4. Didelin, Joseph. A maker in Nancy about 1765-75, at the sign "de la Guitare des Dames de France." The few instruments known of his are inferior. An alto is dated 1775.
    6. Didier. See "Nicolas."

  2. A dictionary of violin makers (n.d.)

    Didelin, Joseph. A maker in Nancy about 1765-75, at the sign “de la Guitare des Dames de France.” The few instruments known of his are inferior. An alto is dated 1775.

    scan page 33, line 3See the scans: 33, 33source record

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    1. Strand, London, about 1750-90. His instruments, made on the Stainer model, are very inferior. Labels known are dated 1750, 1754, and 1790.
    2. Dickeson (Dickson), John. Born in Stirling, but worked both in London and Cambridge, about 1750-1780. There are instruments dating from both places. He followed the Amati pattern and his work was excellent.
    3. Didelin, Joseph. A maker in Nancy about 1765-75, at the sign "de la Guitare des Dames de France." The few instruments known of his are inferior. An alto is dated 1775.
    4. Didier. See "Nicolas."
    5. Didion, Gabriel. A maker at Mirecourt, d. 1881.
    6. Dieffopruchar (Tieffenbrücker), Magno. Worked in Venice about 1580-1621. One of the last lute makers of the great family of which Gaspard Duiffoprugcar was the head. Magno was of Bavarian descent, and his German name, Tieffenbrücker, became italianised into Dieffopruchar or Dieffoprukhar. His lutes were always much valued; one of the earliest, made about 1580 in Venice, with a back beautifully inlaid with ivory and various woods, has a label, much defaced, but interesting as still bearing his German name, "Magnus Tieffenbrucker." A theorbo was labelled: "Magno Tieffopruchar a Venetia, 1610." An arch-lute has the label "Magno Tieffoprucar a Venetia, 1607," and was found in Castle Eisenberg, Bohemia, in the collection of Prince Lobkowitz. A guitar was labelled: "Magno Dieffopruchar Venezia, 1606." A beautiful arch-lute has a large label: "Magno Dieffopruchar a Venetia, 1608." The same date is in a lute in the Bologna Collection. A similar label, dated 1610, with the label of the restorer, Jacob Rauch, below, was found in an arch-lute. A similar label, dated 1612, is in a lute in the Bologna Collection, and one dated 1620 in a lute in the Berlin "Hochschule für Musik" Collection; in the Berlin Collection is also a mandoline signed "Magnus Dieffenbruger, 1621." A theorbo in the Museum Modena in Vienna has the undated label: "Magno Dieffopruchar a Venetia."

  3. Old violins (1905)

    DIDELIN, Joseph. Nancy, 1765-75; poor maker.

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    1. DEVEREUX, John. He worked with B. Simon Fendt in London; migrated to Melbourne.
    2. DICKENSON (Dickinson), Edward. Strand, London, about 1750-90; Stainer model; inferior.
    3. DICKESON (Dickson), John, b. in Stirling. London and Cambridge, about 1750-80; excellent.
    4. DIDELIN, Joseph. Nancy, 1765-75; poor maker.
    5. DIDION, Gabriel. Mirecourt; d. 1881.
    6. DIEHL (or Diel, as it was originally spelt). Friedrich, son of Nicolaus Diehl; 1814-67; Darmstadt; fair.
    7. DIEHL (Diel), Heinrich, a son of Johann Diehl.
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  1. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922)

    Didelin, Joseph. — Nancy. 1760. 1776

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    scan page 106, line 33

    1. Henry II. 1750. 1779
    2. Jean-Nicolas, 1781, und der Bogenmacher Nicolas-Henry. 1772. 1789
    4. Didelin, Joseph. — Nancy. 1760. 1776
    5. Wenig bekannter Mirecourter, der in seiner Arbeit aber nicht ungeschickt war. Sein Ladenschild lautete: »A la Guitare des Dames de France«. Sein Reparaturzettel findet sich in einem Amativioloncello bei C. Claudius in Kopenhagen.
    6. Geigenzettel: Raccomodé par moy didelin à / Nancy an / 1773 (gedruckt).

Named in 4 books printed between 1896 and 1922. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 4 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

One or more sources name this maker, and this record states only that: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922); Old violins (1905). Entries from 4 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. Beyond what is printed there, nothing on this site confirms this record and no claim has been invented — not established, and we want to hear from you if you can change it.

What the books say

Places and dates of work
Didelin, Joseph. A maker in Nancy about 1765-75, at the sign “de la Guitare des Dames de France.” The few instruments known of his are inferior. An alto is dated 1775. reported1
Places and dates of work
Didelin, Joseph. A maker in Nancy about 1765-75, at the sign “de la Guitare des Dames de France.” The few instruments known of his are inferior. An alto is dated 1775. reported1
Places and dates of work
Didelin, Joseph. A maker in Nancy about 1765-75, at the sign “de la Guitare des Dames de France.” The few instruments known of his are inferior. An alto is dated 1775. reported1
Places and dates of work
Didelin, Joseph. — Nancy. 1760. 1776 reported1
Places and dates of work
DIDELIN, Joseph. Nancy, 1765-75; poor maker. reported1

How the pages were read

5 of the 5 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “DICTIONARY OF VIOLIN MAKERS”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 4 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

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  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 33, line 3

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 31, line 5

  4. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). archive.org, diegeigenundlaut02lt. https://archive.org/details/diegeigenundlaut02lt.machine textcited for 1 linesource record

    scan page 106, line 33

  5. Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.machine textcited for 1 linesource record

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