Bow & Bridge

Engleder, Andreas

As printed

  1. A dictionary of violin makers (n.d.)

    Engleder, Andreas. Was maker to the Court at Munich. In 1854 he exhibited there a quintet of instruments made on a new pattern of his own; they were of beautiful workmanship, and of full excellent tone; he was awarded medals. He was well known for his great experience and good work.

    scan page 36, line 17See the scans: 36, 36source record

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    1. Elément, Jean Laurent. Working in Paris in 1783. See "Clément."
    2. Elsler (Esler), Johann Joseph. A maker in Mayence about 1715-30. One bass-viol with seven strings, the head of a woman instead of scroll, and with varnish of a yellow-brown colour, was dated 1728. Label: "Joann Joseph Esler, Lauten und Geigenmacher, Meyntz, 1717."
    3. Emiliani, Francesco de. A maker in Rome about 1715-29. He made some beautiful instruments, rather arched, the wood of excellent quality, the varnish a golden-yellow colour. Label: "Franciscus de Emilianis, fecit Roma, anno Dni, 1729."
    4. Engleder, Andreas. Was maker to the Court at Munich. In 1854 he exhibited there a quintet of instruments made on a new pattern of his own; they were of beautiful workmanship, and of full excellent tone; he was awarded medals. He was well known for his great experience and good work.
    5. Engleder, Ludwig. A maker in Bamberg. Exhibited at Munich, 1854, a violoncello with bow, and two violins, well made, on the German pattern, of excellent tone. He died 1873.
    6. Erikson, Knudt. A maker in Norway. Inside a sort of viola d'amore of the Hardanger peasants in Norway was the label: "Fabrokert of Knudt Erikson, Helland, 1872."
    7. Ernst, Franz Anton; b. Dec. 3, 1715, at Georgenthal, in Bohemia; d. Jan. 16, 1805, Gotha. Was a celebrated violinist, but also the maker of some very excellent instruments. His first work was done in Prague, where he went for purposes of study about 1763; but in 1778, being appointed solo violinist to the Court of Gotha, he there found leisure to devote himself to the making of violins. He had at first working with him J. A. Otto, who later became one of the best German makers. When Otto started his own business at Weimar, Artmann and Bindernagel, both carpenters, left Weimar and became apprenticed to Ernst. He followed the Stradivari model, and the tone of his instruments is said almost to have equalled that of the Cremona instruments. In 1804 he published in the Allgemeine Musikalische Zeitung (Leipzig) a very interesting article on the construction of violins.

  2. A dictionary of violin makers (1896)

    Engleder, Andreas. Was maker to the Court at Munich. In 1854 he exhibited there a quintet of instruments made on a new pattern of his own; they were of beautiful workmanship, and of full excellent tone; he was awarded medals. He is well known for his great experience and good work.

    scan page 34, line 17See the scan

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    scan page 34, line 17

    1. Elément, Jean Laurent. Working in Paris in 1783.
    2. Elsler (Esler), Johann Joseph. A maker in Mayence about 1715-30. One bass-viol with seven strings, the head of a woman instead of scroll, and with varnish of a yellow-brown colour, was dated 1728. Label: "Joann Joseph Esler, Lauten und Geigenmacher, Meyntz, 1717."
    3. Emiliani, Francesco de. A maker in Rome about 1715-20. He made some beautiful instruments, rather arched, the wood of excellent quality, the varnish a golden-yellow colour. Label: "Franciscus de Emilianis, fecit Roma, anno Dñi, 1729."
    4. Engleder, Andreas. Was maker to the Court at Munich. In 1854 he exhibited there a quintet of instruments made on a new pattern of his own; they were of beautiful workmanship, and of full excellent tone; he was awarded medals. He is well known for his great experience and good work.
    5. Engleder, Ludwig. A maker in Bamberg. Exhibited at Munich, 1854, a violoncello with bow, and two violins, well made, on the German pattern, of excellent tone.
    6. Erikson, Knudt. A maker in Norway. Inside a sort of viola d'amore of the Hardanger peasants in Norway, was the label: "Fabrokert of Knudt Erikson, Helland, 1872."
    7. Ernst, Franz Anton; b. Dec. 3, 1745, at Georgenthal, in Bohemia; d. Jan. 16, 1805, Gotha. Was a celebrated violinist, but also the maker of some very excellent instruments. His first work was done in Prague, where he went for purposes of study about 1763; but in 1778 being appointed solo violinist to the Court of Gotha, he there found leisure to devote himself to the making of violins. He had at first working with him J. A. Otto, who later became one of the best German makers. When Otto started his own business at Weimar, Artmann and Bindernagel, both carpenters, left Weimar and became apprenticed to Ernst. He followed the Stradivari model, and the tone of his instruments is said almost to have equalled that of the Cremona instruments. In 1804 he published in the Allgemeine Musikalische Zeitung (Leipzig) a very interesting article on the construction of violins.

  3. Old violins (1905)

    ENGLEDER, Andreas, Munich, 1854; an original designer.

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    1. ELÉMENT, Jean Laurent. Paris in 1783.
    2. ELSLER (Esler), Johann Joseph. Mayence about 1715-30; bass viol maker; transition on verge of the violin.
    3. EMILIANI, Francesco de. Rome about 1715-20; fine workman; yellow varnish.
    4. ENGLEDER, Andreas, Munich, 1854; an original designer.
    5. ENGLEDER, Ludwig. Bamberg, 1854; German pattern; fair tone.
    6. ERNST, Franz Anton, b. Dec. 3, 1745, Georgenthal, Bohemia; player and maker; Stradivari pattern, and some say approached Stradivari tone.
    7. EULRY-CLÉMENT. Mirecourt, 1800.

Named in 3 books printed between 1896 and 1905. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

One or more sources name this maker, and this record states only that: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); Old violins (1905). Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. Beyond what is printed there, nothing on this site confirms this record and no claim has been invented — not established, and we want to hear from you if you can change it.

What the books say

Places and dates of work
Engleder, Andreas. Was maker to the Court at Munich. In 1854 he exhibited there a quintet of instruments made on a new pattern of his own; they were of beautiful workmanship, and of full excellent tone; he was awarded medals. He was well known for his great experience and good work. reported1
Places and dates of work
Engleder, Andreas. Was maker to the Court at Munich. In 1854 he exhibited there a quintet of instruments made on a new pattern of his own; they were of beautiful workmanship, and of full excellent tone; he was awarded medals. He was well known for his great experience and good work. reported1
Places and dates of work
Engleder, Andreas. Was maker to the Court at Munich. In 1854 he exhibited there a quintet of instruments made on a new pattern of his own; they were of beautiful workmanship, and of full excellent tone; he was awarded medals. He is well known for his great experience and good work. reported1
Places and dates of work
ENGLEDER, Andreas, Munich, 1854; an original designer. reported1

How the pages were read

4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “DICTIONARY OF VIOLIN MAKERS”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 3 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 36, line 17

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 36, line 17

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 34, line 17

  4. Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.machine textcited for 1 linesource record

    scan page 272, line 32