Gedler

As printed

  1. A dictionary of violin makers (1896)

    Gedler, Johann Anthony and Johann Benedict. Two brothers who worked together in Fussen, Bavaria, about 1750 to 1796. They made inferior instruments.

    scan page 44, line 13See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 44, line 13

    1. Gaviniés (Gavaniès), François, b. about 1700. Lived first at Bordeaux, but about 1730 moved to Paris with his son, and was living in rue St.-Thomas-du-Louvre, 1734-63. He made two very different kinds of instruments; the one inferior, the other, for which he used varnish and wood of good quality, was much liked. He generally branded them with his name. Instruments dated 1734, 1735, and 1751; also a six-stringed viol dated 1744 in the Paris Conservatoire Collection, are known. The Conservatoire also has, for the use of its pupils, one of his double-basses with the head sculptured to represent King David; its tone is excellent, it was made in 1757. Label: "Gaviniés, rue St-Thomas-du-Louvre, à Paris, 1734." He had a son, Pierre, the celebrated violinist.
    2. Gedler, Johann Anthony and Johann Benedict. Two brothers who worked together in Fussen, Bavaria, about 1750 to 1796. They made inferior instruments.
    3. Geisenhof (Geiffenhof, Geigenhof), Franz, b. 1754; d. 1821. A maker in Vienna. He made fairly good instruments on the Stradivari pattern. Sometimes branded them with his initials, "F. G." J. B. Schweizer was a pupil of his.
  2. A dictionary of violin makers (n.d.)

    Gedler, Johann Anthony and Johann Benedict. Two brothers who worked together in Füssen, Bavaria, about 1750 to 1796. They made inferior instruments.

    scan page 46, line 13See the scans: 46, 46source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 46, line 13

    1. Gaviniés (Gavaniès), François, b. about 1700. Lived first at Bordeaux, but about 1730 moved to Paris with his son, and was living in rue St.-Thomas-du-Louvre, 1734-63. He made two very different kinds of instruments; the one inferior, the other, for which he used varnish and wood of good quality, was much liked. He generally branded them with his name. Instruments dated 1734, 1735, and 1751; also a six-stringed viol dated 1744 in the Paris Conservatoire Collection, are known. The Conservatoire also has, for the use of its pupils, one of his double-basses with the head sculptured to represent King David; its tone is excellent, it was made in 1757. Label: "Gaviniés, rue St-Thomas-du-Louvre, à Paris, 1734." He had a son, Pierre, the celebrated violinist.
    2. Gedler, Johann Anthony and Johann Benedict. Two brothers who worked together in Füssen, Bavaria, about 1750 to 1796. They made inferior instruments.
    3. Geisenhof (Gaissenhof, Geigenhof), Franz, b. 1754; d. 1821. A maker in Vienna. He made fairly good instruments on the Stradivari pattern. Sometimes branded them with his initials, "F. G." J. B. Schweizer was a pupil of his.
  3. Old violins (1905)

    GEDLER, Johann Anthony and Johann Benedict. Fussen, Bavaria, about 1750-96. Poor violins.

    scan page 275, line 26See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 275, line 26

    1. GATTINARI, Francesco, son of Enrico Gattinari. Good maker, 1700-5; red varnish.
    2. GAUTROT. Mirecourt, 1855.
    3. GAVINIÉS (Gavaniès), François. 1700-63, Bordeaux; 1730 Paris, and was living in Rue St-Thomas-du-Louvre, 1734-63. Unequal maker of violins, some cheap and poor, others very superior.
    4. GEDLER, Johann Anthony and Johann Benedict. Fussen, Bavaria, about 1750-96. Poor violins.
    5. GEISENHOF (Geiffenhof, Geigenhof), Franz, b. 1754; d. 1821. Fairly good.
    6. GEMÜNDER, August, b. 1814, Württemberg; d. Sept., 1895, New York. Excellent maker, fine copyist.
    7. GEMÜNDER, George, brother of August Gemünder, b. 1816 in Württemberg.

Named in 3 books printed between 1896 and 1905. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

Know something about this maker? Tell us.

Details and sources

Record note

Nothing on this site confirms this record beyond what one or more sources state, and that is the whole basis for it: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); Old violins (1905). Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond that has been invented here, which leaves the record not established; tell us if you can change that.

What the books say

Places and dates of work
Gedler, Johann Anthony and Johann Benedict. Two brothers who worked together in Füssen, Bavaria, about 1750 to 1796. They made inferior instruments. reported1
Places and dates of work
Gedler, Johann Anthony and Johann Benedict. Two brothers who worked together in Füssen, Bavaria, about 1750 to 1796. They made inferior instruments. reported1
Places and dates of work
Gedler, Johann Anthony and Johann Benedict. Two brothers who worked together in Fussen, Bavaria, about 1750 to 1796. They made inferior instruments. reported1
Places and dates of work
GEDLER, Johann Anthony and Johann Benedict. Fussen, Bavaria, about 1750-96. Poor violins. reported1

How the pages were read

4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “DICTIONARY OF VIOLIN MAKERS”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image.

The books behind this record

This record draws on 3 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 46, line 13

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 46, line 13

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 44, line 13

  4. Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.machine textcited for 1 linesource record

    scan page 275, line 26