Bow & Bridge

Haynes, Jacob

As printed

  1. A dictionary of violin makers (1896)

    Haynes, Jacob. Was working in London in 1746. He followed the Stainer pattern.

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    1. Hassert. A maker in Eisenach in the 18th century. He made very good instruments, not much arched, used beautiful wood, and an amber-coloured varnish; his imitations of Italian instruments were excellent.
    2. Hassert. A brother of Hassert, of Eisenach. Worked about 1790 in Rudolstadt. His instruments were not so good as those of his brother; they are much arched, of excellent wood, and finished with great care, but the tone is rather harsh.
    3. Haudek, Carl. See "Lemböck."
    4. Haynes, Jacob. Was working in London in 1746. He followed the Stainer pattern.
    5. Heberlein, Heinrich, jun. A very clever maker in Markneukirchen, Saxony, at the present time.
    6. Heesom, Edward. Was working in London about 1748-50. He followed the Stainer pattern. Label: "Edward Heesom, Londini, fecit 1749."
    7. Heidegger. A maker in Passau.

  2. British violin-makers classical and modern; being a biographical and critical dictionary of British makers of the violin from the foundation of the classical school to the end of the nineteenth century (1904)

    HAYNES, JACOB, London: c. 1750. He made fairly good copies of Stainer. Label:—

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    2. HAYNES & CO., London, contemporary. Chiefly dealers.
    4. HAYNES, JACOB, London: c. 1750. He made fairly good copies of Stainer. Label:—
    6. JACOB HAYNES,
    7. IN SWALLOW STREET, ST. JAMES',

  3. A dictionary of violin makers (n.d.)

    Haynes, Jacob. Was working in London in 1746. He followed the Stainer pattern.

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    2. Haudek, Carl. See "Lemböck."
    4. Haynes, Jacob. Was working in London in 1746. He followed the Stainer pattern.
    6. Heberlein, Heinrich, jun. A very clever maker in Markneukirchen, Saxony, at the present time.
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  1. Dictionary of Violin makers (1928)

    HAYNES (Jacob) — London 1850. Stainer model.

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    2. HART (George) — London. Born in 1860. Son and successor of the afore-mentioned. His work is greatly appreciated for its fine workmanship. Copies of the Italian masters. No 260.
    4. HAYNES (Jacob) — London 1850. Stainer model.
    6. HEATON (William) — Gomersal circa 1825-1900. A cabinet maker who became a talented violin maker. He has reproduced the Stradivarius model with great skill. Label: WILLIAM HEATON, Maker, Hill Top, Gomersal Nr Leeds.

  2. Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904)

    Haynes, Jacob. — London. 1746.

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    1. Haynes, Jacob. — London. 1746.
    2. Er baute nach dem Stainermodell und nach Barret, hat aber nichts Hervorragendes geschaffen.
    4. Haynes, W. S. — London. 1854. 1902.

  3. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922)

    Haynes, Jacob. — London. 1746

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    1. Ein wenig bekannter Meister, von dem auf der Lon-
    2. doner Music Loan Exhibition 1904 eine Zither aus dem Besitze von A. F. Hill ausgestellt war.
    4. Haynes, Jacob. — London. 1746
    5. Er baute nach dem Stainermodell und nach Barret, hat aber nichts Hervorragendes geschaffen.
    7. Haynes, W. S. — London. 1854. 1902

Named in 6 books printed between 1896 and 1928. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 6 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

If you can add to this record, we want to hear from you. As it stands, one or more sources name this maker and nothing else on this site confirms it: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); British violin-makers classical and modern; being a biographical and critical dictionary of British makers of the violin from the foundation of the classical school to the end of the nineteenth century (1904); Dictionary of Violin makers (1928); Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904); Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). Entries from 6 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond what those sources state is invented here, so not established is the honest word for it.

What the books say

Places and dates of work
Haynes, Jacob. Was working in London in 1746. He followed the Stainer pattern. reported1
Places and dates of work
Haynes, Jacob. Was working in London in 1746. He followed the Stainer pattern. reported1
Places and dates of work
Haynes, Jacob. Was working in London in 1746. He followed the Stainer pattern. reported1
Places and dates of work
HAYNES, JACOB, London: c. 1750. He made fairly good copies of Stainer. Label:— reported1
Places and dates of work
HAYNES (Jacob) — London 1850. Stainer model. reported1
Places and dates of work
Haynes, Jacob. — London. 1746. reported1
Places and dates of work
Haynes, Jacob. — London. 1746 reported1

How the pages were read

7 of the 7 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “VIOLIN AND BOW MAKERS”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 6 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

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  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 55, line 29

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

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  4. Morris, W. Meredith (William Meredith), 1867-1921, British violin-makers classical and modern; being a biographical and critical dictionary of British makers of the violin from the foundation of the classical school to the end of the nineteenth century (London, Chatto & Windus, 1904). archive.org, britishviolinmak00morrrich. https://archive.org/details/britishviolinmak00morrrich.machine textcited for 1 linesource record

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  5. Arnold Sewell, Dictionary of Violin makers (1928). archive.org, dictionaryofviol0000arno. https://archive.org/details/dictionaryofviol0000arno.machine textcited for 1 linesource record

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  6. Die Geigen- und Lautenmacher vom Mittelalter bis zur Gegenwart (1904). archive.org, bub_gb_cWCqAAAAIAAJ. https://archive.org/details/bub_gb_cWCqAAAAIAAJ.machine textcited for 1 linesource record

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  7. Die Geigen und Lautenmacher vom Mittelalter bis zur Gegenwart (1922). archive.org, diegeigenundlaut02lt. https://archive.org/details/diegeigenundlaut02lt.machine textcited for 1 linesource record

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