As printed
HUMEL, Christian, Nuremberg, about 1709.
scan page 211, line 17See the scan
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scan page 211, line 17
- HOFMANN, Martin, Leipsic, 18th century.
- HORNSTAINER, Matthias, Mittenwald. Similar to Kloz.
- HÜLLER, Augustine, Shöneck, 1775.
- HUMEL, Christian, Nuremberg, about 1709.
- HÜNGER, Christopher Frederick, Leipsic, 1780. One of the best German makers.
- JACOBI, Meissen. A famous Lute maker.
- JACOBS, Amsterdam, 1690—1740. A close imitator of Nicholas Amati. Few makers have been more mistaken than Jacobs; so exact was he in following the model of Amati, that numbers of his Violins are passed by the inexperienced as original. He mostly selected the grand pattern of Amati for his model, which gave him full scope for the exercise of his powers. He selected wood as nearly as possible resembling that found in the works of
HUMEL, Christian. Nuremberg in 1709.
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- HULINSKI. Prague in 1760; instruments were well made; varnish red-brown.
- HULLER, August. Shoeneck, 1735-76.
- HULSKAMP, G. H., b. in Westphalia. Settled in New York, U.S.A. In the 1862 London Exhibition he exhibited violins made on a new pattern. Instead of the ordinary sound-holes, was one round hole in the middle of the violin, just below where the bow sets the strings in motion; his innovations ineffectual.
- HUMEL, Christian. Nuremberg in 1709.
- HUNGER, Christoph Friedrich, b. 1718, Dresden; d. 1787, Leipzig; excellent instruments.
- HUREL, Jean. Paris, living in 1686, Rue des Arcis, at the sign of "A l'image de St Pierre"; from 1689 to 1717, Rue St Martin, near the Fontaine Maubué. He was maker of instruments "pour la musique du Roy."
- HUSSON. See "Buthod."
Named in 2 books printed between 1880 and 1905. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.
Details and sources
Record note
What this record rests on is Old violins (1905); The violin: its famous makers and their imitators. : With several wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others (1880), naming this maker and nothing more. Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. Nothing else on this site confirms it and no claim has been invented beyond that naming — not established, until someone can tell us more.
What the books say
- Places and dates of work
- HUMEL, Christian. Nuremberg in 1709. reported1
- Places and dates of work
- HUMEL, Christian, Nuremberg, about 1709. reported1
How the pages were read
2 of the 2 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “DICTIONARY OF VIOLIN MAKERS”, “GERMAN MAKERS.”.
Notes
- Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩
The books behind this record
This record draws on 2 sources, both read from machine text. The count weighs how well each source was read, not just how many are cited. A stack of half-read sources does not outweigh one page read properly.
- Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.
scan page 280, line 12
- Hart, George, 1839-1891, The violin: its famous makers and their imitators. : With several wood engravings from photographs of the works of Stradiuarius, Guarnerius, Amati, and others (London: Dulau, 1880). archive.org, violinitsfamousm00hart_0. https://archive.org/details/violinitsfamousm00hart_0.
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