As printed
KLOTZ, Sebastian, a brother of Joseph and George Klotz. 1700-40. The best maker in the family. Large pattern, not much arched; varnish is excellent, the tone clear and full.
scan page 281, line 51See the scan
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 281, line 51
- KLOTZ, Michael and Carl, two brothers. Mittenwald about 1770. A great many of the violins with "Stainer" labels are made by members of the Klotz family.
- KLOTZ, Sebastian, a brother of Joseph and George Klotz. 1700-40. The best maker in the family. Large pattern, not much arched; varnish is excellent, the tone clear and full.
- KLÜHER. Markneukirchen, Saxony.
A dictionary of violin makers (1896)
Klotz, Sebastian, a brother of Joseph and George Klotz. Worked in Mittenwald about 1700-40. He seems to have been the best maker in the family. …
scan page 61, line 1See the scan
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 61, line 1
- Klotz, Sebastian, a brother of Joseph and George Klotz. Worked in Mittenwald about 1700-40. He seems to have been the best maker in the family. His violins are of a large pattern, not much arched; as a rule the varnish is excellent, the tone is clear and full, and the work is carefully finished. Label: "Sebastian Klotz in Mittenwald, an. 1700." A similar label in a violin, with yellow-brown varnish, was dated 1740.
- Klüher. A maker in Markneukirchen, Saxony.
A dictionary of violin makers (n.d.)
Klotz, Sebastian, a brother of Joseph and George Klotz. Worked in Mittenwald about 1710-40. He seems to have been the best maker in the family. …
scan page 63, line 1See the scans: 63, 63source record
Read the transcript line
This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.
scan page 63, line 1
- Klotz, Sebastian, a brother of Joseph and George Klotz. Worked in Mittenwald about 1710-40. He seems to have been the best maker in the family. His violins are of a large pattern, not much arched; as a rule the varnish is excellent, the tone is clear and full, and the work is carefully finished. Label: "Sebastian Klotz in Mittenwald, an. 1730." A similar label in a violin, with yellow-brown varnish, was dated 1740.
- Knichtel. A maker in Lübeck in the 18th century.
Named in 3 books printed between 1896 and 1905. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.
Details and sources
Record note
If you can add to this record, we want to hear from you. As it stands, one or more sources name this maker and nothing else on this site confirms it: A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896); Old violins (1905). Entries from 3 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond what those sources state is invented here, so not established is the honest word for it.
What the books say
- Places and dates of work
- Klotz, Sebastian, a brother of Joseph and George Klotz. Worked in Mittenwald about 1710-40. He seems to have been the best maker in the family. … reported1
- Places and dates of work
- Klotz, Sebastian, a brother of Joseph and George Klotz. Worked in Mittenwald about 1710-40. He seems to have been the best maker in the family. … reported1
- Places and dates of work
- Klotz, Sebastian, a brother of Joseph and George Klotz. Worked in Mittenwald about 1700-40. He seems to have been the best maker in the family. … reported1
- Places and dates of work
- KLOTZ, Sebastian, a brother of Joseph and George Klotz. 1700-40. The best maker in the family. Large pattern, not much arched; varnish is excellent, the tone clear and full. reported1
How the pages were read
4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 2 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “A DICTIONARY OF VIOLIN MAKERS.”, “DICTIONARY OF VIOLIN MAKERS”.
Notes
- Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩
The books behind this record
This record draws on 3 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.
scan page 63, line 1
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.
scan page 63, line 1
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.
scan page 61, line 1
- Haweis, H. R. (Hugh Reginald), 1839-1901, Old violins (Edinburgh, Grant, 1905). archive.org, oldviolins00hawe. https://archive.org/details/oldviolins00hawe.
scan page 281, line 51