As printed
LISTER, JOHN, Leeds: 1720-30. Very ordinary Stainer copies.
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scan page 221, line 9
- Maker.
- Stockton-on-Tees. 1899
- LISTER, JOHN, Leeds: 1720-30. Very ordinary Stainer copies.
- LOGAN, JOHN, Biggar, N.B., contemporary. He is an excellent amateur maker who has made and restored a large number of instruments. He follows the Joseph, Strad, and Maggini models. One violin which I examined was made on the Strad model with plates graduated after a Maggini instrument. The tone was large, rich, and free.
A dictionary of violin makers (n.d.)
Lister, John. Leeds, 1727.
scan page 68, line 2See the scans: 68, 68source record
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scan page 68, line 2
- d. 1824; made fairly good instruments; used yellow-brown varnish.
- Lister, John. Leeds, 1727.
- Lolio, Giambattista. Bergamo, 17—.
- Loly, Jacopo. Was working in Naples in 1627; followed the pattern of Grancino; used yellow varnish; his instruments were not arched, and the wood was of too hard a quality. He made some large-sized tenors.
- Longman and Broderip were not violin makers, but were instrument sellers in Cheapside, London, about 1760, and many of the instruments they sold, marked with their name, were made for the firm by Benjamin Banks, or Jay.
Named in 2 books, all printed 1904. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record.
Details and sources
Record note
If you can add to this record, we want to hear from you. As it stands, one or more sources name this maker and nothing else on this site confirms it: A dictionary of violin makers (1890); A dictionary of violin makers (1890); British violin-makers classical and modern; being a biographical and critical dictionary of British makers of the violin from the foundation of the classical school to the end of the nineteenth century (1904). Entries from 2 books stand under this name, and the software judged them likely the same person. Tell us if that is wrong and we will split the record. No claim beyond what those sources state is invented here, so not established is the honest word for it.
What the books say
- Places and dates of work
- Lister, John. Leeds, 1727. reported1
- Places and dates of work
- Lister, John. Leeds, 1727. reported1
- Places and dates of work
- LISTER, JOHN, Leeds: 1720-30. Very ordinary Stainer copies. reported1
How the pages were read
3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “VIOLIN AND BOW MAKERS”.
Notes
- Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩
The books behind this record
This record draws on 2 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.
scan page 68, line 2
- Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.
scan page 68, line 2
- Morris, W. Meredith (William Meredith), 1867-1921, British violin-makers classical and modern; being a biographical and critical dictionary of British makers of the violin from the foundation of the classical school to the end of the nineteenth century (London, Chatto & Windus, 1904). archive.org, britishviolinmak00morrrich. https://archive.org/details/britishviolinmak00morrrich.
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