Bow & Bridge

Mezadri, Alessandro

As printed

  1. The violin: its famous makers and their imitators (1909)

    Mezadri, Alessandro, Ferrara, 1690 – 1722. The pattern is inelegant, and the sound-holes too close.

    scan pages 200, 202 · line 8See the scans: 200, 202source record

    Mezadri, Alessandro, Ferrara, 1690–1722. The pattern is inelegant, and the sound-holes too close.

    scan page 210, line 8See the scansource record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 200, line 8

    1. Mariani, Antonio, Pesaro, from about 1580 to 1619. Long middle bouts and corners; style and work very primitive, mostly double purfled.
    2. Meiberi, Francesco, Leghorn, 1750.
    3. Messeguer, Spanish, about 1646.
    4. Mezadri, Alessandro, Ferrara, 1690 – 1722. The pattern is inelegant, and the sound-holes too close.
    5. Mezadri, Francesco, Milan, about 1712.
    6. Mialfi, Joannes, 1769. The label is in Spanish. Ordinary character of work.
    7. Montagnana, Domenico, Cremona and Venice, Dominicus Montagnana Sub Signo 1700-1740. Pupil of Cremonae Venetiis 17— Antonio Stradivari. After leaving the workshop of his famous master,

    scan page 210, line 8

    1. Mariani, Antonio, Pesaro, from about 1580 to 1619. Long middle bouts and corners; style and work very primitive, mostly double purfled.
    2. Meiberi, Francesco, Leghorn, 1750.
    3. Messeguer, Spanish, about 1646.
    4. Mezadri, Alessandro, Ferrara, 1690–1722. The pattern is inelegant, and the sound-holes too close.
    5. Mezadri, Francesco, Milan, about 1712.
    6. Mialfi, Joannes, 1769. The label is in Spanish. Ordinary character of work.
    7. Montagnana, Domenico, Cremona and Venice, Dominicus Montagnana Sub Signo 1700–1740. Pupil of Cremonae Venetiis 17— Antonio Stradivari.

  2. The violin: its famous makers and their imitators (1884)

    Mezadri, Alessandro, Ferrara, 1690—1722. The pattern is inelegant, and the sound-holes too close.

    scan page 202, line 6See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 202, line 6

    1. Maratti, Verona, about 1700.
    2. Mariani, Antonio, Pesaro, from about 1580. Worked after the manner of Maggini.
    3. Meiberi, Francesco, Leghorn, 1750.
    4. Mezadri, Alessandro, Ferrara, 1690—1722. The pattern is inelegant, and the sound-holes too close.
    5. Mezadri, Francesco, Milan, about 1712.
    6. Montagnana, Domenico, Cremona and Venice, 1700—1740. Pupil of Antonio Stradivari After leaving the workshop of his famous master, he followed his art in Cremona. He afterwards removed to Venice, where Violin manufacture was in the most flourishing condition, and adopted the name of "Cremona" as the sign of his house. In days when houses were unnumbered, tradesmen were found by their sign, and they were often puzzled to select one

Named in 2 books printed between 1884 and 1909. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

The violin: its famous makers and their imitators (1884); The violin: its famous makers and their imitators (1909); the violin its famous makers and their imitators (1909); The violin: its famous makers and their imitators (1909) is what this record is built on, nothing more. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record. No claim beyond that naming has been invented here, so not established is the honest state of the record — tell us if you can change it.

What the books say

Places and dates of work
Mezadri, Alessandro, Ferrara, 1690—1722. The pattern is inelegant, and the sound-holes too close. reported1
Places and dates of work
Mezadri, Alessandro, Ferrara, 1690 – 1722. The pattern is inelegant, and the sound-holes too close. reported1
Places and dates of work
Mezadri, Alessandro, Ferrara, 1690–1722. The pattern is inelegant, and the sound-holes too close. reported1
Places and dates of work
Mezadri, Alessandro, Ferrara, 1690 – 1722. The pattern is inelegant, and the sound-holes too close. reported1

How the pages were read

4 of the 4 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 3 of them rest on a section heading above a list of names, not on a trade word printed on their own line: “SECTION XII.—ENGLISH MAKERS.”, “THE VIOLIN AND ITS FAMOUS MAKERS.”, “SECTION X.—GERMAN MAKERS.”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image. ↩

The books behind this record

This record draws on 2 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Hart, George, 1839-1891, The violin: its famous makers and their imitators (London, Dulau and co. [etc.], 1884). archive.org, violinitsfamousm84hart. https://archive.org/details/violinitsfamousm84hart.machine textcited for 1 linesource record

    scan page 202, line 6

  2. The violin: its famous makers and their imitators (1909). archive.org, violinitsfamousm00hartuoft. https://archive.org/details/violinitsfamousm00hartuoft.machine textcited for 1 linesource record

    scan page 200, line 8

  3. the violin its famous makers and their imitators (1909). archive.org, violinitsfamousm0000geor. https://archive.org/details/violinitsfamousm0000geor.machine textcited for 1 linesource record

    scan page 210, line 8

  4. Hart, George, 1839-1891, The violin: its famous makers and their imitators (London: Dulau, 1909). archive.org, violinitsfamousm00hart. https://archive.org/details/violinitsfamousm00hart.machine textcited for 1 linesource record

    scan page 202, line 8