Rance, Thomas

As printed

  1. A dictionary of violin makers (1896)

    Rance, Thomas. A maker in Brussels about 1680-85. A violin of ordinary workmanship had a flat back, the sound-holes rather wide, and purfling well executed.

    scan page 83, line 15See the scan

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 83, line 15

    1. Ramftler, Franz, b. May 23, 1834, Munich. Pupil of Andreas Engleder in Munich; started his own business there in 1860. Principally repairs and deals in old Italian instruments, but has lately made some very good new violins on the Stradivari pattern, using a varnish of his own invention. Was appointed Court violin maker.
    2. Rance, Thomas. A maker in Brussels about 1680-85. A violin of ordinary workmanship had a flat back, the sound-holes rather wide, and purfling well executed.
    3. Ranta, Pietro. A maker in Brescia in 1733, who followed the Amati pattern.
  2. A dictionary of violin makers (n.d.)

    Rance, Thomas. A maker in Brussels about 1680-85. A violin of ordinary workmanship had a flat back, the sound-holes rather wide, and purfling well executed.

    scan page 85, line 7; scan page 85, line 15See the scans: 85, 85source record

    Read the transcript line

    This is what the software read off the scan, not the page itself. The cited line is marked, and three lines either side are shown for context.

    scan page 85, line 7

    1. Rambaux, Claude Victor, b. Feb. 25, 1806, at Darney in the Vosges; d. June 25, 1871, at Mirecourt. In 1820 was apprenticed to L. Moitessier in Mirecourt, and remained with him till July 12, 1824. Then went to Caen and worked under Thibout, 1824-27, and then to Paris, where, from Aug. 22, 1827, till June 7, 1838, he worked with Gand. In 1838 he started his own business at 18, faubourg Poissonnière. The new instruments that he made show great ability, but he chiefly devoted himself, with infinite patience and care, to repairing old instruments; he was especially skilful in "cutting down" the old Italian violoncellos, which vary much in pattern, and generally have to be reduced in size to that of the Stradivari model, so as to meet modern requirements. After nineteen years' work in Paris, he retired to Mirecourt in June, 1857, having gained silver medals at the 1844 and 1849 Exhibitions, and the first class medal at the 1855 Paris Exhibition. Label: "Claude Victor Rambaux Breveté à Paris, 1846, C.V.R." He had two sons, but neither of them became violin makers.
    2. Rambouts. See "Rombouts."
    3. Ramftler, Franz, b. May 23, 1834, Munich. Pupil of Andreas Engleder in Munich; started his own business there in 1860 Principally repairs and deals in old Italian instruments, but has lately made some very good new violins on the Stradivari pattern, using a varnish of his own invention. Was appointed Court violin maker.
    4. Rance, Thomas. A maker in Brussels about 1680-85. A violin of ordinary workmanship had a flat back, the sound-holes rather wide, and purfling well executed.
    5. Ranta, Pietro. A maker in Brescia in 1733, who followed the Amati pattern.
    6. Raphael. Sec "Raffaele."
    7. Rasura, Vincenzo. Worked at Lugo in 1785.

Named in 2 books, all printed 1896. Read by software from scans of those pages, not yet checked by a person against the page. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record.

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Details and sources

Record note

Not established: that is this record’s honest state, resting on one thing alone — A dictionary of violin makers (1890); A dictionary of violin makers (1890); A dictionary of violin makers (1896), naming this maker and nothing more. Entries from 2 books stand under this name, and the software judged them near-certain the same person. Tell us if that is wrong and we will split the record. No claim beyond what is printed there has been invented here. If more can be said, write in and tell us.

What the books say

Places and dates of work
Rance, Thomas. A maker in Brussels about 1680-85. A violin of ordinary workmanship had a flat back, the sound-holes rather wide, and purfling well executed. reported1
Places and dates of work
Rance, Thomas. A maker in Brussels about 1680-85. A violin of ordinary workmanship had a flat back, the sound-holes rather wide, and purfling well executed. reported1
Places and dates of work
Rance, Thomas. A maker in Brussels about 1680-85. A violin of ordinary workmanship had a flat back, the sound-holes rather wide, and purfling well executed. reported1

How the pages were read

3 of the 3 lines here were read from machine text (software that turns a photo of a page into words), not by a person looking at the page image. 1 of them rests on a section heading above a list of names, not on a trade word printed on its own line: “A DICTIONARY OF VIOLIN MAKERS.”.

Notes

  1. Read from machine text (software that turns a photo of a page into words, or a typed transcription), not by a person looking at the page image.

The books behind this record

This record draws on 2 sources. Each is listed below with how it was read, because a claim read from a photo of the page is stronger than one read from machine text.

  1. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol00stai. https://archive.org/details/dictionaryofviol00stai.machine textcited for 1 linesource record

    scan page 85, line 7

  2. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London: Novello, n.d.). archive.org, dictionaryofviol1899stai. https://archive.org/details/dictionaryofviol1899stai.machine textcited for 1 linesource record

    scan page 85, line 15

  3. Stainer, C. (Cecie), 1867-1937, A dictionary of violin makers (London ; New York: Novello, Ewer, 1896). archive.org, dictionaryofviol00stai_0. https://archive.org/details/dictionaryofviol00stai_0.machine textcited for 1 linesource record

    scan page 83, line 15