Books › A Cyclopaedic Dictionary of Music, 1908 › scan 143
Scan 143
A Cyclopaedic Dictionary of Music, 1908
81 lines. Read by computer on 12 September 2026, twice; the two readings disagreed in places. Printed page 127. See the scan on archive.org.
1DUG'GAN, Joseph F. B. Dublin, 1817; d. 1900. Pianist and teacher. Taught in America, Paris, Edinburgh, and London. Works: 2 operas, chamber music, pf. pieces; "The Singing-Master's Assistant," a translation of Albrechtsberger's "Science of Music," &c.
3DU'IFFOPRUGGAR (or Tieffenbrucker), Caspar. B. Bavaria, 1514; d. Lyons, 1572. He was long thought to be the first maker of violins, but this has been recently disputed. He is known to have constructed a fine type of Viola da gamba. one of two readings
4OU'IFFOPRUGGAR (or Tieffenbrucker), Caspar. B. Bavaria, 1514; d. Lyons, 1572. He was long thought to be the first maker of violins, but this has been recently disputed. He is known to have constructed a fine type of Viola da gamba. one of two readings
6DUKAS, Paul. Noted composer; b. Paris, 1865. one of two readings
7OUKAS, Paul. Noted composer; b. Paris, 1865. one of two readings
9Dulçaynas (S.). A variety of small bassoon.
10(no line here) one of two readings
11Dulcian, Dulci'no (I.). A variety of small bassoon. one of two readings
13Dulcian, Dulci'no (I.). A small bassoon. (2) An org. stop of sweet, delicate, soft tone. Various other spellings are found, generally commencing with dolc, or dulc, all derived from I. dolce, or L. dulcis, sweet. one of two readings
14Dulcian'a. (1) A small bassoon. (2) An org. stop of sweet, delicate, soft tone. Various other spellings are found, generally commencing with dolc, or dulc, all derived from I. dolce, or L. dulcis, sweet. one of two readings
16Dul'cimer. An instrument of very ancient origin, consisting of a number of wires stretched over a resonance box, and struck with hammers held in the hands of the player. It is regarded as the prototype of the pf. (See Pianoforte.)
18DUL'CKEN, Luise. Sister of Ferdinand David. B. Hamburg, 1811; d. London, 1850. Fine pianist; played in public at 11. Queen Victoria was one of her pupils.
20DUL'CKEN, Ferdinand Quentin. Son of the preceding. B. London, 1837. Pianist; pupil of Mendelssohn, Moscheles, Gade, and F. Hiller. Made many concert tours in Europe and America (where he lived several years). D. 1902. Works: an opera, Wieslaw; a mass, cantatas, songs, pf. pieces, &c.
22DULON (DULONG), Fr. Ludwig. Blind flautist; b. nr. Potsdam, 1769; d. 1826. Toured through Europe from 1783. Chamber musician, St. Petersburg, 1796-1800. Works: a flute concerto, flute duets, duets and variations for flute and violin, &c., and an interesting autobiography.
24DULONG, Franz H. von. Tenor; b. Hamm, 1861.
26Dulzaginas (S.). A dulciana.
28Dumb Piano. (See Digitorium.)
30Dum'ka. A Bohemian lament or dirge.
32Dump, Dumpe. An old dance in slow 4-4 time. "A melancholy tune."—Moore.
34Dumpf (G.). Dull, hollow.
36DUN, Finlay. B. Aberdeen, 1795; d. 1853. Viola player; compiled and edited several collections of Scottish melodies, &c. (See Scottish Music.)
38DUNCAN, Wm. Edmundstoune. Composer; b. Sale, Cheshire, 1866.
40DUNHAM, Henry M. American musician and teacher; b. Brockton, Mass., 1853. Works: an Organ School (4 vols.), 2 organ sonatas and other organ music; a "System of Technique" for pf., pf. pieces, &c.
42DUNHILL, Thos. F. Composer; b. London, 1877.
44DU'NI, Egidio R. B. nr. Naples, 1709; d. Paris, 1775. Pupil of Durante. The success of his early operas led him to settle in Paris, 1755. "He is regarded as the founder of French operá-bouffe." His 13 Italian and 20 French operas include Nerone (Rome, 1735), and Ninette à la cour (Paris, 1755).
46DUNKLEY, Ferdinand L. Organist and composer; b. London, 1869.
48DUNN, John. Violinist; b. Hull, 1866.
50DUNN, M. Sinclair. Tenor vocalist, composer, and writer; b. Glasgow, 1846.
52DUNSTABLE, John (of). B. Dunstable, Beds., abt. 1380; d. 1453. Tinctor called him "The chief of the English, by whom the new art of counterpoint had been invented." Dunstable, Binchois, and Dufay were "the three greatest contrapuntists of that period." He is said to have invented passing-notes and suspensions, and to have introduced progressions of 3rds and 6ths in place of the earlier 4ths and 5ths. Some of his works are still extant in the libraries of the Vatican, British Museum, Bologna, Vienna, &c.
54DUNSTAN, Ralph. B. nr. Truro, Nov. 17th, 1857. Mus.Doc. Cantab., 1892. Works: services, anthems, school cantatas, school songs, &c.; "A Manual of Music" (18th edition, 1904), Novello's Primer, "Basses and Melodies," "First Steps in Harmony," "A B C of Musical Theory," "Voice Production Exercises," "The Organist's First Book," &c.
56Du'o (I). A duet.
58Duode'cima (I.). The interval of a 12th.
60Duodecimo'le (I.). A dodecuplet (q.v.).
62Duodram'ma (I.). (1) A drama for two performers. (2) A spoken dialogue with musical accompaniment.
64Du'o'i (I). Same as Due (q.v.)
66Duole (G.). A duplet. Two notes in the time of three in tripletted times:—
68Duo'lo, Con (I.). With sadness, grief, melancholy.
70DUPARC, Henri. B. Paris, 1848. Works: some beautiful songs, &c.
72Duple Time. Any time with 2 beats to a measure; 2-pulse measure and quick 6-pulse measure.
73Simple duple time: \( \frac{2}{4}, \frac{2}{2}, \frac{2}{3} \).
74Compound duple time: \( \frac{6}{16}, \frac{6}{8}, \frac{6}{4} \).
76Du'plet. (See Duole.)
78Duplicazio'ne (I.). Doubling (a note, part, &c.).
80DUPONT, Auguste. B. nr. Liége, 1828; d. 1890. Fine pianist and successful teacher. Toured in England and Germany. Prof. Brussels Cons. 1852. Works: concertos, characteristic pieces, and études for pf.; and an excellent historical "Ecole de Piano."
The computer misreads some letters and numbers. Where a name matters to you, read the scan.