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Scan 69
A Cyclopaedic Dictionary of Music, 1908
166 lines. Read by computer on 12 September 2026, twice; the two readings disagreed in places. Printed page 53. See the scan on archive.org.
1Behandlung (G.). Management, treatment, manipulation.
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4Behend'ig (G.). Dexterous, agile, nimble.
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7Beherzt' (G.). Resolute, determined; spirited.
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10BEHM, Eduard. Pianist and composer; b. Stettin, 1862.
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13BEHN'KE, Emil. Voice specialist. B. Stettin, 1836; d. 1892. Lived several years in London as a teacher of voice production. His published works include "The Mechanism of the Human Voice" (1880) "Voice, Song, and Speech," with Dr. Lennox Browne (1883), "Voice-training Exercises" (with Dr. C. W. Pearce,) &c.
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16EHR, Franz. B. Mechlenburg, 1837; d. 1898. Published popular pf. pieces under the names "Wm. Cooper," "Charles Morley," and "Francesco d'Orso."
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19EHR, Therese. Contralto; b. Stuttgart, 1876.
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22EHR'END, Arthur H. Composer; b. Danzig, 1853.
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25ei (G.). At, with, for, by.
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28Bei Wie'derholung. To be repeated.
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31ei'de (G.). Both.
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34Bei'de Peda'le. Both (pf.) pedals.
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37ei'nah(e) (G.). Almost, nearly.
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40Bei'nah dop'pelt so lang'sam. Almost twice as slow.
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43Bei'nah dop'pelt so rasch. Almost twice as fast.
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46ei'spiel (G.). Example; precedent.
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49ei'sser (G.). A mordent (q.v.).
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52ei'töne (G.). Harmonics, partials, undertones. (See Acoustics.)
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55ei'zeichen (G.). An accidental.
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58eklemmt' (G.). Oppressed, anxious.
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61el bel'lo (I.). Gently, softly, sweetly.
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64el can'to (I.). "Beautiful song." The (so-called) Italian (cantabile) method of singing.
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67ELCHER, William T. B. Birmingham, 1827. Mus.D. Oxon, 1872. D. 1905. Wrote church music, cantatas, &c.
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70ELCKE, F. A. B. Lucka, 1795; d. 1874. Famed as "the first concert virtuoso" on the trombone. He was a member of the Gewandhaus orchestra, Leipzig.
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73ELCKE, C. G. Brother of F. A. 1796-1875. Brilliant flautist in the Gewandhaus orchestra. Wrote flute concertos, &c.
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76ELDOMAN'DIS (Beldemandis, or Beldemando). Wrote treatises on Mensural Music, 15th century.
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79le'bend, Belebt' (G.). Animated; lively.
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82Bele'bung. Liveliness; animation.
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85Belebt', nicht zu rasch. Animated, but not too fast.
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88legt' (G.). Hoarse, veiled, covered.
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91ELIA'IEV (BELJAJEW), M. P. St. Petersburg, 1836-1904. Published abt. 2,500 works of young Russian composers.
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94ELICZAY, Julius von. Hungarian composer. B. 1835; d. Pesth, 1893. Pupil of Joachim. Wrote numerous orchestral, vocal, and chamber works, including a symphony, a mass, a string quartet, songs, pf. pieces, &c.
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97lie'ben (G.). Pleasure. Nach Belie'ben; ad lib.
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100liebt' (G.). Beloved, popular.
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103LIN (Bellin), G. Parisian tenor singer, 16th century. Wrote cantiques and chansons.
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106BELIN, J. French lutenist; b. about 1530. Published a collection of motets, chansons, &c. in lute tablature, Paris, 1556.
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109BELL, W. H. Contemp. Eng. Composer. Works: Arcadian Suite for orch., &c.
110Bell. (1) The enlarged bell-shaped end of an instrument. (2) (G., Glock'e; F., Cloche; I., Campa'na.) A hollow metallic instrument which gives a predominating musical note of definite pitch when struck. Bell-diapa'son. An organ stop with bell-mouthed open metal pipes. one of two readings
111Bell-gamba. An organ stop with the pipes terminating in a bell. one of two readings
112Bell-harp. Usually known as "Fairy Bells." A small box strung with 8 or more strings of fine wire. "The player swings the instrument as he strikes, producing the effect of the sound of a peal of bells borne on the wind."—Stainer and Barrett. one of two readings
113Bellman. A town, or parish, crier. one of two readings
114Bell metal. An alloy of about 13 parts of copper to 4 of tin. one of two readings
115Bell metronome. A metronome with a bell which can be set to mark the beats. one of two readings
116Bell piano. (See Glockenspiel.) one of two readings
118Bell. (1) The enlarged bell-shaped end of an instrument. (2) (G., Glock'e; F., Cloche; I., Campa'na.) A hollow metallic instrument which gives a predominating musical note of definite pitch when struck. Bell-diapa'son. An organ stop with bell-mouthed open metal pipes. Bell-gamba. An organ stop with the pipes terminating in a bell. Bell-harp. Usually known as "Fairy Bells." A small box strung with 8 or more strings of fine wire. "The player swings the instrument as he strikes, producing the effect of the sound of a peal of bells borne on the wind."—Stainer and Barrett. Bellman. A town, or parish, crier. Bell metal. An alloy of about 13 parts of copper to 4 of tin. Bell metronome. A metronome with a bell which can be set to mark the beats. Bell piano. (See Glockenspiel.) one of two readings
120BEL'LA, J. L. Hungarian priest; b. 1843. Works: church music, orchestral works, pf. pieces, &c., and, especially, national songs for men's voices.
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123BELLAIGUE, Camille. B. Paris, 1858. Mus. critic Revue des deux Mondes, since 1885. Author of works on French music, &c.
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126BELLAMY, Richard. Mus.B.Cantab. B. 1738; d. 1813. Vicar choral, St. Paul's, 1777.
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129BELLAMY, Thos. Ludford. Son of Rd. 1770-1843. Renowned English bass singer; sang in all the chief concerts for nearly half-a-century.
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132BELLA'SIO, P. Venetian composer, 16th cent. Published madrigals, villanelle, &c.
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135BELLASIS, Ed. B. 1852. Has written "Memorials of Cherubini," songs, &c.
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138BELLAZ'ZI, F. Venetian 17th cent. composer. Published a mass, motets, &c.
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141BELLERBY, Edward J. B. Yorkshire, 1858. Mus.Doc. Oxon, 1895. Orgt., Margate.
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144BEL'LERMANN, Johann F. 1795-1874. Director of a gymnasium at Berlin. Wrote treatises on Greek music and notation.
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147BEL'LERMANN, J. G. Son of J. F. B. Berlin, 1832; d. 1903. Prof. at the Univ., 1866. His valuable treatises include an historical exposition of "Mensural Music."
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150BELLET'TI, G. B. Renowned Italian baritone. B. 1815. Sang with Jenny Lind in London, Paris, United States, &c.
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153Bellez'za (I.). Beauty, grace, style.
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156BEL'LI, Girolamo. Venetian composer, 16th cent. Published motets, madrigals, &c., some of them in 10 parts.
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159BEL'LI, Giulio. Maestro Imola Cath., abt. 1620. Published masses, madrigals, canzonettes, psalms &c., mostly in 8 parts.
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162Bellicosamen'te (I.) Bellicose, martial, warlike.
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165BELLINCIO'NI, Gemma. Soprano; b. Como, 1866,
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