Books › A cyclopædic dictionary of music .., 1925 › scan 17
Scan 17
A cyclopædic dictionary of music .., 1925
45 lines. Read by computer on 7 September 2026. No printed page number was found. See the scan on archive.org.
1Cyclopædic Musical Dictionary
3[D., Danish; Du., Dutch; E., English; F., French; G., German; Gk., Greek; I., Italian; L., Latin; N., Norwegian; P., Portuguese; Pol., Polish; R., Roumanian; Ru., Russian; S., Spanish; Sw., Swedish; Cons., Conservatoire; Pf., Pianoforte; Org., Organ; Vn., Violin; Inst., Instrument; Prof., Professor; Orch., Orchestra; b., born; d., died.]
5A
6(1) The 6th note of the major scale of C.
7(2) The key-note, or tonic, of the standard minor scale (A minor); and of the major scale requiring three sharps (A major).
8(3) The note sounded by the oboe, organ, or piano to which the instruments of a band or orchestra are tuned.
9The exact pitch of this "tuning" note depends upon the standard used:—
10French "Diapason Normal" = 435 vibrations per second.
11Society of Arts' pitch = 440 vibrations per second.
12"Concert" pitch (so-called) = about 455 vibrations per second. (See Acoustics.)
13"New Philharmonic" = 439.
14(4) The Proslambanomenos of the Greeks.
15(5) The Final of the Ninth (Æolian) Mode; and the first note of the Hypodorian Scale. (See Mode.)
16(6) The Dominant of the 1st, 4th, and 6th Modes (Dorian, Hypo-Phrygian, and Hypo-Lydian). (See Mode.)
17(7) The name given to the second string of the violin, and to the first string of the viola and violoncello.
18(8) In organ nomenclature:
19A a a a a
20AA a a a a
21AAA
22(9) In Tonic Sol-fa nomenclature of absolute pitch:
23A A1 A2 A3 A1 A2
24(10) The "letter"-name of LAH in the keys of C major and A minor.
25A (pron. AA or AH). The standard vowel-sound used in voice-production.
26"A" position. A chord which has its root for the bass or lowest note of the harmony; the "b" position has the 3rd of the chord in the bass; the "c" position the 5th, &c.:
27a b c
28positions.
29In Tonic Sol-fa, and in the Text-books issued by Trinity College, London, the "a" position is understood if no small letter follows the capital letter standing for the name of the chord.
30A (I.). At, in, by, for, with, in the style of, &c.; as a tempo, in time; a prima vista, at first sight. When followed by a figure it is sometimes used to indicate the number of voices or parts; as canon a 3, a canon for three voices.
31À (F.). At, in, by, for, &c.; as à deux mains, for two hands.
32AARON (or ARON), Pietro. Celebrated Florentine contrapunctist and writer on music; b. about 1480; d. before 1545. Chief work, Il Toscanello in Musica.
33Ab (G.). (I. Sen'za.) "Off" (as an organ stop). Kop'pel ab (G.). Shut off the organ coupler.
34ABACO, Felice Dall'. B. 1675, Verona; d. 1742, Munich. Italian composer. Works: Important chamber music.
35ABACO, Josefo. 1709—1805. Composer. Works: Sonatas for violoncello (in the British Museum).
36Ab'acus (L.). An ancient instrument for dividing the intervals of the octave.
37A balla'ta (I.). (G. Im Ballad'enstil.) (1) In the style of a ballad. (2) A song with a chorus at the end of each verse. Thus, "Rule, Britannia" is a song a ballata. (3) A vocal piece that may be danced to.
38A battu'ta (I.). (G. Nach dem Takt'schlage.) By the beat; i.e. in strict time. Used after any break in the time, such as a Recitative, Cadenza, or ad lib.
39Abat-voix (F.). "Voice-reflector." Sounding board of a pulpit, &c.
40Abbachia'to (I.). In a dejected style.
41Abbada're (I.). Take care.
42Abbandonamen'te (I.), Abandon (F.). Abbando'ne (I.), or Con abbando'no (I.). (G. Mit Hin'gebung.) With self-abandonment; unrestrainedly; wildly.
43Abbandona're (I.). To quit, to leave. Sen'za abbandona're la cor'da. Without letting the bow leave the string.
44Abbassamen'to (I.). (1) A falling or lowering. Abbassamen'to di ma'no, a lowering of the hand; or the passing of one hand over or under the other. (2) The down-beat. Abbassamen'to di vo'ce. A lowering of the voice.
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