Books › A cyclopædic dictionary of music .., 1925 › scan 239
Scan 239
A cyclopædic dictionary of music .., 1925
105 lines. Read by computer on 7 September 2026. Printed page 223. See the scan on archive.org.
1GROVER, Geo. F. Orgt. and writer; b. London, 1860.
3GROVLEZ, Gabriel. Composer; b. Lille, 1879.
5GRU'A, C. L. P. 1700-1755. Court conductor, Mannheim.
7GRU'A, Paul. Son of C. L. P. B. Mannheim, 1754; d. 1833. Capellmeister, Munich, 1779.
8Wrote an opera, 31 orch. masses, and much other church music, concertos, &c.
10GRUEN'BERG, Eugene. Violinist; b. Lemberg, 1854. Teacher, N. Eng. Cons., Boston.
11Pupil, Vienna Cons. For 10 years member of the Gewandhaus Orch., Leipzig. Settled in America, 1891.
12Works: a symphony, vn. pieces, songs, "The Violinist's Manual," &c.
14GRÜNBERG, Louis. American pianist and composer; b. 1883.
16GRÜN, Friederike. Operatic soprano; b. Mannheim, 1836; d. 1917.
18GRÜN'BERG, Max. Violinist and teacher; b. Berlin, 1852.
20GRÜN'BERGER, Ludwig. Prague, 1839-96. Pianist.
21Works: opera (Die Heimkehr, 1894); pf. and chamber music, and many songs.
23Grund (G.). Ground, foundation, fundamental note, generator.
24Grund'akkord. A chord in its root, or a position.
25Grund'bass. (1) Fundamental bass (q.v.). (2) A ground bass.
26Grund'lage. Root position (of a chord)
27Grund'stimme. (1) Same as Grund'bass. (2) A bass part. (3) A foundation stop on the organ (q.v.).
28Grund'stimmen. The foundation stops.
29Grund'ton. (1) Root, or generator. (2) Tonic.
30Grund'tonart. The principal key in a piece.
32GRUND, Friederich W. Hamburg, 1791-1874. Founded the Hamburg Singakademie, 1819.
33Works: cantatas, symphonies, church music, pf. pieces, songs, &c.
35GRÜN'FELD, Alfred. B. Prague, 1852. Concert pianist.
36Works: several pf. pieces.
38GRÜN'FELD, Heinrich. Brother of A.; b. Prague, 1855. Fine 'cellist.
40Gruppet'to (I.). (1) A group (q.v.). (2) A turn (q.v.).
41Gruppet'to all' ingiù. Ordinary turn.
42Gruppet'to all' insù. Inverted turn.
43Gruppet'to ascenden'te. Back, or inverted, turn.
44Gruppet'to descenden'te. Ordinary turn.
46Gru'po (S.). (See Group.)
47Grup'po (I.). (See Group.)
49GRÜTZ'MACHER, Friedrich W. L. B. Dessau, 1832. 1st 'cello, Gewandhaus Orch., 1849; 'cello teacher, Leipzig Cons. Settled in Dresden, 1860; d. 1903.
50Works: a concerto and other 'cello pieces, pf. pieces, songs, &c.
52GRÜTZ'MACHER, Leopold. Brother of preceding; b. Dessau, 1835; d. 1900. 'Cello player and composer of 'cello pieces.
54GRÜTZ'MACHER, Fredrich. Son of Leopold. 'Cello teacher, Cologne Cons., 1894; D. 1919.
56G Saïte (G.). G string.
57G'-Schlüs'sel (G.). The G clef—
58Gt. Abbreviation of Great (q.v.).
60Guara'cha (S.). A quick Spanish dance partly in triple and partly in duple time.
62GUARNE'RI (I., GUARNIE'RI; L., GUARNE'RIUS). Celebrated family of violin makers, Cremona.
63(1) Pietro Andrea. B. abt. 1630. Pupil of Nicolo Amati.
64His violins date from 1650-1695.
65(2) Giuseppe. Son of P. A. B. 1660. Worked 1690-1730.
66(3) Pietro. 2nd son of P. A. B. abt. 1670.
67(4) Pietro. Son of G. (2).
68(5) Giuseppe Antonio. Nephew of P. A. B. 1683; d. abt. 1745. "The most celebrated of the family."
70Guddok. A Russian fiddle with one melody string and two drones.
72GU'DEHUS, Heinrich. Operatic tenor; b. nr. Hanover, 1845. D, 1909.
73Created the rôle of Parsifal, Bayreuth, 1882.
75Gue. A kind of vn. with two horsehair strings, formerly in use in the Shetlands.
77GUÉRIN, Emmanuel. 'Cellist; b. Versailles, 1799; d. (?).
78Wrote numerous 'cello solos and duets.
80GUERRE'RO, Francisco. Seville, 1528-99. Pupil of Morales.
81Works: psalms, masses, motets, &c
82Guerrie'ro (I.). Warlike, martial.
84GUEST, Ralph. B. Shropshire, 1742; d. 1830. Works: "The Psalms of David," glees, songs, &c.
86Guet (F.). A flourish of trumpets.
88GUEYMARD, Louis. Distinguished French tenor; 1822-80.
89Sang Grand Opéra, Paris, 1848-68).
91GUEYMARD, Pauline (née Lauters). Wife of L.; b. Brussels, 1834.
92Operatic mezzo-soprano; Paris Grand Opéra, &c.
94GUGLIEL'MI, Pietro. B. Massa di Carrara, 1720 (or 1727); d. Rome, 1804.
95Prolific composer; studied under Durante. Maestro at the Vatican, 1793.
96Works: nearly 200 operas, 5 oratorios (Debora e Sisara (1794), his finest work), a mass, &c.
98GUGLIEL'MI, Pietro Carlo. Son of the preceding; b. Naples, abt. 1763; d. 1827. Known as Guglielmi'ni. Vocal teacher in London for some years.
99Wrote 25 operas.
101GUI (or GUI'DO) de CHÂLIS. Abbot of Châlis, Burgundy, 12th cent.
102Wrote treatises on Plain-chant and Discant.
104Gui'da (I.). (F., Guide.) (1) Subject of a fugue; antecedent of a Canon. (2) A Direct (q.v.). (3) A sign marking the points of entry in a canon or round. (*, +, &c.).
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