Scan 841
A dictionary of music and musicians (1450-1889), 1900
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1INDEX.
3A.
5A, i. 1a; Alphabet, i. 57a.
6AALST, J. A. van; Hist. of Mus., iv. 674b.
7AARON, P., i. 1a; Catelani (A.), i. 323b; Hexachord, i. 735a; Isaac, ii. 23a; Josquin Desprez, ii. 41a; Mus. ficta, ii. 413a; Mus. Lib., ii. 421a, etc.; Obrecht, ii. 489b; Strict Counterpoint, iii. 740b; Zarlino, iv. 502a; Mus. Lib., iv. 725b.
8ABACO, E. F. dall', i. 1a.
9A BATTUTA, i. 1b; Battuta, i. 157a.
10ABBATINI, A. M., i. 1b; Bani, i. 288b; Colonna, i. 378b.
11ABBÉ, P. P. de St. Sevin, i. 1b.
12ABBAYE, J., i. 2a.
13ABBREVIATIONS, i. 2a; B. i. 108a; Dot, i. 457a; Clarinet, iv. 591b.
14ABEGG, iv. 517a; Schumann, iii. 408a.
15ABEILLE, J. C. L., i. 4b; PF. Mus., ii. 725b; Benedict, iv. 543a.
16ABEL, C. H., i. 4b.
17ABEL, F. L.; Mason (L.), ii. 225a.
18ABEL, K. F., i. 4b; Adagio, i. 27b; Banti, i. 135b; Baryton, i. 147a; Cramer, i. 413b; Gamba, Viola da, i. 580a, etc.; Hanover Square Rooms, i. 661a; Linley, ii. 144b; Mus. School, Oxford, ii. 437a; Schroeter (J. S.), iii. 318b; Symphony, iv. 14a; Cornelys, iv. 598b.
19ABEL, L. A., i. 5a.
20ABELE, H.; Hist. of Mus., iv. 676b.
21ABELL, J., i. 5b; iv. 517a.
22ABELLA; Sterling (A.), iii. 711b.
23ABELLIMENTS; Improperia, ii. 2a; Miserere, ii. 336b, etc.; Sistine Choir, iii. 522b.
24ABERT, J. J., iv. 517a; Wilder (J.), iv. 457a.
25ABOS, G., i. 5b; Ifigenia, i. 765b; Latrobe, ii. 102b; Paisiello, ii. 633b; Sala (N.), iii. 217b; Scarlatti (A.), iii. 239a.
26ABRAHAM, Dr.; Peters, ii. 695b.
27ABRAMS, The Misses, i. 6a; iv. 517b; Ancient Concerts, i. 64a; Handel, Commemoration of, i. 657b.
28ABRANYI, K.; Magyar Mus., ii. 199a; Hist. of Mus., iv. 675b.
29ABT, F., i. 6a; iv. 517b; Kücken, ii. 75a; Orpheus, ii. 613; Part-song, ii. 659a; Song, iii. 623a.
30ABU HASSAN, iv. 517a; Weber, iv. 396a, etc.
31ABYNGDON, H., i. 6b; Wydow, iv. 817b.
32ACADEMIC GAZETTE; Mus. Periodicals, iv. 726b.
33ACADEMIE DE MUSIQUE, i. 6b, iv. 517b; Grand Opera, i. 616b; Habeneck, i. 643a; Lulli, ii. 172b; Opera, ii. 531b.
34ACADEMY OF ANCIENT MUSIC, i. 10a; iv. 517b; Arnold (S.), i. 86a; Astorga, i. 100a; Concert, i. 384a; Pepusch, ii. 684b; Steffani, iii. 698b.
35ACADEMY OF MUSIC, NEW YORK, i. 10b.
36A CAPELLA, i. 10b; Alla breve, i. 53b; Capella, i. 306b; Cherubini, i. 343b; Schools of Comp., iii. 312a; Time, iv. 118a.
37A CAPRICCIO, i. 10b.
38ACCADEMIA, i. 10b; iv. 517b;
39Bologna, i. 259a; Este, i. 496a; Ferrara, i. 512b; Florence, i. 533a; Milan, ii. 329a; Padua, ii. 627b; Rome, iv. 774b.
40ACCELERANDO, i. 12a; Tempo, iv. 84b.
41ACCENT, i. 12a; iv. 517b; Acciacatura, i. 18b; Arsia and Thesis, i. 95b; Bar, i. 136b; Beat, i. 158b; Common Time, i. 381a; Metre, ii. 316b; Phrasing, ii. 706b; Rhythm, iii. 123a; Song, iii. 632a; Syncopation, iv. 44a; Tempo rubato, iv. 85b; Time, iv. 120a; Triple Time, iv. 174a.
42ACCENT; Agrémens, i. 43a; Nachschlag, ii. 442a.
43ACCENTS, i. 17a; Gregorian Modes, i. 627a; Mass, ii. 232a; Micrologus, ii. 327b; Monotone, ii. 355a; Notation, ii. 468a; Plain song, ii. 764a, etc.; Requiem, iii. 109a; Response, iii. 116b.
44ACCIACCATURA, i. 18b; Agrémens, i. 44a; Appoggiatura, i. 75b; Arpeggio, i. 87b; Beat, i. 158a; Grace-notes, i. 615a; Martelé, ii. 221b; Mordent, ii. 363b; Notation, ii. 477a.
45ACCIDENTALS, i. 18b; iv. 517b; Alphabet, i. 57a; B. i. 107a; Bémol, i. 221a; Chromatic, i. 355b; Flat, i. 532a; H., i. 643a; Harmony, i. 671b; Key, ii. 52a; Mus. ficta, ii. 413a; Natural, ii. 447b; Signature, iii. 492b; Thorough-bass, iv. 110a; Part-writing, iv. 741b.
46ACCOLADE; Score, iii. 427a.
47ACCOMPANIMENT, i. 20a; iv. 517b; A capella, i. 10b;
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