Scan 891
A dictionary of music and musicians (1450-1889), 1900
73 lines. Read by computer on 11 September 2026. Printed page 51. See the scan on archive.org.
1635a; Heller, i. 725a; Henselt, i. 730a; Herz, i. 733a; Hiller (Ferd.), i. 738a; Hummel, i. 758a; Kreutzer (R.), ii. 73a; Kullak (T.), ii. 76b; Kummer, ii. 77a; Lesson, ii. 124a; Liszt, ii. 149b; Locatelli, ii. 155b; Merk, ii. 314a; Moscheles, ii. 370b; Paganini, ii. 632a; PF.-playing, ii. 741a; Plaidy, ii. 763a; Rode, iii. 143a; Rubinstein (A.), iii. 192a; Schumann, iii. 410a; Tausig, iv. 65b; Thalberg, iv. 96b; Wieck (F.), iv. 455a. (See also STUDIES, iii. 746b.)
2EULENSPIEGEL, T.; Song, iii. 616a.
3EULENSTEIN, C., i. 497a; Jew's-Harp, ii. 34b.
4EULER; Extemporising Machine, i. 499b; Rameau, iii. 69b.
5EUPHON; Chladni, i. 348b.
6EUPHONIUM, i. 497b; Baritone, i. 139b; Instrument, ii. 6a;
7Piston, ii. 756b; Saxhorn, iii. 233b; Valve, iv. 215b; Wind-Band, iv. 468b.
8EURYANTHE, i. 497b; Weber, iv. 407a, etc.
9EUSTACHIUS; Sistine Chapel, iv. 794a.
10EVACUATIO, iv. 630a.
11EVANS, C. S., i. 498a; Concentores Sodales, i. 383b.
12EVANS, W. E.; Orchestrina di Camera, iv. 735a.
13EVERARDI; Lamperti, ii. 89a.
14EVERS, C., i. 498a; iv. 630a; PF. Mus., ii. 732b; PF.-playing, ii. 745; PF.-playing, iv. 748b.
15EVOVAE, iv. 630a; Noël, ii. 462a, note; Aevia, iv. 518b.
16EWALD, P.; Hist. of Mus., iv. 676a.
17EWER & Co., iv. 630a; Novello, ii. 482a.
18EXIMENO, A., i. 498a; Martini, ii. 222b.
19EXPOSITION, iv. 630b; Form, i. 549b; Fugue, i. 568a.
20EXPRESSION, Marks of. (See NUANCES, ii. 483b.)
21EXTEMPORE PLAYING, i. 498b. (See under IMPROVISATION, ii. 2a.)
22EXTEMPORISING MACHINE, i. 499b; Recording Mus., iv. 767a.
23EXTRAVAGANZA, i. 499b.
24EYBLER, J. E. von, i. 500a; iv. 630b; Albrechtsberger, i. 51a; Baryton, i. 147a; Beethoven, i. 168a, etc.; Haydn (M.), i. 701a; Haydn, i. 717b; Mozart, ii. 402a; Panny (J.), ii. 644b; Requiem, iii. 110a; Schubert, iii. 320a, etc.; Sonnleithner, iii. 633a.
25EYCKEN, G. J. van; PF. Mus., ii. 736a.
26EYKEN, J. van; Niederrheinische Musikfeste, ii. 456b; Schneider (J. C.), iii. 256a.
28F.
29F, i. 500a; iv. 631a.
30FA; F, i. 500a.
31FABER; Mus. Lib., ii. 418b.
32FABER, D.; Clavichord, i. 368a.
33FABRI, A., i. 500b; Balino, i. 128a.
34FABRICIUS; Bodenschatz, i. 253a.
35FABRIZZI, O., i. 501a.
36FA-BURDEN. (See FAUX-BOURDON, i. 509a.)
37FACCIO, F., iv. 631a; Song, iii. 591a; Boito, iv. 550a.
38FACHO; Burney, iv. 571a.
39FACIEN, J.; Roi des Violons, iii. 146a.
40FACKELTANZ, i. 501a; March, ii. 213a.
41FA FICTUM, iv. 631a; Pentatonic Scale, iv. 745b.
42FAGE, LA. (See FAUGUES.)
43FAGE, LA, J. A. LENOIR. (See LA FAGE, ii. 83b.)
44FAGO, Il Tarentino; Farinelli (G.), i. 507a; Leo, ii. 121a; Naples, ii. 445b; Sala, iii. 217b.
45FAGOTTO, i. 501a; Bassoon, i. 151b.
46FAIGNANT, Noë; Castro, i. 319b; Madrigal, ii. 191a; Mus. Transalpina, ii. 416a; Schools of Comp., iii. 267a; Song, iii. 592b; Trésor Mus., iv. 801b.
47FAIR ROSAMOND, i. 501a; Barnett (J.), i. 141a.
48FAISST, E. G. F., iv. 631b; Schneider (J. G.), iii. 256a; Stark (L.), iii. 690b; Händelgesellschaft, iv. 665b.
49FA-LA, i. 501a; Ballets, i. 132b; Madrigal, ii. 190b; Mus. Antiquarian Soc., ii. 416b; Schools of Comp., iii. 266a; Song, iii. 587a, etc.; Waits, the, iv. 375a.
50FALCON, Marie C., iv. 632a; Académie de Mus., i. 9b.
51FALCONIO; Saggio di Contrapunto, iii. 212a.
52FALLING A BELL, i. 501a.
53FALSE RELATIONS, i. 501a.
54FALSETTO, i. 501b; Alto, i. 58a; Bass, i. 148b; Harmonics, i. 665b; Singing, iii. 504a, etc.; Tenor, iv. 87b; Voce di Petto, iv. 321b; Voices, iv. 334b.
55FALSOBORDONE. (See FAUX-BOURDON, i. 509a.)
56FALSTAFF, i. 502a; Balfe, i. 127a.
57FANCIES, iv. 632a; Este (M.), i. 495b; Fantasia, i. 503a; White (R.), iv. 453a.
58FANDANGO, i. 502a; Hawkins, i. 700b; Song, iii. 599b, etc.
59FANFARE, i. 502b; Brass Band, i. 271b; Horn, i. 748a, etc.; March, ii. 213a; Sennet, iii. 463b; Tusch, iv. 195b.
60FANING, E., iv. 632a; Madrigal Soc., iv. 708a.
61FANISKA, i. 503a; Cherubini, i. 342b.
62FANNING, C.; Irish Mus., ii. 19a.
63FANTASIA, i. 503a; Capriccio, i. 307a; Mus. Antiquarian Soc., ii. 416b; Suite, iii. 757a; Symphony, iv. 13a; Virginal Mus., iv. 308a, etc.
64FANTASIESTÜCK, i. 503b; Schumann, iii. 409a.
65FANTINI,G.; Sounds and Signals, iii. 644b.
66FANTONI, G.; Hist. of Mus., iv. 677a.
67FARANDOLE, iv. 632b.
68FARCE, i. 503b.
69FARINA, C.; Biber, i. 240b; Sonata, iii. 555a; Violin-playing, iv. 288b, etc.; Walther (J. J.), iv. 815a.
70FARINEL; Mus. Lib., ii. 421b.
71FARINELLI, i. 504a; Barnett (J.), i. 141b.
72FARINELLI, i. 504a; iv. 633a; Folia, i. 539b; Galliard (J.
The computer misreads some letters and numbers. Where a name matters to you, read the scan.