Scan 909
A dictionary of music and musicians (1450-1889), 1900
74 lines. Read by computer on 11 September 2026. Printed page 69. See the scan on archive.org.
1INDEX.
3Trésor des Pianistes, iv. 168a; Trio, iv. 171b; Trombone, iv. 178a; Trumpet, iv. 181a, etc.; Tudway, iv. 199b; Urio, iv. 209b, etc.; Variations, iv. 222a; Vauxhall Gardens, iv. 233b; Violin, iv. 279b; Violoncello-playing, iv. 300a; Vogler, iv. 325b; Voices, iv. 334b; Wagenseil, iv. 345a; Walsh (J.), iv. 380a; Waltz (G.), iv. 382a; Water Mus., iv. 384a; Welsh Mus., iv. 440b; Wesley (S.), iv. 446a; Wilder, iv. 457a; Windband, iv. 464b; Worgan (J.), iv. 486a; Zachau, iv. 498b; Bach (J. S.), iv. 527a; Burney, iv. 571a; Camidge, iv. 576a; Concerto grosso, iv. 596a; Cuzzoni, iv. 602b; Dance Rhythm, iv. 607a; Harmonious Blacksmith, iv. 666b; Kearns, iv. 688b; Occasional Oratorio, iv. 733b; Pizzicato, iv. 749a; Quaver, iv. 766b; Schütz, iv. 790b; Smith (J. C.), iv. 794b; Trumpet, iv. 804a.
5HANDEL, COMMEMORATION OF, i. 657a; iv. 665a; Abrams (Misses), i. 6a; Accompaniment, i. 22b; Aylward, i. 106b; Bartolini, i. 146b; Bates (J.), i. 155a; Bellamy (R.), i. 211a; Borghi, i. 260b; Bridgetower, i. 275b; Burney, i. 284b; Crosdill, i. 419b; Double Bassoon, i. 458b; Dyne, i. 478a; Festivals, i. 516b; Harrison (S.), i. 692a; Haydn, i. 710a; Knyvett (Chas.), ii. 67b; Mara, ii. 209b; Morelli, ii. 365a; Norris (T.), ii. 465b; Pacchierotti, ii. 626a; Pantheon, ii. 645b; Reinhold (C. F.), iii. 103a.
7HANDEL FESTIVAL, i. 658a; iv. 665a; Analysis, i. 63a; Bowley, i. 267a; Costa, i. 406b; Double Bassoon, i. 458b; Festivals, i. 516b; Novello (Clara), ii. 481b; Sacred Harmonic Soc., iii. 211a; Manns (A.), iv. 710a.
9HÄNDEL GESELLSCHAFT, i. 658b; iv. 665a; Additional Accompaniments, i. 31a; Chrysander, i. 356b; iv. 591a.
11HANDEL SOCIETY, THE, i. 659a; Breitkopf & Härtel, i. 273a; Rimbault (E. F.), iii. 135b.
13HANDEL AND HAYDN SOCIETY, THE, i. 659b; iv. 665a; Horn (C. Ed.), i. 752b; Boston Mus. Soc., iv. 555a.
15HANDHARMONIKA; Accordion, i. 25b.
17HÁNDL, J., i. 661a. (See GALLUS, i. 579a.)
19HANDLO, de R.; Hocket, i. 741a; Mus. Mensurata, ii. 415b.
21HANDROCK, J., PF. Mus., ii. 734b.
23HANISCH; Lincke, ii. 139b.
25HANNIBALI. (See ANNIBALI, i. 69b.)
27HANOVER SQUARE ROOMS, i. 661a; iv. 666a; Abel (K. F.), i. 5a; Argyll Rooms, i. 82b; Bach. Soc., i. 120a.
29HANOVER TUNE, iv. 666b.
31HANSLICK, E., i. 661b; Ambros, i. 59b; Mus. Periodicals, ii. 427b, etc.; Wind Band, iv. 470a.
33HANSSENS, C.; Orphéon, ii. 612b; Verhulst (J.), iv. 255a, etc.
35HARDEGEN, Count; PF. Mus., ii. 736a.
37HARDING, J.; Virginal Mus., iv. 309a.
39HARDY, J.; Wotton (W. B.), iv. 489b.
41HARE, J.; London Violin Makers, ii. 164b.
43HARFENZUG; Sordini, iii. 636b.
45HARINGTON, H., i. 691b; God save the King, i. 605b; Hawkins (Sir J.), i. 700b; Part Mus., ii. 656b.
47HARMONIA SACRA. (See Page, ii. 632a.)
49HARMONIC HAND, THE; Guido d'Arezzo, iv. 659b.
51HARMONIC INSTITUTION. (See ARGYLL ROOMS, i. 82a.)
53HARMONIC MINOR, iv. 666b.
55HARMONIC STOPS, i. 665b; Pandean Pipe, ii. 644a.
57HARMONIC UNION, THE, i. 666a.
59HARMONICA, i. 662a; Davies, i. 435a; Dussek (J. L.), i. 474a; Ford (Miss), i. 540a; Franklin, i. 559a; Frick, i. 564b; Gluck, i. 601a; Instrument, ii. 7a; Kirchgessner, ii. 61a; Leonore Prohaska, ii. 122b; Lobkowitz, ii. 155a; Mus. Lib., ii. 421a; Pohl (C. F.), iii. 5a.
61HARMONICHORD, i. 663a; Weber, iv. 427a.
63HARMONICON, THE, i. 663b; Ayrton, i. 197b; Hogarth, i. 742b; Mus. Periodicals, ii. 427a.
65HARMONICS, i. 663b; Aeolian Harp, 38b; Bassoon, i. 153a; Beats, i. 159b; Flageolet, i. 531a; Harp, i. 687b; Helmholtz, i. 726a; Horn, i. 749b; Ninth, ii. 459b; Node, ii. 461a; Oboe, ii. 486b; Octave, ii. 491b; Paganini, ii. 631a, etc.; Partial Tones, ii. 655b; Pipes, Vibration of, ii. 755a; Pizzicato, ii. 760a; Root, iii. 157b, etc.; Third, iv. 102b; Tierce, iv. 114b; Timbre, iv. 116b; Tone, iv. 142b; Tromba Marina, iv. 175a; Violin, iv. 280a; Stopping, iv. 797a.
67HARMONIE, i. 666a; Band, i. 134a; Serenata, iii. 468a.
69HARMONIOUS BLACKSMITH, iv. 666b; Accidentals, i. 20a; Wagenseil, iv. 345a.
71HARMONIUM, i. 666a; Action, i. 26b; American Organ, i. 60b; Debain, i. 438b; Harmonics, i. 665a; Helmholtz, i. 726a; Instrument, ii. 6a; Key, Keyboard, ii. 54b; Lefébure-Wély, ii. 112a; Mustel, ii. 438a; Orgue Expressif, ii. 610b; Physharmonica, ii. 709a; Reed, iii. 90a; Scotson Clark (Rev.), iii. 452b; Seraphine, iii. 466b; Temperament, iv. 71a; Tone, iv. 144a; Organo-phoné, iv. 736a; Regal, iv. 769b.
73HARMONY, i. 669a; iv. 667b; Additional Accompaniments, i. 32b, etc.; Anticipation, i. 73a; Cadence, i. 291a, etc.; Cathedral Mus., i. 324a; Chord, i. 352b; Concord, i. 389b; Consecutive, i. 391a; Day (A.), i. 436a; Discord, i. 449a; Figured Bass, i. 522a; Form, i. 542b; Helmholtz, i. 727b; Imperfect, i. 767b; Interval, ii. 11b; Inversion, ii. 17a; Key, ii. 52b; Leading Note, ii. 109a; Lied Form, ii. 134a; Major, ii. 200b; Melody, ii. 250b; Minor, ii. 333a; Mixed Cadence, ii. 338b; Modulation, ii. 347b, etc.; Monodia, ii. 355a; Monteverde, ii. 357a; Neapolitan Sixth, ii. 450a; Ninth, ii. 459a, etc.; Nota Cambita, ii. 466b; Passing Notes, ii. 663a, etc.; Pedal Point, ii. 678b; Perfect, ii. 686a; Rameau, iii. 69a, etc.; Reber, iii. 82b; Relation, iii. 105a, etc.; Scale, iii. 236a; Schools of Comp., iii. 264b, etc.;
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