Scan 958
A dictionary of music and musicians (1450-1889), 1900
66 lines. Read by computer on 11 September 2026. Printed page 118. See the scan on archive.org.
1The, ii. 249a; Mus. Periodicals, ii. 427a; Roy. Soc. of Musicians of Great Britain, iii. 187b.
2Parry, J., ii. 651b; Ranelagh House and Gardens, iii. 74b; Welsh Mus., iv. 443a; Hist. of Mus., iv. 674b.
3Parry, Jos., ii. 652a; Schools of Comp., iii. 308a.
4Parsifal, ii. 652a; iv. 739a; Wagner, iv. 364b, etc.
5Parsons, J., ii. 652b.
6Parsons, R., ii. 652a; Barnard, i. 140a; Mus. Lib., ii. 418b; Schools of Comp., iii. 270b, etc.; Tudway, iv. 199a; Virginal Mus., iv. 309b; Burney, iv. 570b; Mus. Lib., iv. 723a.
7Parsons, W.; Hymn, i. 762a; Psalter, iv. 757b.
8Parsons, Sir W., ii. 652b; King's Band of Mus., ii. 58a; Knyvett (C.), ii. 67b.
9Pars, Quinta. (See Quintus, iii. 61a.)
10Partant pour la Syrie, ii. 652b; Drouet, i. 463b; Hortense, i. 754a; Song, iii. 595b.
11Part-books, iv. 739a; Mus. Ficta, ii. 413a; Schools of Comp., iii. 273a, etc.; Score, iii. 427a; Sextus, iii. 478a; Sistine Choir, iii. 521a; Voices, iv. 334a.
12Part du Diable, La, ii. 653a; Auber, i. 101b.
13Partenio, D.; Cesti, i. 331b.
14Parthenia, ii. 653a; Fantasia, i. 503b; Hawkins, i. 700b; Mus. Antiquarian Soc., ii. 416b; Mus. Lib., ii. 422b; Mus.-printing, ii. 436b; PF.-playing, i. 736a, note; Suite, iii. 755a; Trésor des Pianistes, iv. 168a; Virginal, iv., 304b.
15Partial Tones, 653b; Harmonics, i. 663b; Overtones, ii. 618b; Resultant Tones, iii. 119b; Temperament, iv. 77a.
16Participant, ii. 655b; Modes Eccles., ii. 342a, etc.
17Partie, ii. 656a; Suite, iii. 756a.
18Partimenti, ii. 656a.
19Partita. (See Partie, ii. 656a.)
20Partition, ii. 656a; Score, iii. 426a.)
21Partitur. (See Partition.)
22Part-music, ii. 656a; Hullah, i. 756b.
23Part-song, ii. 657b; Glee, i. 599a; Laudi Spirituali, ii. 105b; Liedertafel, ii. 136a; Madrigal, ii. 192b; Mendelssohn, ii. 303b; Noël, ii. 463b; Orpheus, ii. 613a, etc.; Robinson, iii. 140a; Schools of Comp., iii. 278b; Singer's Lib., iii. 496a; Hist of Mus., iv. 677a.
24Part-writing, iv. 741a; Nota Cambiata, ii. 466b; Notation, ii. 469b; Octave, ii. 491b; Organum, ii. 610b; Quintoyer, iii. 61a; Schools of Comp., iii. 280b; Strict Counterpoint, iii. 740a, etc.
25Parvi, J.; Sistine Chapel, iv. 794a.
26Pascal Bruno, ii. 659b; Hatton (J. L.), i. 697a.
27Pasche; Mus. Lib., ii. 417b.
28Pasdeloup, J. E., ii. 659b; iv. 744a; Concert, i. 384b; Lasserre, ii. 93a; Orphéon, ii. 612a; Godard, iv. 650a.
29Pasqualati, ii. 660b; iv. 744b; Beethoven, i. 172b; Seyfried, iii. 478b.
30Pasquale; Saggio di Contrapunto, iii. 213a.
31Pasquali, N., iv. 744b.
32Pasquali; Sacchini, iii. 207b.
33Pasqualini; Soprano, iii. 636a.
34Pasquin; Sistine Chapel, iv. 794a.
35Pasquini, B., ii. 660b; Casini, i. 318b; Gasparini, i. 583b; Opera, ii. 504a; Scarlatti (D.), iii. 239a.
36Passacaglia, ii. 661a; iv. 744b; Chaconne, i. 331b; Groundbass, i. 634b; Seguidilla, iii. 457b, note.
37Passage, ii. 661b.
38Passagio, ii. 661b.
39Passamezzo, ii. 662a; Polonaise, iii. 10a; Virginal Mus., iv. 308b, etc.
40Passecaille. (See Passacaglia, ii. 661a.)
41Passepied, ii. 662b; Specimens, Crotch, iii. 649a; Suite, iii. 759b, etc.
42Passereau; Attaignant, i. 100b.
43Passerini; Kelly, ii. 49b.
44Passing Notes, ii. 662b; Harmony, i. 678a, etc; Melody, ii. 251a, etc; Nota Cambiata, ii. 466a; Root, iii. 158b; Thoroughbass, iv. 110b, etc.; Wechselnote, Die Fux'sche, iv. 430b.
45Passion Music, ii. 663b; iv. 744b; Bach (J. S.), i. 117a; Bach Society, The, i. 120a; Bennett (Sterndale), i. 225b; Handel, i. 649b, etc.; Lassus, ii. 98b; Mendelssohn, ii. 256a, etc.; Motet, ii. 373a; Oratorio, ii. 533b, etc; Singspiel, iii. 516a; Song, iii. 619a; Schütz, iv. 46a; Zelter, iv. 505b.
46Pasta, G., ii. 667b; Albertazzi, i. 49b; Bellini, i. 212b; Donizetti, i. 453a; Herold, i. 731b; Lamperti, ii. 89a; Mendelssohn, ii. 279b; Otello, ii. 615b; Paisiello, ii. 634b; Philh. Soc., ii. 699a; Singing, iii. 507b; Soprano, iii. 635b; Veiled Voice, iv. 235b; Borghi (A.), iv. 554b; Masson (E.), iv. 714b.
47Pastervitz; Auswahl, i. 105a; Rochlitz, iii. 142a.
48Pasticcio, ii. 668b; Opera, ii. 502a, etc.
49Pastorale, ii. 670a; iv. 745a; Opera, ii. 506b; Peri, ii. 691a; Siciliana, iii. 491b.
50Pastorale, Sonata, ii. 670b; iv. 745a; Beethoven, i. 180b.
51Pastoral Symphony (Messiah), ii. 670b; Handel, i. 657a; Piffero, ii. 753a.
52Pastoral Symphony, The, ii. 671b; Beethoven, i. 186b, etc.; Knecht, ii. 66a; Programme Mus., iii. 38a; Prometheus, iii. 41a.
53Pastourelle; Pastorale, ii. 670a; Song, iii. 585a.
54Patartus, A.; Bodenschatz, i. 253b.
55Patavini, A.; Spinet, iii. 652a.
56Pater Noster; Plain Song, ii. 767b.
57Patey, Janet M., ii. 672a; Philh. Soc., ii. 700a; Singing, iii. 512b.
58Patey, J. G., ii. 672a.
59Pathétique, ii. 672b; Beethoven, i. 178b, etc.
60Patiño, C.; Eslava, i. 494b; Yriarte, iv. 496b.
61Paton, Mary A., ii. 672b; iv. 745a; Philh. Soc., ii. 699a; Singing, iii. 512a; Soprano, iii. 635b; Weber, iv. 409b; Wood (Mrs.), iv. 486a.
62Patrick, R., ii. 673b; iv. 745a; Arnold, i. 86b; Tudway, iv. 198b.
63Patrocinium Musices, ii. 673b; Berg (Adam), i. 230a.
64Patter-song, ii. 673b.
65Patti, A., ii. 673b; iv. 745a; Covent Garden Theatre, i. 413a; Donizetti, i. 453b; Nicolini (E.), ii. 454a; Pin-
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