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A dictionary of music and musicians (1450-1889), 1900
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1INDEX.
3fessorship, i. 627b; Norwich Festival, ii. 466a; Purcell Club, iii. 52b; Purcell Commemoration, iii. 53a; Vocal Soc., iv. 320b.
5TAYLOR, F., iv. 66b; Leipzig, ii. 115b; PF.-playing, ii. 745a; Royal College of Mus., iv. 159a; Toy Symphony, iv. 800a.
7TAYLOR, J.; University Soc., iv. 206a.
9TEA-TABLE MISCELLANY; Scottish Mus., iii. 452a.
11TEARES OR LAMENTACIONS, etc.; Leighton (Sir W.), ii. 114a; Song, iii. 602a.
13TECHLER; Klotz, ii. 65a.
15TECHNIQUE, iv. 66b.
17TEDESCA, ALLA, iv. 66b; iv. 798a.
19TEDESCO, I; PF. Mus., ii. 732a; PF.-playing, ii. 745.
21TE DEUM LAUDAMUS, iv. 67a; iv. 798a; Berlioz, i. 232b; Dettingen Te Deum, i. 441a; Festa, i. 515a; Handel, i. 654b, etc.; Hymn, i. 760a; Mus. Antiqua, ii. 411a; Mus. Lib., ii. 421b, etc.; Plain Song, ii. 764b; Purcell, iii. 50a; Service, iii. 472a; Urio, iv. 209b.
23TEILMANN; Song, iii. 611a.
25TELEMANN, G. P., iv. 69a; Auswahl, i. 105b; Bach (J. B.), i. 110b; Bach (C. P. E.), i. 113b; Graupner, i. 622a; Handel, i. 648b; Kirchen Cantaten, ii. 60a; Latrobe, ii. 103b; Matheson, ii. 237b; Oratorio, ii. 540a; Passion Mus., ii. 666a; Practical Harmony, iii. 24a; Rochlitz, iii. 142a; Song, iii. 621b; Violin-playing, iv. 289; Vocal Scores, iv. 319b.
27TELFORD, iv. 798a.
29TELIOCHORDON; Clagget, i. 360a.
31TELEFSEN, T. D. A., iv. 70a.
33TELL-TALE, iv. 70a.
35TEMPERAMENT, iv. 70a; iv. 798b; Bach (J. N.), i. 112a; Bach (J. S.), i. 116b; Fingerling, i. 525b; Helmholtz, i. 726a; Interval, ii. 11b, etc.; Intonation, ii. 13a; Key, ii. 52b, etc.; Kirnberger, ii. 62a; Mutation-stops, ii. 439b; Organ, ii. 591b, etc.; Perfect, ii. 686a; Proportion, iii. 43a; Resultant Tones, iii. 119b; Scale, iii. 237a; Third, iv. 103a; Tierce, iv. 114b; Tuning, iv. 188a, etc.; Wohltemperirte Klavier, iv. 482b; Wolf, The, iv. 485a; Zarlino, iv. 502a, etc.; Ellis, iv. 626b.
37TEMPESTA, La, iv. 81b.
39TEMPEST, The, iv. 81b; Arne, i. 84b; Banister (J.), i. 134b; Humfrey, i. 757a; Johnson (R.), ii. 36a; Lock, ii. 157a; Purcell, iii. 48a; Sullivan, iii. 763a, etc.
41TEMPLETON, J., iv. 81b; Scotish Mus., iii. 451b; Singing, iii. 512a; Kennedy, iv. 689b.
43TEMPO, iv. 82b; Accelerando, i. 12a; Adagietto, i. 27a; Adagio, i. 27a; Agitato, i. 41b; Allegretto, i. 55a; Allegro, i. 54b; Andante, i. 65a; Andantino, i. 65a; Animato, i. 68a; Assai, i. 99b; A tempo, i. 100a; Beat, i. 158b; Calando, i. 297a; Con Brio, i. 383b; Con Spirito, i. 383b; Giusto, i. 597b; Grave, i. 622b; Larghetto, ii. 92a; Largo, ii. 92a; Lento, ii. 120b; Maestoso, ii. 195a; Mendelssohn, ii. 299b; Metronome, ii. 318a, etc.; Moderato, ii. 340b; Notation, ii. 476b; Nuances, ii. 483b; Prestissimo, iii. 29b; Presto, iii. 29b; Quasi, iii. 59a; Rallentando, iii. 68a; Rubato, iii. 188b; Sostenuto, iii. 639a; Stringendo, iii. 745b; Time, iv. 117b; Tosto, iv. 152a; Veloce, iv. 236a; Vivace, iv. 316b; Wagner, iv. 371b, note.
45TEMPO DI BALLO, iv. 85a.
47TEMPO ORDINARIO, iv. 85b; Common Time, i. 381a.
49TEMPO RUBATO, iv. 85b.
51TEMPUS IMPERFECTUM, iv. 798b; Common Time, i. 381a; Dot, i. 456a; Notation, ii. 471a, etc.; Point, iii. 6b; Time, iv. 117b.
53TEMPUS PERFECTUM, iv. 798b; Notation, ii. 471a, etc.; Point, iii. 6b; Time, iv. 117b.
55TENAGLIA; Da Capo, i. 427a; Opera, iv. 734b.
57TENDUCCI, G. F., iv. 85b; Mozart, ii. 380b; Ranelagh House and Gardens, iii. 74b; Robin Adair, iii. 138b; Campbell, iv. 576b.
59TENEBRÆ, iv. 86a; Lamentations, ii. 86b; Miserere, ii. 335b.
61TENERAMENTE, iv. 86b.
63TENOR, iv. 86b; iv. 798b; Canto, i. 306a; Mean, ii. 242b; Singing, iii. 510b; Taille, iv. 52b; Treble, iv. 165b; Voice, iv. 332b, etc.; Voices, iv. 333b.
65TENOR-DRUM; Drum, i. 466b.
67TENOROON, iv. 88b; Alpenhorn, i. 56b; Oboe di Caccia, ii. 489a.
69TENOR-VIOLIN, iv. 88b; iv. 798b; Alessandro, i. 52a; Alto, i. 58a; Amati (N.), i. 58b; Gamba, Viola de, i. 579b; Instrument, ii. 6b; Mendelssohn, ii. 300b; Mozart, ii. 395b; Notation, ii. 477b; Orchestra, ii. 562b; Paganini, ii. 630a; Romano, iii. 148a; Salo, iii. 220b; Semler, iii. 461a; Stamitz, iii. 689b; Stradivari, iii. 726b, etc.; Symphony, iv. 14b; Taille, iv. 52b; Tenor, iv. 88a; Viola, iv. 267a; Violin, iv. 271a, etc.; Weiss (F.), iv. 433a.
71TENSONS; Song, iii. 585a.
73TENTH SYMPHONY, BEETHOVEN'S, iv. 92b.
75TENUTO, iv. 93a.
77TERCE, iv. 93a.
79TERGIANI; Bandini, iv. 530b.
81TERPODION, iv. 93a.
83TERRADELLAS, T.; Mus. Lib., iv. 726a.
85TERRIANI; Ellerton, i. 486b.
87TERZETTO, iv. 93a; Trio, iv. 171b.
89TESCHNER, G.; Paine, ii. 632b.
91TESEI, A.; Mattei (S.), ii. 239a; Rossini, iii. 164a.
93TESI-TRAMONTINI, V., iv. 93b; Dittersdorf, i. 449b; Farinelli, i. 504b; Hasse (J. A.), i. 694b.
95TESSITURA, iv. 94a; Soprano, iii. 635b.
97TESTORE, iv. 798b; Cremona, i. 416a; Guarnieri (J. del G.), i. 637b.
99TETRACHORD, iv. 94a; Æolian Mode, i. 39b; Chromatic, i. 355b; Hexachord, i. 733b; Modes Eccles., ii. 341a; Notation, ii. 469a; Solmisation, iii. 549b, etc.; Zarlino, iv. 501b.
101TETRACORDA; Trasuntino, iv. 162a.
103TETRAPHONIA; Diaphonia, iv. 613a.
105TEUFELS LUSTSCHLOSS, Des, iv. 94b; Schubert, iii. 323a, etc.
107TEUTSCHE, iv. 95a; Allemande, i. 55b; Tedesca Alla, iv. 67a; Trauer-Walzer, iv. 162b; Waltz, iv. 386a.
109TEYBER, A.; Kraft (A.), ii.
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