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A dictionary of music and musicians, 1879
250 lines. Read by computer on 7 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1LATROBE.
3Glinka. Quid sum miser, C. Haydn, J. Non parmi, A. from Requiem.
4Gluck. De profundis, C.—De Profundis.
5Gossec. Lachrymosa, D.—Requiem.
6Do. Ple Jesu, C.—Do. one of two readings
7Da. Ple Jesu, C.—Do. one of two readings
8Graun. To Deum, C.—Te Deum.
9Do. Te gloriosus, C.—Do. one of two readings
10Da. Te gloriosus, C.—Do. one of two readings
11Do. Tu Rex gloriae, C.—Do. one of two readings
12Da. Tu Rex gloriae, C.—Do. one of two readings
13Do. Tu ad librandum, A.—Do. one of two readings
14Da. Tu ad librandum, A.—Do. one of two readings
15Do. Tu ad dexteram, C.—Do. one of two readings
16Da. Tu ad dexteram, C.—Do. one of two readings
17Do. Te ergo quaesumus, D.—Do. one of two readings
18Da. Te ergo quaesumus, D.—Do. one of two readings
19Do. Et rege, C.—Do. one of two readings
20Da. Et rege, C.—Do. one of two readings
21Do. Dignare Domine, A.—Do. one of two readings
22Da. Dignare Domine, A.—Do. one of two readings
23Do. O Zion, mark, C.—Tod Jesu. one of two readings
24Da. O Zion, mark, C.—Tod Jesu. one of two readings
25Do. He was despised, C.—Do. one of two readings
26Da. He was despised, C.—Do. one of two readings
27Do. Thou hast brought me, C.—Do. one of two readings
28Da. Thou hast brought me, C.—Do. one of two readings
29Do. Sing to Jehovah, C.—Do. one of two readings
30Da. Sing to Jehovah, C.—Do. one of two readings
31Da. Astonish'd Seraphim, B.—Do.
32Do. Weep, Israel, Ch.—Do. one of two readings
33Da. Weep, Israel, Ch.—Do. one of two readings
34Da. Behold us here, C.—Do.
35Da. Behold the Lamb of God, C.—Passion.
36Do. He was despised, C.—Do. one of two readings
37Da. He was despised, C.—Do. one of two readings
38Do. God, my strength, D.—Do. one of two readings
39Da. God, my strength, D.—Do. one of two readings
40Do. Bless the Lord, A.—Do. one of two readings
41Da. Bless the Lord, A.—Do. one of two readings
42Da. Let us run, C.—Do.
43Do. In songs of joy, Ch.—Do. one of two readings
44Da. In songs of joy, Ch.—Do. one of two readings
45Do. Bow down, A.—Do. one of two readings
46Da. Bow down, A.—Do. one of two readings
47Haer. Against thee only, C.—Miserere.
48Haase. Inspiro O Deus, C.—Augustina.
49Da. Laudate coeli Patrem, C.—Do.
50Do. Ut furentibus, A.—Do. one of two readings
51Da. Ut furentibus, A.—Do. one of two readings
52Do. Jesu mea pax, D.—Magdalena. one of two readings
53Da. Jesu mea pax, D.—Magdalena. one of two readings
54Do. O portenta, A.—Do.
55Do. Mea tormenta, A.—Do. one of two readings
56Da. Mea tormenta, A.—Do. one of two readings
57Do. Ad te clamanus, A.—Salve. one of two readings
58Da. Ad te clamanus, A.—Salve. one of two readings
59Do. O give thanks, C.—Caduta. one of two readings
60Da. O give thanks, C.—Caduta. one of two readings
61Do. Finche sovio, A.—Do. one of two readings
62Da. Finche sovio, A.—Do. one of two readings
63Do. Blow the sacred trumpet, C.—Do. one of two readings
64Da. Blow the sacred trumpet, C.—Do. one of two readings
65Do. Lauda, Qu. & C.—Pellegrini. one of two readings
66Da. Lauda, Qu. & C.—Pellegrini. one of two readings
67Da. Viva fonte, A.—Do.
68Du. D'Aspri legati, A.—Do. one of two readings
69Da. D'Aspri legati, A.—Do. one of two readings
70Do. Senti il mar, A.—Do. one of two readings
71Da. Senti il mar, A.—Do. one of two readings
72Du. Pellegrino e l'uomo, C.—Do. one of two readings
73Da. Pellegrino e l'uomo, C.—Do. one of two readings
74Da. Defende populum, C.—Giuseppe rie.
75Da. Die queso, A.—Do.
76Do. Plebes inerte consilia, C.—Do. one of two readings
77Da. Plebes inerte consilia, C.—Do. one of two readings
78Da. Agnus Del, D.—Litany.
79Do. O Lord, save thy people, A.—Depositione. one of two readings
80Da. O Lord, save thy people, A.—Depositione. one of two readings
81Do. Rex tremenda, C. & A.—Requiem. one of two readings
82Da. Rex tremenda, C. & A.—Requiem. one of two readings
83Do. Miserere mei Deus, C.—Miserere. one of two readings
84Da. Miserere mei Deus, C.—Miserere. one of two readings
85Haydn, J. Tu di grazia, C.—Passione.
86Do. Padre celeste, C.—Do. one of two readings
87Da. Padre celeste, C.—Do. one of two readings
88Do. Kyrie, C.—Mass No. I, in Bb. one of two readings
89Da. Kyrie, C.—Mass No. I, in Bb. one of two readings
90Do. Gloria, C.—Do. one of two readings
91Da. Gloria, C.—Do. one of two readings
92Do. Et incarnatus, C.—Do. one of two readings
93Da. Et incarnatus, C.—Do. one of two readings
94Iv. Sanctus, C.—Do.
95Do. Qui tollis, A. & C.—Mass No. II, in C. one of two readings
96Da. Qui tollis, A. & C.—Mass No. II, in C. one of two readings
97Do. Glor. & C.—Mass No. III, in D. one of two readings
98Da. Glor. & C.—Mass No. III, in D. one of two readings
99Do. Et incarnatus, A. & C.—Do. one of two readings
100Da. Et incarnatus, A. & C.—Do. one of two readings
101Do. Quoniam, A.—Mass No. V. one of two readings
102Da. Quoniam, A.—Mass No. V. one of two readings
103Do. Cum sancto, C.—Do. one of two readings
104Da. Cum sancto, C.—Do. one of two readings
105Iv. Et incarnatus, S. & D.—Do.
106Do. Agnus, A.—Do. one of two readings
107Da. Agnus, A.—Do. one of two readings
108Do. Kyrie, C.—Mass No. VII, in G. one of two readings
109Da. Kyrie, C.—Mass No. VII, in G. one of two readings
110Do. Et incarnatus, S. & Qu.—Do. one of two readings
111Da. Et incarnatus, S. & Qu.—Do. one of two readings
112Do. Sanctus, C.—Do. one of two readings
113Da. Sanctus, C.—Do. one of two readings
114Do. Benedictus, Q.—Do. one of two readings
115Da. Benedictus, Q.—Do. one of two readings
116Do. Sanctus, C.—Mass No. VIII, in Bb. one of two readings
117Da. Sanctus, C.—Mass No. VIII, in Bb. one of two readings
118Do. Benedictus, A.—Do. one of two readings
119Da. Benedictus, A.—Do. one of two readings
120Do. Agnus Del, C.—Do. one of two readings
121Da. Agnus Del, C.—Do. one of two readings
122Do. Kyrie, C.—Mass No. XII. one of two readings
123Da. Kyrie, C.—Mass No. XII. one of two readings
124Do. Stabat Mater, C.—Stabat. one of two readings
125Da. Stabat Mater, C.—Stabat. one of two readings
126Do. Vidit sumam, A.—Do. one of two readings
127Da. Vidit sumam, A.—Do. one of two readings
128Do. Qui est homo, C.—Do. one of two readings
129Da. Qui est homo, C.—Do. one of two readings
130Do. Pro peccatis, A.—Do. one of two readings
131Da. Pro peccatis, A.—Do. one of two readings
132Do. Fiammis orci, A.—Do. one of two readings
133Da. Fiammis orci, A.—Do. one of two readings
134Do. Fac me cruce, A.—Do. one of two readings
135Da. Fac me cruce, A.—Do. one of two readings
136Do. Quando corpus, C.—Do. one of two readings
137Da. Quando corpus, C.—Do. one of two readings
138Do. Salve Redemptor, C.—Salve. one of two readings
139Da. Salve Redemptor, C.—Salve. one of two readings
140Do. Pietas d'un infelice, C.—Tobias. one of two readings
141Da. Pietas d'un infelice, C.—Tobias. one of two readings
142Do. O di le nostre, O.—Do.
143Do. My soul shall cry, Q.—Motetto.
144Haydn, M. Lord, grant us thy, Ch.—Service for Country Church.
145Do. O full of all, Ch.—Do.
146Do. While consolous, Ch.—Do.
147Do. Blest Jesus, gracious, Ch.—Do.
148Do. O Love, all love excelling, Ch.—Do.
149Do. While with her fragrant, Ch.—Do.
150Do. Worship, honour, Ch.—Do.
151Do. Tenebra, C.—Tenebra.
152Do. Sanctus, C.—Requiem.
153Do. Agnus, C.—Do.
154Do. Oro supplex, C.—Do.
155Do. Lauda Sion, Q.—Litan.
156Hummel. Holy, Holy, C.—Mass.
157Jomelli. Rex tremenda, D.—Requiem.
158Do. Kyrie, D.—Mass.
159Do. Agnus, D.—Do.
160Leo. Dal nuvoloso monte, A.—& Kleina.
161Do. Dal tuo soglio, D.—Do. one of two readings
162Da. Dal tuo soglio, D.—Do. one of two readings
163Do. Christus factus est, S.—Verse.
164Do. O Jesu, A.—Salve.
165Lotti. Qui tollis, C.—Mass.
166Do. Gloria, C.—Do.
167Do. Et in terra, Qu.—Do.
168Do. Miserere mei, C.—Miserere.
169Marcello. Save, O save, D.—Psalms.
170Morari. Agnus Del, T.—Mass.
171Morari. Cum sancto, C.—Do.
172Mozart. Recordare, Q.—Requiem.
173Do. Sanctus, C.—Mass No. I.
174Do. Benedictus, Q.—Do.
175Do. Agnus, A.—Do.
176Do. Gloria, C.—Mass No. II.
177Do. Benedictus, Q.—Mass No. III.
178Do. Agnus, C.—Do.
179Do. Agnus, D.—Mass No. VI.
180Do. Bless the Lord (Kyrie), D.—Mass No. X.
181Do. Benedictus, A. & C.—Do.
182Do. Agnus, C.—Do.
183Do. Benedictus, Q.—Mass No. XI.
184Do. O God, when thou appearest, C.—Motetto I. II.
185Do. No pulvis, C.—Do.
186Do. Kyrie, D.—Litan I.
187Do. Jesu Domine, A.—Do.
188Do. Jesu Christe, D.—Litan II.
189Do. Verbum caro, C.—Do.
190Do. Enter into his gates, A.—Do.
191Do. Kyrie, C.—Do.
192Do. Agnus, D.—Do.
193Do. Tho' by threatening storma, A.—David.
194Naumann. Christe, T.—Mass No. I.
195Do. Kyrie, C.—Do.
196Do. Et incarnatus, D.—Do.
197Du. Agnus, D.—Do. one of two readings
198Do. Agnus, D.—Do. one of two readings
199Do. Quoniam, D.—Mass No. II.
200Do. Cum sancto, C.—Do.
201Do. Benedictus, D. & C.—Do.
202Do. Agnus, C.—Do.
203Do. Qui tollis, C.—Mass No. III.
204Do. Et incarnatus, A.—Do.
205Do. Sanctus, C.—Do.
206Do. Et incarnatus, A.—Mass No. IV.
207Do. Agnus, D. & C.—Do.
208Do. Lauda Sion, C.—Offertorium.
209Do. Le porte a noi, Q.—Pellegrini.
210Do. O ye kindreds, C.—Psalm xcv.
211Negri. Qui sedes, A.—Mass.
212Neukomm. Rex tremenda, C.—Requiem.
213Do. Sanctus, D.—Do.
214Pergolesi. Kyrie, D.—Grand Mass
215Do. Gloria, D.—Do.
216Do. Laudamus, D.—Do.
217Do. Gratias, C.—Do.
218Do. Dumine, D.—Do.
219Do. Qui tollis, C.—Do.
220Do. Quoniam, A.—Do.
221Do. Cum Sancto, C.—Do.
222Do. Hear my prayer, D.—Salve.
223Do. Ad te suspiramus, C.—Do.
224Pergolesi. O Jesu Salvator, D. Salvatore. Recedit Pastor, C. from Responsoria.
225Do. In monte Oliveto, C.—Do.
226Sarti. Miserere, D.—Miserere.
227Do. Amilus, T.—Do.
228Do. O fallaces, A.—Motetto.
229Do. Sum in medio, A.—Do.
230Siroli. Praise the Lord, D.—Miserere.
231Sudell. Crucifixus, D.—Mass.
232Telemann. Mercy. Judgment, A.—Orat. Passion.
233Türck. Heavenly Branch, D.—Christm. Oratorio.
234Vogler. Agnus Del, C.—Requiem.
235Winter. O quam tristis, C. & Q.—Stabat Mater.
236Do. Quando corpus, C.—Do.
237Do. Quid sum miser, A.—Requiem.
238Wolf. Saints and Angels, C.—Funeral Anthem.
239Do. The Prince of Life, D.—Easter Anthem.
240Salvatore. Tenebra, C.—Tenebra. N. N. Tantum ergo, D.—Chorale. one of two readings
241Salvatore. Tenebra, C.—Tenebra N. N. Tantum ergo, D.—Chorale. one of two readings
242[W.H.H.]
244LAUB, FERDINAND, one of the most remarkable violin-players of our day, was born Jan. 19, 1832, at Prague, where his father was a musician. His talent shewed itself very early; at six he mastered Variations by De Beriot, and at nine performed regularly in public. At eleven he attracted the notice of Berlioz and Ernst, and shortly after was taken up by the Grand Duke Stephen, and by him sent to Vienna in 1847. After this he visited Paris, and, in 1851, London, where he played at the Musical Union, and, in 1853 succeeded Joachim at Weimar. Two years later we find him at Berlin as Kammervirtuos and Concertmeister of the Court band, and leader of quartet-concerts of his own. At length, after considerable wandering, he settled at Moscow in 1866 as head Professor of the Violin in the Conservatorium, and first violin at the Musikgesellschaft, with great liberty of action. But Russia did not agree with him, and the state of his health compelled him in 1874 to take the baths at Karlsbad. The benefit however was but temporary, and on March 17, 1875, he died of a disordered liver, at Gries, near Botzen, in the Tyrol. Laub was certainly one of the greatest violin-virtuosos of recent times. He had a fine and very powerful tone and a brilliant technique, and played with much feeling and passion. His répertoire was very large, comprising all the important classical works and a great many modern compositions. His frequent performances of Joachim's Hungarian Concerto deserve special mention. He had also much success as a quartet-player, but his style, especially in latter years, has not unjustly been reproached with mannerism and a tendency to exaggeration.
245[P.D.]
247LAUDA SION. The name of a Sequence, sung, at High Mass, on the Feast of Corpus Christi, between the Gradual—Oculi omnium—and the Gospel for the Day. [See SEQUENTIA.]
249The text of the Lauda Sion, written, about the year 1261, by S. Thomas Aquinas, has always been regarded as a masterpiece of mediæval scholarship; and differs, in at least one very important point, from the four other Sequences still retained in use by the Roman Church. Not only does the rhythmic swing of its rhymed
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