Books › A dictionary of music and musicians . ., 1895 › scan 43
Scan 43
A dictionary of music and musicians . ., 1895
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1Mariani, iv. 711a; Mottl, iv. 720b.
2CONDUCTOR'S PART, i. 390b.
3CONFORTE, G. L., i. 390b; Pugnani (G.), iii. 45b.
4CONJUNCT; Motion, ii. 377a.
5CONRADI, A., i. 390b; iv. 597a.
6CONRADI, J.G., i. 391a; Opera, ii. 508a.
7CONRAN, M.; Hist. of Mus., iv. 674b.
8CONSECUTIVE, i. 391a; iv. 596a, Hidden Fifths and Octaves, i. 735b.
9CONSERVATOIRE DE MUSIQUE, i. 391b; iv. 597a; Académie de Mus., i. 8b; Adam (A. C.), i. 27b; Adam (L.), i. 29a; Baillot, i. 125b; Catel, i. 323a; Cherubini, i. 342a; Fétis, i. 517a; Habeneck, i. 643a; Lesueur, ii. 125a; Mus. Lib., ii. 426a; Soc. des Concerts, iii. 543b; Thomas (C. A.), iv. 104a.
10CONSERVATORIO, i. 394b; iv. 597a; Accademia, i. 11a; Milan, ii. 329a; Naples, ii. 444b.
11CONSILIUM, J.; Attaignant, i. 100b; Sistine Chapel, iv. 794a.
12CONSONANCE, i. 394b; Beats, i. 159a, etc.
13CONSORTI; Shake, iii. 480a, note.
14CON SPIRITO, i. 394b.
15CONSTANTINI, F.; Mus. Divina, ii. 411b.
16CONSTANTINI, A.; Mus. Divina, ii. 411b.
17CONSTANTIN, L.; RoidesViolons, iii. 146a; Vingtquatre Violons, iv. 266b.
18CONSTRUCTION, i. 394b.
19CONTE; Gr. Prix de Rome, i. 618b.
20CONTI. (See GIZZIELLO, i. 597b.)
21CONTI; Olimpiade, ii. 496b; Rolla, iii. 147a.
22CONTI, C.; Naples, ii. 446a.
23CONTI, F. B., i. 395a; iv. 597a; Fitzwilliam Coll., i. 531a; Metastasio, ii. 316a.
24CONTINI, G.; Marenzio, ii. 15b.
25CONTINUO. (See BASSO CONTINUO, i. 151b.)
26CONTRABASSO, i. 395b; Bass, i. 148b; Double Bass, i. 457b; Instruments, ii. 6b; Notation, ii. 477b.
27CONTRABASS POSAUNE. (See TROMBONE, iv. 176a.)
28CONTRABASS TUBA. (See BOMBARDON, i. 259b.)
29CONTRA FAGOTTO, i. 395b; Bas- soon, i. 153b; Double Bassoon, i. 458a; Instrument, ii. 6b; Keys, ii. 56a; Serpent, iii. 470b; Symphony, iv. 26a; Wind-band, iv. 467b.
30CONTRALTO, i. 395b; Alto, i. 58a; Singing, iii. 504b, etc.; Voice, iv. 332b.
31CONTRAPUNTAL, i. 396a; Contrary Motion, i. 396a; Counterpoint, i. 407b; Imitation, i. 765b.
32CONTRARY MOTION, i. 396a; Direct Motion, i. 448b; Motion, ii. 377a.
33CONTREDANSE, i. 396b; Allemande, i. 55b; Anglaise, i. 68a; Country Dance, i. 409b; Ecossaise, i. 483a; Eroica, i. 493b; Perigourdine, ii. 692a; Quadrille, iii. 55a; Redoute, iii. 89a; Saraband, iii. 227a.
34CONTUMACCI. (See COTUMACCI, i. 407b.)
35CONVERSI, G., i. 396b; Mus. Transalpina, ii. 416a; Vocal Scores, iv. 320a.
36CONVICT, i. 396b; iv. 597a; Schubert, iii. 320a, etc.
37COOKE, B., i. 396a; iv. 597a; Amen, i. 60b; Augmentation, i. 104b; Bartleman, i. 146a; Bellamy, i. 211a; Callcott, i. 298a; Canon, i. 304b; Catch Club, i. 322b; Concentores Sodales, i. 383b; Crosdill, i. 419b; Galliard (J.E.), i. 578b; Glee, i. 599a; Glee Club, i. 599a; Greatorex, i. 622b; Madrigal Soc., ii. 193b; Mus. Lib., ii. 420b; Parsons (Sir W.), ii. 652b; Part Mus., ii. 656b, etc.; Pepusch, ii. 685a; Roy. Soc. of Musicians, Great Britain, iii. 187a; Schools of Comp., iii. 278b; Service, iii. 474a; Spofforth, iii. 656b; Tallys, iv. 53b; Vocal Scores, iv. 320a.
38COOKE, Grattan, i. 398a; Oboe, ii. 487b; Mendelssohn, iv. 717a.
39COOKE, H., i. 397a; iv. 597a; Blow, i. 249b; English Opera, i. 488b; Estwick, i. 496b; Humfrey, i. 757a; Lawes (H.), ii. 107a; Purcell (H.), iii. 46b; Schools of Comp., iii. 282a; Turner (W.), iv. 195a; Wise, iv. 476b.
40COOKE, M.; Jacob (B.), ii. 28a.
41COOKE, N., i. 397b.
42COOKE, R., i. 397b; iv. 597a; Beale, i. 158a; Catch Club, i. 322b; Harris (J. M.), i. 692a; Madrigal Soc., ii. 194a; Philh. Soc., ii. 698a.
43COOKE, T. S., i. 397b; iv. 597a; Ancient Concerts, i. 64b; Balfe, i. 126b; Glover (C. W.), i. 600a; Lachnith, ii. 82b; Melodists' Club, ii. 249a; Rainforth (Eliz.), iii. 67b; Reeves (Sims), iii. 92b; Song, iii. 607a; Templeton, iv. 81b; Vauxhall Gardens, iv. 234a; Vocal Soc., iv. 320b; Williams (Sisters), iv. 459b; Tree, iv. 800b.
44COOMBE, W. F., i. 398a.
45COOMBS, J. M., i. 398b; Field (H.), i. 519b.
46COOPER; Tudway, iv. 199b.
47COOPER, G., i. 398b; iv. 597a; Bach Soc., i. 120a; Madrigal Soc., ii. 194a; Stainer (J.), iii. 688a; Parratt (W.), iv. 738b.
48COOPER, H. C.; Philh. Soc., ii. 699b.
49COPE; Mus. Periodicals, iv. 726b.
50COPERARIO, J., i. 398b; iv. 597a; Campion, i. 301a; Eng. Opera, i. 488b; Lawes (H.), ii. 106a; Leighton (Sir W.), ii. 114a; Mus. Lib., ii. 418a, etc.; Tablature, iv. 50a.
51COPIN DU BREQUIN; Roi des Violons, iii. 146a.
52COPPOLA, G., i. 399a.
53COPPOLA, P. A., i. 399a; iv. 597a.
54COPYRIGHT. i. 399a; iv. 597b.
55COR ANGLAIS, i. 400a; iv. 597a; Bassett-Horn, i. 151a; Boehm (T.), i. 254b; Eng. Horn, i. 488b; Instrument, ii. 6b; Notation, ii. 478a; Oboe di Caccia, ii. 489a; Organ, ii. 601b.
56CORANTO. (See COURANTE, i. 410b.)
57CORBET, F., i. 400a; Ballet, i. 130b.
58CORBETT, W., i. 400a; iv. 597b.
59CORDER, F., iv. 598a; Nordisa, iv. 732a.
60CORDIER, J., i. 400b.
61CORDIER, Mlle.; Strakosch, iii. 734b.
62CORELLI; Pacini (G.), ii. 627a.
63CORELLI, A., i. 400b; Ancient Concerts, i. 64b; Anglebert, i. 68a; Archlute, i. 81b; Baptiste, i. 136a; Bassani, i. 150b; Bow, i. 264b; Bowing, i. 265b; Cartier, i. 318a; Castrucci, i. 319b; Concerto, i. 387a; Deane, i. 438b; Division Violin, The, i. 451a;
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