Books › A dictionary of music and musicians … (1899)
A dictionary of music and musicians …
1899.
On archive.org as dictionaryofmusi01grov_0.
61 pages read (scans 13 to 764)6 names found0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 13 | A DICTIONARY OF MUSIC AND MUSICIANS. | Read | |
| 14 | to have been the more celebrated of the… | Read | |
| 15 | 3 | ABBREVIATIONS. | Read |
| 16 | 4 | according as the upper or lower octave i… | Read |
| 17 | 5 | being of his own composition. His facili… | Read |
| 23 | 11 | nous work but little beyond the names an… | Read |
| 24 | 12 | twelve or fourteen performers, among who… | Read |
| 43 | 31 | ADDITIONAL ACCOMPANIMENTS. | Read |
| 44 | 32 | 32 ADDITIONAL ACCOMPANIMENTS. | Read |
| 45 | 33 | ADDITIONAL ACCOMPANIMENTS. | Read |
| 46 | 34 | 34 ADDITIONAL ACCOMPANIMENTS. | Read |
| 47 | 35 | ADDITIONAL ACCOMPANIMENTS. | Read |
| 48 | 36 | the works of Bach, in which, though no o… | Read |
| 49 | 37 | ADDITIONAL ACCOMPANIMENTS. | Read |
| 55 | 43 | AGREMENS. | Read |
| 56 | 44 | The agrémens used in modern music or in… | Read |
| 58 | 46 | Colla, who composed for her most of the… | Read |
| 59 | 47 | AIR. | Read |
| 60 | 48 | red, almost brown, varnish, is more rema… | Read |
| 64 | 52 | was elected to the living of Wem, in Shr… | Read |
| 65 | 53 | ALIANI. | Read |
| 69 | 57 | the musical signs in use in his day amou… | Read |
| 70 | 58 | called also counter-tenor, i.e. contra,… | Read |
| 76 | 64 | corresponding to their vibratory capacit… | Read |
| 77 | 65 | ANCIENT CONCERTS. | Read |
| 78 | 66 | monic Society's concerts. She taught the… | Read |
| 79 | 67 | ANDREOLI. | Read |
| 96 | 84 | Arne married Miss Elizabeth Wright, a vo… | Read |
| 97 | 85 | ARNE. | Read |
| 100 | 88 | of the arpeggio to fall upon the beat, a… | Read |
| 101 | 89 | ARPEGGIO. | Read |
| 102 | 90 | of strings oboes and trumpets. The origi… | Read |
| 160 | 148 | are generally rather vague, but middle C… | Read |
| 161 | 149 | principal characters on the operatic sta… | Read |
| 242 | 230 | and was called by the Italians Giachetto… | Read |
| 243 | 231 | between two of our company,' has given t… | Read |
| 244 | 232 | Henri Vieuxtemps is the most distinguish… | Read |
| 364 | 352 | the fact that Beethoven speaks of the fi… | Read |
| 428 | 416 | answering in its construction to the pri… | Read |
| 470 | 458 | richness of tone which is claimed for th… | Read |
| 536 | 524 | defences, protests, recriminations, and… | Read |
| 567 | 555 | an identical figure reappear in the diff… | Read |
| 568 | 556 | William Forster died at the house of his… | Read |
| 569 | 557 | FOUNDLING HOSPITAL. | Read |
| 570 | 558 | tante and 3 duos for 2 violins, 9 quarte… | Read |
| 582 | 570 | a general rule proceed only in perfect F… | Read |
| 583 | 571 | FZ. The abbreviation of the Italian word… | Read |
| 584 | 572 | him to write the music to be performed a… | Read |
| 585 | 573 | GABRIELLE, CHARMANTE. | Read |
| 586 | 574 | century, studied counterpoint under Padr… | Read |
| 587 | 575 | and Botzen. In 1795 he entered the Unive… | Read |
| 628 | 616 | modern reprints—or, rather, re-compilati… | Read |
| 647 | 635 | His musical faculty showed itself very e… | Read |
| 648 | 636 | varian model. The design is often bold t… | Read |
| 669 | 657 | HANDEL. | Read |
| 674 | 662 | at the university; in 61 professor extra… | Read |
| 675 | 663 | was engaged exclusively for the instrume… | Read |
| 719 | 707 | and a 'Salve Regina.' In 1775 followed h… | Read |
| 720 | 708 | 20 years later—in 1802, when she was Dow… | Read |
| 763 | 751 | In the last bar but one there is a jump… | Read |
| 764 | 752 | desired the copyist to forward the part… | Read |