Books › A dictionary of music and musicians (A.D. 1450-1878 (1878)
A dictionary of music and musicians (A.D. 1450-1878
1878.
Book. On archive.org as dictionaryofmusi01grov_2.
63 pages read (scans 6 to 766)5 names found0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 6 | PREFACE. | Read | |
| 15 | A DICTIONARY OF MUSIC AND MUSICIANS. | Read | |
| 16 | 2 | to have been the more celebrated of the… | Read |
| 17 | 3 | ABBREVIATIONS. | Read |
| 18 | 4 | according as the upper or lower octave i… | Read |
| 19 | 5 | being of his own composition. His facili… | Read |
| 25 | 11 | nous work but little beyond the names an… | Read |
| 26 | 12 | twelve or fourteen performers, among who… | Read |
| 36 | 22 | insertion of an additional short manual… | Read |
| 37 | 23 | ACCOMPANIMENT. | Read |
| 43 | 29 | regarded with interest, and gave his jou… | Read |
| 45 | 31 | ADDITIONAL ACCOMPANIMENTS. | Read |
| 46 | 32 | 32 ADDITIONAL ACCOMPANIMENTS. | Read |
| 47 | 33 | ADDITIONAL ACCOMPANIMENTS. | Read |
| 48 | 34 | By comparing the added parts (which, to… | Read |
| 49 | 35 | ADDITIONAL ACCOMPANIMENTS. | Read |
| 50 | 36 | the works of Bach, in which, though no o… | Read |
| 51 | 37 | ADDITIONAL ACCOMPANIMENTS. | Read |
| 57 | 43 | Doppelschlag. Mordent. Anschlag. | Read |
| 58 | 44 | The agrémens used in modern music or in… | Read |
| 59 | 45 | Wittenberg, renowned in his own day as a… | Read |
| 60 | 46 | Colla, who composed for her most of the… | Read |
| 61 | 47 | proportion one to another. In the 16th a… | Read |
| 62 | 48 | red, almost brown, varnish, is more rema… | Read |
| 66 | 52 | was elected to the living of Wem, in Shr… | Read |
| 67 | 53 | ALIANI. | Read |
| 71 | 57 | the musical signs in use in his day amou… | Read |
| 72 | 58 | called also counter-tenor, i.e. contra,… | Read |
| 78 | 64 | corresponding to their vibratory capacit… | Read |
| 79 | 65 | ANCIENT CONCERTS. | Read |
| 80 | 66 | monic Society's concerts. She taught the… | Read |
| 162 | 148 | are generally rather vague, but middle C… | Read |
| 163 | 149 | principal characters on the operatic sta… | Read |
| 243 | 229 | slightest derogation from his strict pri… | Read |
| 244 | 230 | and was called by the Italians Giachetto… | Read |
| 245 | 231 | between two of our company,' has given t… | Read |
| 246 | 232 | Henri Vieuxtemps is the most distinguish… | Read |
| 279 | 265 | BOW. | Read |
| 366 | 352 | the fact that Beethoven speaks of the fi… | Read |
| 430 | 416 | answering in its construction to the pri… | Read |
| 436 | 422 | her dramatic effects. In 1851 she went t… | Read |
| 472 | 458 | richness of tone which is claimed for th… | Read |
| 538 | 524 | defences, protests, recriminations, and… | Read |
| 569 | 555 | an identical figure reappear in the diff… | Read |
| 570 | 556 | William Forster died at the house of his… | Read |
| 571 | 557 | FOUNDLING HOSPITAL. | Read |
| 572 | 558 | tante and 3 duos for 2 violins, 9 quarte… | Read |
| 584 | 570 | a general rule proceed only in perfect F… | Read |
| 585 | 571 | FZ. | Read |
| 586 | 572 | him to write the music to be performed a… | Read |
| 587 | 573 | GABRIELLE, CHARMANTE. | Read |
| 588 | 574 | century, studied counterpoint under Padr… | Read |
| 589 | 575 | and Botzen. In 1795 he entered the Unive… | Read |
| 630 | 616 | modern reprints—or, rather, re-compilati… | Read |
| 649 | 635 | His musical faculty showed itself very e… | Read |
| 650 | 636 | varian model. The design is often bold t… | Read |
| 671 | 657 | lished at Vienna by Künike, representing… | Read |
| 676 | 662 | at the university; in 61 professor extra… | Read |
| 677 | 663 | HARMONICA. | Read |
| 721 | 707 | and a 'Salve Regina.' In 1775 followed h… | Read |
| 722 | 708 | 20 years later—in 1802, when she was Dow… | Read |
| 765 | 751 | HORN. | Read |
| 766 | 752 | desired the copyist to forward the part… | Read |