Books › A Dictionary of music and musicians : (A.D. 1450-1880) (1880)
A Dictionary of music and musicians : (A.D. 1450-1880)
1880.
On archive.org as adictionarymusi03grovgoog.
54 pages read (scans 1 to 740)1 name found1 maker on this site cites it
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Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 1 | This is a digital copy of a book that wa… | Read | |
| 24 | SUSPENSION. | Read | |
| 25 | fortes is characteristic of modern uses… | Read | |
| 26 | SVENDSEN. | Read | |
| 27 | greatest brilliancy, not only for his un… | Read | |
| 31 | at a later time more familiar types; but… | Read | |
| 32 | take more pains both in the structure an… | Read | |
| 33 | specimens of this kind remaining—almost… | Read | |
| 34 | SYMPHONY. | Read | |
| 35 | SYMPHONY. | Read | |
| 36 | SYMPHONY. | Read | |
| 37 | to have been composed at Linz for Count… | Read | |
| 38 | SYMPHONY. | Read | |
| 39 | SYMPHONY. | Read | |
| 43 | SYMPHONY. | Read | |
| 49 | 29 | SYMPHONY. | Read |
| 50 | 30 | Nevertheless, the whole effect of the mo… | Read |
| 51 | 31 | SYMPHONY. | Read |
| 68 | 50 | This method of Notation was used for beg… | Read |
| 69 | 51 | TABLE ENTERTAINMENT. | Read |
| 77 | 59 | TARANTELLA. | Read |
| 78 | 60 | TARTINI, GIUSEPPE, famous violin-player… | Read |
| 79 | 61 | TARTINI. | Read |
| 80 | 62 | modulations richer and more varied. Stil… | Read |
| 81 | 63 | TASKIN. | Read |
| 87 | 69 | TE DEUM. | Read |
| 94 | 76 | It would be unnecessary in general to tr… | Read |
| 100 | 82 | taking the part of Hawthorn, with Mrs. W… | Read |
| 105 | 87 | TENOR. | Read |
| 106 | 88 | the voice, as is usually the case. In co… | Read |
| 107 | 89 | TENOR VIOLIN. | Read |
| 108 | 90 | probably based on reminiscences of this… | Read |
| 109 | 91 | TENOR VIOLIN. | Read |
| 172 | 154 | not be supposed that touch on the organ… | Read |
| 173 | 155 | TOURJÉE. | Read |
| 227 | 209 | Opéra in 1816, was promoted first to a p… | Read |
| 297 | 279 | d'Amore): the next largest size was call… | Read |
| 298 | 280 | sufficiently indicate the extent to whic… | Read |
| 299 | 281 | VIOLIN. | Read |
| 300 | 282 | no constructive changes in the instrumen… | Read |
| 301 | 283 | VIOLIN. | Read |
| 302 | 284 | Hill & Sons charge £15, Mr. Duncan of Gl… | Read |
| 303 | 285 | VIOLIN. | Read |
| 315 | 297 | VIOLIN-PLAYING. | Read |
| 319 | 301 | ceedingly effective in legato and tenuto… | Read |
| 341 | 323 | VOCES HAMMERIANÆ. | Read |
| 358 | 340 | is in accordance with a rule which is in… | Read |
| 388 | 370 | he dialogue in each scene shall exhibit… | Read |
| 397 | 379 | WALMISLEY. | Read |
| 502 | 484 | the demisemiquaver passing notes are omi… | Read |
| 547 | 529 | BACH CHOIR. | Read |
| 618 | 600 | returning home to Temar (Tara) with the… | Read |
| 690 | 672 | Compositeur toqué' (played by him at the… | Read |
| 740 | 722 | the true composers are known. One is the… | Read |
Makers from this book
1, A to Z. The first few: