Scan 12
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
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1INDEX.
3ALFONSO UND ESTRELLA, i. 52b; Rosamunde, iii. 161a; Schubert, iii. 335a.
4ALFORD, J., i. 52b.
5ALIANI, F., i. 53a.
6ALI BABA, i. 53a; Cherubini, i. 342a; Bottesini, iv. 557a.
7ALIPRANDI, F., i. 53a.
8ALIQUOT-PIANO; P.F., ii. 723a.
9ALIZABD, A. J. L., i. 53a.
10ALKAN, C. H. V., i. 53a; iv. 819a; Etudes, i. 496b, etc.; Klindworth, ii. 64b; Pedalier, ii. 678b; PF. Mus., ii. 731a; PF. playing, ii. 743b; Schubert, iii. 357b; PF. Mus., iv. 748b; PF. playing, iv. 749a.
11ALLA BREVE, i. 53b; A Capella, i. 10b; Breve, i. 274b; C, i. 289b; Notation, ii. 475b, note; Tempo, iv. 83a; Time, iv. 118a.
12ALLACCI, L., i. 53b; Abbatini, i. 1b; Stradella, iii. 722b.
13ALLANSON; Mus. Lib., ii. 419a.
14ALL' ANTICO, i. 53b.
15ALLA ZOPPA. (See ZOPPA, iv. 514a.)
16ALLCHIN; University Soc., iv. 206a.
17ALLEGRANTI, Madalena, i. 53b; iv. 521a.
18ALLEGRETTO, i. 55a.
19ALLEGRI, G., i. 54a; iv. 521a; Bai, i. 125a; Baini, i. 288b; Lamentations, ii. 87b; Mass, ii. 231a; Miserere, ii. 336a, etc.; Motet, ii. 376a; Mozart, ii. 383a; Mus. Divina, ii. 411b; Nonet, ii. 464a; Palestrina, ii. 641b; Prince de la Moskowa, iii. 31a; Rochlitz, iii. 141b; Schools of Comp., iii. 265a; Sistine Choir, iii. 521a; Alfieri, iv. 520a, note; Rome, iv. 774a; Sistine Chapel, iv. 794a.
20ALLEGRO, i. 54b; Canzona, i. 306b; Tempo, iv. 83a; Vivace, etc., iv. 316b.
21ALLELUIA. (See HALLELUJAH, i. 646b.)
22ALLEMANDE, i. 55a; Courante, i. 410b; Form, i. 544b, etc.; March, ii. 212b; Orchésographie, ii. 560a; Redoute, iii. 89a; Subject, iii. 751b; Suite, iii. 755a, etc.; Teutsche, iv. 95a; Waltz, iv. 385b.
23ALLEN, E. H.; Violin, iv. 286b; Hist. of Mus., iv. 676b.
24ALLEN, H. R., iv. 521a.
25ALLGEMEINE MUSIKALISCHE ZEITUNG, i. 55b; iv. 521a; Breitkopf, i. 273a; Fink, i. 527b; Leipzig, ii. 115a, etc.; Mus. Periodicals, ii. 431a; Rochlitz, iii. 141a.
26ALLISON, RICHARD, i. 56a; Este (T.), i. 495b; Hymn, i. 762b; VocalScores, iv. 319b; Psalter, iv. 760b.
27ALLISON, ROB., i. 56a.
28ALL' OTTAVA, i. 56a; Loco, iv. 705a.
29ALL' UNISONO, i. 56a.
30ALLWOODE; Hawkins (Sir J.), i. 700a; Mus. Lib., ii. 422a.
31ALMANES; Suite, iii. 755a; Virginal Mus., iv. 308b.
32ALMENBÄDER; Bassoon, i. 152a.
33ALOISIUS, J. P. (See PALESTRINA, ii. 635a, note.)
34ALFENHORN, i. 56a; Ranz des Vaches, iii. 75b.
35ALPHABET, i. 56b; A, i. 1a; B, i. 108a; C, i. 289a; D, i. 426a; E, i. 478a; F, i. 500a; G, i. 571a; H, i. 643a.
36ALSAGER, T. M., i. 57a; Roussetot, iii. 182b; Sainton, iii. 216b; Sivori, iii. 534b.
37ALT, i. 57b.
38ALTAEMPS, G. A.; Otthoboni, ii. 615b.
39ALTENBURG, J. C., i. 57b.
40ALTENBURG, J. E., i. 57b.
41ALTENBURG, M.; Chorale, iv. 589b.
42ALTERNATIVO, iv. 521a; Trio, iv. 173a.
43ALTÈS, E. E., iv. 521b; Tulou (J. L.), iv. 186b; Concert Spirituel, iv. 596a; Garcin, iv. 645b; Hainl, iv. 662a; Vianesi, iv. 812b.
44ALTHORN, i. 57b; Saxhorn, iii. 233b.
45ALTNIKOL; Art of Fugue, i. 96b; Bach (J. S.), i. 116a.
46ALTO, i. 57b; Contralto, i. 395b; Counter tenor, i. 409b; Falsetto, i. 502a; Mean, ii. 242b; Voice, iv. 332b.
47ALTO, i. 58a; Tenor-violin, iv. 88b.
48ALTRA VOLTA, i. 58a.
49ALTUS; Motet, ii. 371b; Voices, iv. 333b.
50ALVSLEBEN. (See OTTO, Melita, iv. 737a.)
51AMADINO, R; Notation, ii. 474b.
52AMADIO; Strakosch, iii. 734a.
53AMADORI, G.; Bernacchi (A.), i. 234b; Rome, iv. 774a.
54AMATI, i. 58a; Albani (M.), i. 48a; Belly, i. 220b; Cremona, i. 416a; Grancino, i. 616b; Guarnieri (A.), i. 636b; Ruggieri, iii. 203b; Soundholes, iii. 641b; Stradivari (A.), iii. 724b, etc.; Tenor Violin, iv. 89b; Violin, iv. 282a, etc.
55AMBASSADRICE, L', i. 59a; Auber, i. 102b.
56AMBER WITCH, THE, i. 59a; Wallace (W. V.), iv. 377b.
57AMBROGETTI, G., i. 59a; Baryton, i. 147a; Singing, iii. 511a; Vocal Concerts, iv. 319b.
58AMBROS, A. W., i. 59a; iv. 521b; Isaac, ii. 23a; Josquin Després, ii. 42b; Kiesewetter, ii. 56a; Lassus, ii. 94b; Notation, ii. 468a; Obrecht, ii. 489b; Plain Song, ii. 763a; Schools of Comp., iii. 260a, etc.; Schumann, iii. 420b; Song, iii. 585b, note, etc.; Sumer is icumen in, iii. 768b; Hist. of Mus., iv. 674b.
59AMBROSE, J.; Mus. Antiqua, ii. 411a.
60AMBROSIANCHANT, i. 59b; Plain song, ii. 763b.
61AMEN, i. 60b; Response, iii. 118a.
62AMENDOLA; Isouard, ii. 24a.
63AMERICAN ORGAN, i. 60b; Harmonium, i. 666b; Forsyth, iv. 637b.
64AMEYDEN, C.; Sistine Chapel, iv. 794a.
65AMICIS, A. L. de, i. 61a; Pacchierotti, ii. 625a; Tesi Tramontini, iv. 94a.
66AMICIS, D. de', i. 61b.
67AMILIE, i. 61b; Rooke, iii. 157a.
68AMMERBACH; Fingerling, i. 525b; Tuning, iv. 187b; Scheidt, iv. 782a.
69AMMONIS. (See AMON, B.)
70AMNER, J., i. 61b; Accompaniment, i. 20b; Mus. Lib., ii. 422b; Tudway, iv. 198b; Carol, iv. 581a.
71AMNER, R., i. 62a.
72AMODIO; Strakosch, iii. 734a.
73AMON, B.; Berg (A.), i. 230b; Bodenschatz, i. 253a.
74AMOR, F.; Sainton, iii. 217a.
75AMOREVOLI, A., i. 62a.
76AMPS; University Soc., iv. 204b.
77AMYOT, P.; Hist. of Mus., iv. 674b.
78ANACKER, A. F., i. 62a; Becker (C. J.), i. 161a; Brendel, i. 273b; Orpheus, ii. 613a; Volkman, iv. 336a.
79ANACREON, i. 62a; Cherubini, i. 342a.
80ANACREONTIC SOCIETY, i. 62b.
81ANALYSIS, i. 62b; iv. 521b; Ella, i. 486a; Hallé, i.
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