Scan 14
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
68 lines. Read by computer on 16 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1ANTIGONE OF SOPHOCLES, i. 73b; Mendelssohn, ii. 279b, etc.
2ANTINORI, L., i. 73b.
3ANTIPHON, i. 73b; Anthem, i. 70a; Cantoris, i. 306a; Decani, i. 438b; Imperfect, i. 767a; Improperia, ii. 1a; Initials, absolute, ii. 3b; In Nomine, ii. 3b; Intonation, ii. 12a; Introit, ii. 15a; Lauds, ii. 105b; Magnificat, ii. 196a, note; Matins, ii. 238b; Mediant, ii. 244b; Modes Ecclesiast., ii. 343a; Participant, ii. 656a; Plain song, ii. 763b, etc.; Salve Regina, iii. 222b; Subject, iii. 747b; Vesperale, iv. 257a; Vespers, iv. 257a, etc.; Gregorian Tones, iv. 656b; Invitatorium, iv. 685b.
4ANTIPHONARIUM: Chant, i. 337b; Gradual, i. 615b; Notation, ii. 468b; Palestrina, ii. 639b; Plainsong, ii. 764a.
5ANTIQUIS, G. D', i. 74a; Villanelia, iv. 264b, note.
6ANTOINE LE RICHE. (See DREVITIS, i. 451a.)
7ANTONELLI; Bani, i. 288b. one of two readings
8ANTONELLI; Bains, i. 288b. one of two readings
9ANTONIO DA BOLOGNA; Mus. Lib., ii. 425b.
10ANTONIOTTI; Violoncello-Playing, iv. 299b.
11ANTONY, J.; Hist. of Mus. iv. 676a.
12APELLES; Chorale, iv. 590a.
13A PIACERE, i. 74a; Tempo, iv. 85a.
14APOLLONICON, i. 74a; Adams (T.), i. 29b; Barrel Organ, i. 143a; Flight, i. 532b.
15APASSIONATA, i. 75a; Beethoven, i. 187a.
16APPENZELLERS, Benedictus; Ducis, i. 467b, note; Mus. Lib., ii. 419a.
17APPIANO, D', S.; Lamperti, ii. 88b.
18APPLICATIO, i. 75a; iv. 523a; Fingerling, i. 525a.
19APPOGGIATURA, i. 75a; iv. 523a; Acciaccatura, i. 18b; Agrements, i. 44a; Arpeggio, i. 88b; Grace notes, i. 615a; Nachschlag, ii. 441a; Notation, ii. 477a; Recitative, iii. 83b; Shake, iii. 480a; Thoroughbass, iv. 110b, etc.; Vorschlag, iv. 340a.
20APPOGGIATURA, DOUBLE, i. 79a; Vorschlag, iv. 339b.
21APRILE, G., i. 79b; iv. 523a; Abos, G., i. 5b; Crivelli, i. 418b; Kelly, ii. 49b; Soprano, iii. 636a.
22A PRIMA VISTA, i. 79b; Pinto (T.), ii. 754a.
23APTOMMAS; Hist. of Mus., iv. 676b.
24A PUNTA D'ARCO, i. 79b.
25AQUÆGRANENSIS, L.; Dodecachordon, iv. 616a.
26A QUATRE MAINS, i. 79b.
27AQUILA, DAL'; Mus. Lib., ii. 419a.
28ARABESQUE, i. 80b.
29ARAGONI, i. 80b.
30ARANAZ, P., i. 80b; Eslava, i. 495a.
31ARBAN; Conservatoire de Mus., i. 392b.
32ARBEAU, T., i. 80b; Branle, i. 289a; Matassins, ii. 236b; Morris Dance, ii. 369a; Orchésographie, ii. 560a; Passamezzo, ii. 662a; Pavane, ii. 676a; Sink-a-pace, iii. 517b; Tabourot, iv. 51a; Waltz, iv. 385a; Dance rhythm, iv. 606a.
33ARCADELT, J., i. 81a; Barre (L.), i. 142b; Echos du temps passé, i. 482a; Gardane (A.), i. 582b; Lamentations, ii. 88b; Lassus, ii. 94a; Madrigal, ii. 188b; Maestro, ii. 195b; Mass, ii. 228b; Motet, ii. 373a; Mouton, ii. 379a; Polyphonia, iii. 13b; Prince de la Moskowa, iii. 31a; Schools of Comp., iii. 261b, etc.; Sistine Choir, iii. 521a; Burney, iv. 571a; Dance Rhythm, iv. 606a; Mus. Lib., iv. 726a; Rome, iv. 773b; Sistine Chapel, iv. 794a; Trésor Mus., iv. 801a.
34ARCHER, F., iv. 523a.
35ARCHICEMBALO; Trasuntino, iv. 162a; Vicentino, iv. 261a.
36ARCHLUTE, i. 81a; Chitarrone, i. 347b; Lute, ii. 177b; Theorbo, iv. 100a.
37ARCILIUTO; Chitarrone, iv. 587b.
38ARCO, i. 81b; Col Arco, i. 377a.
39ARDITI, L., i. 81b; iv. 523b; Opera, ii. 530b; Thomas (Theod.), iv. 105b; Valleria, iv. 214b; Bottesini, iv. 556b.
40ARESTI; Cazzati (M.), i. 328b.
41ARETINO, Guido. (See GUIDO, iv. 659a.)
42ARGENTIL, C. de; Sistine Chapel, iv. 794a.
43ARGYLL ROOMS, i. 82a; Harmonic Institution, i. 665b; Hawes, i. 699a; Welsh (T.), iv. 444b.
44ARIA, i. 82b; Form, i. 541b, etc.;
45Jommelli, ii. 38a; Monodia, ii. 354b; Opera, ii. 502b, etc.; Oratorio, ii. 537a; Recitative, iii. 86a; Scena, iii. 240b; Schools of Comp., iii. 279b; Song, iii. 588b; Suite, iii. 759b.
46ARIA ALL' UNISONO; Opera, ii. 511a; Oratorio, ii. 544a.
47ARIA CANTABILE; Opera, ii. 509a, etc.; Oratorio, ii. 543b.
48ARIA CONCERTATA; Opera, ii. 511a; Oratorio, ii. 544a, etc.
49ARIA DA CAPO; Air, i. 47a.
50ARIA DI BRAVURA, i. 82b; Opera, ii. 510b; Oratorio, ii. 544a; Schools of Comp., iii. 287a.
51ARIA DI CHIESA; Stradella, iii. 723b.
52ARIA D'IMITAZIONE; Opera, ii. 511a, etc.; Oratorio, ii. 544a.
53ARIA DI MEZZO CABATTERE; Opera, ii. 511b; Oratorio, ii. 543b.
54ARIA DI PORTAMENTO; Opera, ii. 509b, etc.; Oratorio, ii. 543b, etc.
55ARIA GRANDE; Air, i. 47a.
56ARIA PARLANTE. (See ARIOSO, i. 83a.)
57ARIETTA, i. 83a; Chanson, i. 336a.
58ARIOSO, i. 83a; Melody, ii. 250a; Opera, ii. 510a; Oratorio, ii. 543b; Schools of Comp., iii. 286a.
59ARIOSTI, A., i. 83a; Handel, i. 648a, etc.; Haym, i. 723b; Opera, ii. 512a; Pasticcio, ii. 669a; Roy. Acad. of Mus., iii. 184b; Burney iv. 571a.
60ARLBBERG; Song, iii. 610b.
61ARMAND, Mme.; Spontini, iii. 667a; Taskin, iv. 63a.
62ARMES, P., iv. 723a, note; Organ, ii. 593b, note; Schools of Comp., iii. 308a; Mus. Lib., iv. 723a.
63ARMIDE, i. 83b; Gluck, i. 602b; Jommelli, ii. 37b; Traetta, iv. 157b.
64ARMINGAUD, J.; Violin-playing, iv. 289.
65ARMOURER OF NANTES, THE, i. 83b; Balfe, i. 127b.
66ARNE, M., i. 83b; iv. 523b; Battishill, i. 156a; Madrigal Soc., ii. 193b; Marylebone Gardens, ii. 224a; Pantomime, ii. 646a; Vernon (J.), iv. 256a.
67ARNE, T. A., i. 84a; iv. 523b; Abrams (Misses), i. 6a; Artauxerxes, i. 96a; Bates (W.),
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