Scan 23
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
46 lines. Read by computer on 16 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1BEAUSSERON, J.; Sistine Chapel, iv. 794a. one of two readings
2BEAUSSERON, J.; Sistine Chapel, iv. 794 a. one of two readings
3BEBUNG, i. 160a; Agrémens, i. 42b; Cembal d'Amore, i. 330a; Clavichord, i. 368a; Dot, i. 457a; Tangent, iv. 57a; Tie, iv. 113b. one of two readings
4BEBUNG, i. 160 a; Agrémens, i. 42 b; Cembal d'Amore, i. 330 a; Clavichord, i. 368 a; Dot, i. 457 a; Tangent, iv. 57 a; Tie, iv. 113 b. one of two readings
5BÉCARRE; Accidentals, i. 19a. one of two readings
6BÉCARRE; Accidentals, i. 19 a. one of two readings
7BÈCHE; Solfeggio, iii. 547b. one of two readings
8BÈCHE; Solfeggio, iii. 547 b. one of two readings
9BECHER, A. J., i. 160b. one of two readings
10BECHER, A. J., i. 160 b. one of two readings
11BECHGAARD; Song, iii. 611a. one of two readings
12BECHGAARD; Song, iii. 611 a. one of two readings
13BECHSTEIN, F. W. K., i. 160b; Pianoforte, ii. 713b. one of two readings
14BECHSTEIN, F. W. K., i. 160 b; Pianoforte, ii. 713 b. one of two readings
15BECK, F., i. 161a; Blanchard, i. 247a; Bochsa, i. 252a; Garat, i. 581a; Gaveaux, i. 585a. one of two readings
16BECK, F., i. 161 a; Blanchard, i. 247 a; Bochsa, i. 252 a; Garat, i. 581 a; Gaveaux, i. 585 a. one of two readings
17BECK, J. N., iv. 533a. one of two readings
18BECK, J. N., iv. 533 a. one of two readings
19BECKER, i. 161a; Wrestplank, iv. 490b. one of two readings
20BECKER, i. 161 a; Wrestplank, iv. 490 b. one of two readings
21BECKER, V.; Orpheus, ii. 613b. one of two readings
22BECKER, V.; Orpheus, ii. 613 b. one of two readings
23BECKER, C. F., i. 161a; Bach (J. S.), i. 117a; Bach-Gesellschaft, i. 118b; Forkel, i. 540b; Leipzig, ii. 115b; Lute, ii. 175b; Mendelssohn, ii. 282a; Programme-Mus., iii. 35a; Riedel, iii. 129b; Song, iii. 631a; Volkmann, iv. 336a; Volkslied, iv. 337b; Hist. of Mus., iv. 675a. one of two readings
24BECKER, C. F., i. 161 a; Bach (J. S.), i. 117 a; Bach-Gesellschaft, i. 118 b; Forkel, i. 540 b; Leipzig, ii. 115 b; Lute, ii. 175 b; Mendelssohn, ii. 282 a; Programme-Mus., iii. 35 a; Riedel, iii. 129 b; Song, iii. 631 a; Volkmann, iv. 336 a; Volkslied, iv. 337 b; Hist. of Mus., iv. 675 a. one of two readings
25BECKER, C. J., i. 161a; iv. 533a. one of two readings
26BECKER, C. J., i. 161 a; iv. 533 a. one of two readings
27BECKER, D., i. 161b. one of two readings
28BECKER, D., i. 161 b. one of two readings
29BECKER, G.; Mus. Lib., ii. 425a; Hist. of Mus., iv. 676a. one of two readings
30BECKER, G.; Mus. Lib., ii. 425 a; Hist. of Mus., iv. 676 a. one of two readings
31BECKER, J., i. 161b; iv. 533b; Philh. Soc., ii. 700a; Violin-playing, iv. 289; iv. 812b. one of two readings
32BECKER, J., i. 161 b; iv. 533 b; Philh. Soc., ii. 700 a; Violin-playing, iv. 289; iv. 812 b. one of two readings
33BECKWITH, J. C., i. 161b; iv. 533b; Norwich Festival, ii. 466a; Perry, ii. 693a; Taylor (Ed.), iv. 66a; Vaughan, iv. 233a; Voluntary, iv. 339b; Buck, iv. 568a. one of two readings
34BECKWITH, J. C., i. 161 b; iv. 533 b; Norwich Festival, ii. 466 a; Perry, ii. 693 a; Taylor (Ed.), iv. 66 a; Vaughan, iv. 233 a; Voluntary, iv. 339 b; Buck, iv. 568 a. one of two readings
35BÉCOURT; Ça ira, i. 297a. one of two readings
36BÉCOURT; Ça ira, i. 297 a. one of two readings
37BECZWARZOWSKY; Mus. Lib., ii. 427a; Pohl, iii. 5a. one of two readings
38BECZWARZOWSKY; Mus. Lib., ii. 427 a; Pohl, iii. 5 a. one of two readings
39BEDOS DE CELLES, Dom. F., i. 162a; Adlung, J., i. 37b; Organ, ii. 574a, note, etc. one of two readings
40BEDOS DE CELLES, Dom. F., i. 162 a; Adlung, J., i. 37 b; Organ, ii. 574 a, note, etc. one of two readings
41BEER, J. M. (See MEYER-BEER.)
42BEER, Jos., i. 162a. one of two readings
43BEER, Jos., i. 162 a. one of two readings
44BEETHOVEN, L. van, i. 162a; iv. 533b; Accademia, i. 12a; Accent, i. 13a; Air, i. 47a; Albrechtsberger, i. 51a; Allegretto, i. 55a; Allemande, i. 55b; Alpenhorn, i. 56b; Alsager, i. 57b; Anacker i. 62a; Ancient Concerts, i. 64b; Andante, i. 65a; Anticipation, i. 73b; Appassionata, i. 75a; Appoggiatura, i. 76a, etc.; Appoggiatura, Double, i. 79b; A quatre mains, i. 80a; Arrangement, i. 90b, etc.; Artaria, i. 95b; Augarten, i. 104a; Bagatelle, i. 122b; Ball, i. 128a; Ballet, i. 132b; Bar, i. 137b; Barcarole, i. 139a; Bassoon, i. 153b; Bastien et Bastienne, i. 154b; Battle Symphony, i. 156b; Battuta, i. 157a; Beklemmt, i. 210b; Benedict, i. 222b; Bigot, i. 241b; Birchall, i. 243b; Blahetka, i. 247a; Bocklet, i. 252b; Bouche fermée À, i. 263a; Bridgetower, i. 275b; Bülow, i. 280b; Cadenza, i. 294b; Canon, i. 304a; Cantabile, i. 426; Cantata, i. 305a; Cavatina, i. 328b; Chamber Music, i. 332b; Cherubini, i. 342b; Choral Fantasia, i. 351b; Choral Symphony, i. 352a; Clarinet, i. 363b; Clement (F.), i. 372a, etc.; Coda, i. 376b; Composition, i. 382b; Con brio, i. 383b; Concerto, i. 387a, etc.; Conductor, i. 390b; Consecutive, i. 391b; Contredanse, i. 396b; Cor anglais, i. 400a; Cramer, i. 413b; Crescendo, i. 416a; Czerny, i. 425b; Dannreuther, i. 430b; Dash, i. 431a; Deux Journées, Les, i. 441b; Development, i. 441b; Diabelli, i. 442a; Double Bass, i. 457b, note; Double Bassoon, i. 459a; Dragonetti, i. 462a; Drum, i. 464a, etc.; Duport (J. L.), i. 470a; Duschek, i. 473a; Dussek (J. L.), i. 476b; Dwight's Journal of Mus., i. 478b; Eberl, i. 479b; Eberwein, i. 481a; Egmont, i. 483b; Elegy, i. 485b; Emperor Concerto, the, i. 488a; Eroica, i. 493a; Ertmann, i. 493b; Extempore playing, i. 498b, etc.; F., i. 500a; Fantasia, i. 503b; Fasch, i. 508b; Fidelio, i. 519a; Figure, i. 521b, etc.; Finale, i. 523b; Fischer (G.), i. 529a; Fischhoff, i. 529b; Flute, i. 537b; Forster, i. 539a; Form, i. 541a, etc.; Gänsbacher, i. 575a; Galitzin, i. 576a, etc.; Gallenberg, i. 577a; Gardiner (W.), i. 582b; Gebauer, i. 586b; Gelinek, i. 587a; Gesellschaft der Musikfreunde, i. 591a; God save the King, i. 607a; Gretry, i. 628b; Guicciardi, i. 638b; Gyrowetz, i. 642b; H., i. 643a; Habeneck, i. 643a; Hammerklavier, i. 647b; Harmonica, i. 663a; Harmony, i. 682a, etc.; Haslinger, i. 693b; Haydn, i. 711b, etc.; Hiller (Ferd.), i. 737a; Himmel, i. 740b; Hoffmann (E. T. W.), i. 741b; Hoffmeister, i. 742b; Holz, i. 744b; Horn, i. 750b, etc.; Hüttenbrenner, i. 755a; Imitation, i. 766a; Improvisation, ii. 2a; Innig, ii. 3b; In questa Tomba, ii. 4a; Intermezzo, ii. 9b; Introduction, ii. 14b, etc.; Irish Music, ii. 22a; Jahn, ii. 30a; Jahrbücher, etc., ii. 30b; Joachim, ii. 34b; Jullien, ii. 45b; Kalkbrenner, ii. 46a, note; Kanka, ii. 47b; Key, ii. 52b; Kinsky, ii. 58b, etc.; Knecht, ii. 66a; Kraft, ii. 69b; Krenn, ii. 71b; Kreutzer, ii. 72b; Kreutzer Sonata, ii. 73a; Krumpholz (W.), ii. 74b; Kuhlau, ii. 75b; Kyrie, ii. 78b; Lablache, ii. 81a; Ländler, ii. 83b; Lang (R.), ii. 90a; Leipzig, ii. 114b; Lenz, ii. 120b; Léonore, ii. 122b; Léonore Prohaska, ii. 122b; License, ii. 131a; Lichnowsky, ii. 132a; Liederkreis, ii. 135b; Lincke, ii. 139b; Liszt, ii. 145a; Lobkowitz, ii. 155a; Lorenz, ii. 166b; Louis Ferdinand, Prince, ii. 168b, etc.; Macbeth, ii. 183a; Maelzel, ii. 194b; Malbrough, ii. 201a; Malinconia, La, ii. 203b; Mandoline, ii. 205b; March, ii. 213a; Marschner, ii. 219a; Marx, ii. 223a; Mass, ii. 234a; Mayseder, ii. 241b; Meeresstille und Glückliche Fahrt, ii. 245a; Melodrama, ii. 249b; Mendelssohn, ii. 257a, etc.; Metronome, ii. 319a; Milder-Hauptmann, ii. 330b; Minacciando, ii. 331b; Minuet, ii. 335a; Modulation, ii. 347a, etc.; Molinara, La, 351b; Moonlight Sonata, ii. 360b; Mortier de Fontaine, ii. 369a; Moscheles, ii. 370a; Mount of Olives, ii. 378a; Mozart, ii. 397a, etc.; Müller (The Brothers), ii. 408a; Mus. Lib., ii. 419b, etc.; Mus. Periodicals, ii. 427a; Mute, ii. 439b; Nägeli, ii. 442a; Neate, ii. 450a; one of two readings
45BEETHOVEN, L. van, i. 162 a; iv. 533 b; Accademia, i. 12 a; Accent, i. 13 a; Air, i. 47 a; Albrechtsberger, i. 51 a; Allegretto, i. 55 a; Allemande, i. 55 b; Alpenhorn, i. 56 b; Alsager, i. 57 b; Anacker i. 62 a; Ancient Concerts, i. 64 b; Andante, i. 65 a; Anticipation, i. 73 b; Appassionata, i. 75 a; Appoggiatura, i. 76 a, etc.; Appoggiatura, Double, i. 79 b; A quatre mains, i. 80 a; Arrangement, i. 90 b, etc.; Artaria, i. 95 b; Augarten, i. 104 a; Bagatelle, i. 122 b; Ball, i. 128 a; Ballet, i. 132 b; Bar, i. 137 b; Barcarole, i. 139 a; Bassoon, i. 153 b; Bastien et Bastienne, i. 154 b; Battle Symphony, i. 156 b; Battuta, i. 157 a; Beklemmt, i. 210 b; Benedict, i. 222 b; Bigot, i. 241 b; Birchall, i. 243 b; Blahetka, i. 247 a; Bocklet, i. 252 b; Bouche fermée À, i. 263 a; Bridgetower, i. 275 b; Bülow, i. 280 b; Cadenza, i. 294 b; Canon, i. 304 a; Cantabile, i. 426; Cantata, i. 305 a; Cavatina, i. 328 b; Chamber Music, i. 332 b; Cherubini, i. 342 b; Choral Fantasia, i. 351 b; Choral Symphony, i. 352 a; Clarinet, i. 363 b; Clement (F.), i. 372 a, etc.; Coda, i. 376 b; Composition, i. 382 b; Con brio, i. 383 b; Concerto, i. 387 a, etc.; Conductor, i. 390 b; Consecutive, i. 391 b; Contredanse, i. 396 b; Cor anglais, i. 400 a; Cramer, i. 413 b; Crescendo, i. 416 a; Czerny, i. 425 b; Dannreuther, i. 430 b; Dash, i. 431 a; Deux Journées, Les, i. 441 b; Development, i. 441 b; Diabelli, i. 442 a; Double Bass, i. 457 b, note; Double Bassoon, i. 459 a; Dragonetti, i. 462 a; Drum, i. 464 a, etc.; Duport (J. L.), i. 470 a; Duschek, i. 473 a; Dussek (J. L.), i. 476 b; Dwight's Journal of Mus., i. 478 b; Eberl, i. 479 b; Eberwein, i. 481 a; Egmont, i. 483 b; Elegy, i. 485 b; Emperor Concerto, the, i. 488 a; Eroica, i. 493 a; Ertmann, i. 493 b; Extempore playing, i. 498 b, etc.; F., i. 500 a; Fantasia, i. 503 b; Fasch, i. 508 b; Fidelio, i. 519 a; Figure, i. 521 b, etc.; Finale, i. 523 b; Fischer (G.), i. 529 a; Fischhoff, i. 529 b; Flute, i. 537 b; Forster, i. 539 a; Form, i. 541 a, etc.; Gänsbacher, i. 575 a; Galitzin, i. 576 a, etc.; Gallenberg, i. 577 a; Gardiner (W.), i. 582 b; Gebauer, i. 586 b; Gelinek, i. 587 a; Gesellschaft der Musikfreunde, i. 591 a; God save the King, i. 607 a; Gretry, i. 628 b; Guicciardi, i. 638 b; Gyrowetz, i. 642 b; H., i. 643 a; Habeneck, i. 643 a; Hammerklavier, i. 647 b; Harmonica, i. 663 a; Harmony, i. 682 a, etc.; Haslinger, i. 693 b; Haydn, i. 711 b, etc.; Hiller (Ferd.), i. 737 a; Himmel, i. 740 b; Hoffmann (E. T. W.), i. 741 b; Hoffmeister, i. 742 b; Holz, i. 744 b; Horn, i. 750 b, etc.; Hüttenbrenner, i. 755 a; Imitation, i. 766 a; Improvisation, ii. 2 a; Innig, ii. 3 b; In questa Tomba, ii. 4 a; Intermezzo, ii. 9 b; Introduction, ii. 14 b, etc.; Irish Music, ii. 22 a; Jahn, ii. 30 a; Jahrbücher, etc., ii. 30 b; Joachim, ii. 34 b; Jullien, ii. 45 b; Kalkbrenner, ii. 46 a, note; Kanka, ii. 47 b; Key, ii. 52 b; Kinsky, ii. 58 b, etc.; Knecht, ii. 66 a; Kraft, ii. 69 b; Krenn, ii. 71 b; Kreutzer, ii. 72 b; Kreutzer Sonata, ii. 73 a; Krumpholz (W.), ii. 74 b; Kuhlau, ii. 75 b; Kyrie, ii. 78 b; Lablache, ii. 81 a; Ländler, ii. 83 b; Lang (R.), ii. 90 a; Leipzig, ii. 114 b; Lenz, ii. 120 b; Léonore, ii. 122 b; Léonore Prohaska, ii. 122 b; License, ii. 131 a; Lichnowsky, ii. 132 a; Liederkreis, ii. 135 b; Lincke, ii. 139 b; Liszt, ii. 145 a; Lobkowitz, ii. 155 a; Lorenz, ii. 166 b; Louis Ferdinand, Prince, ii. 168 b, etc.; Macbeth, ii. 183 a; Maelzel, ii. 194 b; Malbrough, ii. 201 a; Malinconia, La, ii. 203 b; Mandoline, ii. 205 b; March, ii. 213 a; Marschner, ii. 219 a; Marx, ii. 223 a; Mass, ii. 234 a; Maysseder, ii. 241 b; Meeresstille und Glückliche Fahrt, ii. 245 a; Melodrama, ii. 249 b; Mendelssohn, ii. 257 a, etc.; Metronome, ii. 319 a; Milder-Hauptmann, ii. 330 b; Minacciando, ii. 331 b; Minuet, ii. 335 a; Modulation, ii. 347 a, etc.; Molinara, La, 351 b; Moonlight Sonata, ii. 360 b; Mortier de Fontaine, ii. 369 a; Moscheles, ii. 370 a; Mount of Olives, ii. 378 a; Mozart, ii. 397 a, etc.; Müller (The Brothers), ii. 408 a; Mus. Lib., ii. 419 b, etc.; Mus. Periodicals, ii. 427 a; Mute, ii. 439 b; Nägeli, ii. 442 a; Neate, ii. 450 a; one of two readings
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