Scan 39
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
63 lines. Read by computer on 16 September 2026. No printed page number was found. See the scan on archive.org.
1CAZZATI, M., i. 328b.
2CEBELL, iv. 583b; Hawkins, i. 700a; Suite, iii. 756a.
3CECCARELLI; Palestrina, ii. 641b.
4CECCARELLI; Mozart, ii. 387b.
5CECCHERINI; Poniatowski, iii. 14b.
6CECILIA, St., i. 328b; iv. 583b; Clark (J.), i. 365a; Purcell (H.), iii. 47b, etc.; Purcell (D.), iii. 52a; Festivals, iv. 635b.
7CEDIRNE; Organ, ii. 594a.
8CÉLESTE; Sordini, iii. 636b.
9CELESTINA; Sostinente, P.F., iii. 639b.
10CELESTINO, E., i. 329b.
11CELLI, F.; Albertazzi (Emma), i. 49b; Grisi, i. 632b.
12CELLIER, A., iv. 583b; Schools of Comp., iii. 307b.
13CELLIER, L.; Baltazarini, i. 133a.
14CELLINI, Mme.; Haydn, i. 706b.
15CELLO. (See VIOLONCELLO, iv. 299b.)
16CEMBAL D'AMORE, i. 330a; iv. 584a; Silbermann, iii. 495a.
17CEMBALO, i. 330a; iv. 584a; Casini, i. 318b; Clavicembalo, i. 366a; Dulcimer, i. 468b; Harpsichord, i. 688a.
18CENERENTOLA, LA, i. 330b; Rossini, iii. 167b.
19CEPHALICUS. (See TORCULUS, iv. 87b.)
20CERITO; Ballet, i. 132a; Interlude, ii. 9b; Laporte (P. F.), ii. 91b.
21CERONE, D. P., i. 330b; Mersennus, ii. 314b; Mus. Lib., ii. 423b.
22CERRETO, S.; Tablature, iv. 48a.
23CERTON, P., i. 331a; iv. 584a; Attaignant, i. 100b; Mus. Antiqua, ii. 411a; Motett Soc., ii. 376b; Schools of Comp., iii. 267a; Song, iii. 593a.
24CERUTI; Stradivari, iii. 732b; Violin, iv. 284a.
25CERVETTO, G., i. 331a; Stradivari, iii. 732a.
26CERVETTO, J., i. 331a; Lindley (R.), ii. 143a; Rauzzini, iii. 78a.
27CESI; Martucci, iv. 712b.
28CESTI, A., i. 331b; iv. 584a; Cantata, i. 305a; Carissimi, i. 314b; Harmony, i. 675b, etc.; Hawkins, i. 700a; Modulation, ii. 348a; Mus. Lib., ii. 422a; Opera, ii. 503b; Pasquini, ii. 660b; Ritornello, iii. 137b; Schools of Comp., iii. 279a; Sonata, iii. 555a; Specimens, Crotch's, iii. 650a; Cantata, iv. 584b.
29CEVALLOS, F., i. 331b.
30CHABRIER, A. E., iv. 584a; Lamoureux, iv. 696b.
31CHA CONNE, i. 331b; Folia, i. 539b; Passacaglia, ii. 661a; Song, iii. 598b, note; Subject, iii. 751b; Suite, iii. 756a; Variations, iv. 221b.
32CHAIR ORGAN. (See CHOIR ORGAN, i. 349a.)
33CHALET, LE, i. 332a; Adam (A.), i. 28a.
34CHALUMBEAU, i. 332a; Abbreviations, i. 4a; Clarinet, i. 361a; Cor Anglais, i. 400a; Oboe, ii. 486a; Shawm, iii. 485b; Clarinet, iv. 591b.
35CHAMATERO; Mus. Lib., ii. 419a.
36CHAMBER MUSICO, i. 333a; Becker (J.), i. 161b; Dando, i. 429b; Monday Popular Concerts, ii. 352b; Müller Brothers, ii. 408b; Sonata, iii. 556b, etc.; Trompette, La, iv. 178b; Violin-playing, iv. 295a, etc.
37CHAMBER-SONATA; Sonata, iii. 556b, etc.
38CHAMONNIÈRES, J. de, i. 332b; Agrémens, i. 42b; Cambert (R.), i. 299b; Harmony, i. 676a; Klavier Mus. Alte, ii. 63a; Trésor des Pianistes, iv. 168a.
39CHAMPEIN, S. de; Maîtrise, ii. 200a.
40CHAMPFLEURY; Hist. of Mus., iv. 675a.
41CHAMPIGNY; Specimens, Crotch's, iii. 650a.
42CHAMPION, A., i. 332b; Cham bonnières, i. 332b.
43CHAMPNESS, S.; Battishill, i. 156a; Handel, Commemoration of, 658a.
44CHANGE, i. 332b; Diminished intervals, i. 448a; Modulation, ii. 344b; Ninth, ii. 460b; Resolution, iii. 115a.
45CHANGE, i. 333b; Bells, i. 219b; Bob., i. 250b; Campanology, i. 300b; Carillon, i. 313b; Caters, i. 323b; Cinques, i. 358b; College Youths, Ancient Soc. of, i. 377b; Cumberlands, R. Soc. of, i. 423b; Doubles, i. 460a; Grandsire, i. 619a; Hand-Bells, i. 647b.
46CHANGE-RINGING. (See CHANGE, i. 333b.)
47CHANGING NOTE. (See NOTA CAMBIATA, ii. 466a.)
48CHANOT, F., i. 335a; London Violin Makers, ii. 165b; Violin, iv. 283a, etc.; Vuillaume, iv. 341a.
49CHANSON, i. 335a; iv. 584b; Auber, i. 102b; Boieldieu, i. 257b; Leroy, ii. 123a; L'homme armé, ii. 126b; Madrigal, ii. 188a, etc.; Mus. Antiqua, ii. 411a; Mus. Lib., ii. 418b; Perne, ii. 692b; Schools of Comp., iii. 259b, etc.; Song, iii. 591b, etc.; Weckerlin, iv. 431a; Burney, iv. 570b; Dance Rhythm, iv. 606a; Hale, iv. 662b; Hist. of Mus., iv. 675a.
50CHANT, i. 336b; iv. 584b; Accents, i. 17a; Accompaniment, i. 24b; Cathedral Mus., i. 324a; Creed, i. 416a; Double Chant, i. 459a; Flin toft, i. 533a; Intermezzo, ii. 8a; Jones (J.), ii. 39b; Notation, ii. 470a; Ouseley, ii. 618a; Perielesis, ii. 691b; Schools of Comp., iii. 283b.
51CHANTEORS; Song, iii. 585b.
52CHANTERELLE, i. 338b; Banjo, i. 135a; E., i. 478a; Hurdy Gurdy, i. 759a; Tablature, iv. 49a; Violin, iv. 267b, etc.
53CHAPEAU CHINOIS, i. 338b.
54CHAPELLE, i. 338b; Capella, i. 306b.
55CHAPELS ROYAL, i. 339a; Blow, i. 249b; Morley, ii. 367b.
56CHAPERON; Lalande, iv. 694b.
57CHAPERONS BLANCS, LES, i. 339b; Auber, i. 102b.
58CHAPPELL & Co., i. 339b; Cramer & Co., i. 415a; Monday Popular Concerts, ii. 352a; Ruckers (Hans), iii. 195b; Ruckers (Hans de Oude), iii. 197b; St. James's Hall Concert Rooms, iii. 214b.
59CHAPPELL, W., i. 339b; Ballad, i. 129a; God save the King, i. 605b; Madrigal Soc., ii. 194a; Mus. Association, ii. 417a; Mus. Periodicals, ii. 427a; Pop. Ancient Eng. Mus., iii. 6a; Purcell Soc., iii. 53a; Schools of Comp., iii. 268a; Scottish Mus., iii. 448a; Song, iii. 601a, etc.; Sumer isicumen, iii. 765b; Virginal Mus., iv. 306a; Hist. of Mus., iv. 674a, etc.; Pop. Ancient Eng. Mus., iv. 750a.
60CHAPPINGTON, J., i. 340a.
61CHAPPLE, S., i. 340a; iv. 584b.
62CHARACTERISTIC, i. 340a.
The computer misreads some letters and numbers. Where a name matters to you, read the scan.