Scan 44
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
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1INDEX.
3COLOGNE CHORAL UNION, i. 378a.
4COLOMBA, iv. 595a; Mackenzie (A. C.), iv. 707b.
5COLOMBANI, O., i. 378a; Oriana, ii. 611b.
6COLOMBE, La, i. 378a; Gounod, i. 614a.
7COLOMBI, V., i. 378a.
8COLONNA, G. P., i. 378a; Bologna, i. 259a; Buononcini, i. 649b, note; Casini, i. 318b; Clari, i. 360b; Fitzwilliam Coll., i. 531a; Mass, ii. 231a; Motett Soc., ii. 376b; Mus. Lib., ii. 421b; Oratorio, ii. 537b; Prince de la Moskowa, iii. 31a; Requiem, iii. 109b; Responsorium, iii. 118b; Dies Iræ, iv. 614a; Part-writing, iv. 741a; Sistine Chapel, iv. 794a.
9COLONNE, E., iv. 595a; Indy, iv. 684a; Lamoureux, iv. 696a.
10COLOPHONIUM, i. 378b.
11COLORATUR, i. 378b; Vocalise, to, iv. 321a.
12COLPORTEUR, Le, i. 378b; Onslow, ii. 497a.
13COLSAN, Mme.; Strakosch, iii. 734a.
14COLTELLINI, C., i. 378b; iv. 595b; Manzuoli, ii. 208b.
15COLUMBAZZI; Haydn, i. 706b.
16COLYNS, J. B., iv. 595b; Conservatoire de Mus., Brussels, i. 592b; Philh. Soc., ii. 700b.
17COMBINATION PEDALS, i. 379a; Organ, ii. 600b, etc; Pedals, ii. 682a.
18COMBINATION TONES; Dissonance, i. 449a; Harmonics, i. 664b; Tartini, iv. 62b.
19COMELLI, La; Rubini (G. B.), iii. 189b.
20COMER, T.; Phillipps, iv. 747b.
21COME SOPRA, i. 379a.
22COMES; Answer, i. 70a; Canon, i. 303b; Dux, i. 477b; Fugue, i. 567a.
23COMES, J. B., i. 379a; Eslava, i. 494b.
24COMETTANT, O., i. 379a; Revue et Gazette Mus., iii. 121b.
25COMIC OPERA, i. 379b; Grand Opera, i. 616b; Opera Comique, ii. 531a; Opera Buffa, ii. 531a.
26COMMA, i. 380b; iv. 595b; Lute, ii. 175b; Major, ii. 200b; Organum, ii. 610a; Temperament, iv. 71b.
27COMMANO, G. G., i. 380b.
28COMMEMORATION, HANDEL. (See HANDEL, COMM. OF, i. 657b.)
29COMMER, F., i. 380b; iv. 595b.
30COMMODO, iv. 595b.
31COMMON TIME, i. 381a; Accent, i. 12a; Alla Breve, i. 53b; C., i. 289b; Compound Time, i. 383a; Tempo Ordinario, iv. 85b; Time, iv. 118a.
32COMMUNIO; Plain Song, ii. 767a.
33COMMUNION SERVICE, i. 381b.
34COMOGHIO; Laurent de Rillé, iv. 698a.
35COMPAN, C.; Hist. of Mus., iv. 676b.
36COMPASS, i. 382a; Agujari, i. 45b; Alto, i. 58a; Baryton, i. 147a; Bass, i. 148a; Lâge, ii. 90a; Register, iii. 94a; Singing, iii. 506a; Strohmeyer, iii. 746b; Tessitura, iv. 94a; Voice, iv. 332b.
37COMPERE, L., i. 382a; L'Homme Armé, ii. 127a; Motet, ii. 373a; Schools of Comp., iii. 260b; Sistine Chapel, iv. 794a; Trésor Mus., iv. 801b.
38COMPLINE, iv. 595b.
39COMPOSITION, i. 382b.
40COMPOSITION PEDALS, i. 382b; Organ, ii. 598b, etc; Pedal, ii. 682a.
41COMPOUND TIME, i. 383a; Common Time, i. 381a; Notation, ii. 475b; Time, iv. 119a; Triple Time, iv. 174a.
42COMTE OBY, Le, i. 383a; iv. 596a; Rossini, iii. 177b.
43CONACHER & Co., i. 383b.
44CON BRIO, i. 383b.
45CON SPIRITO, i. 383b.
46CONCERTO, iv. 596a.
47CONCENTORES SODALES, i. 383b; British Concerts, i. 277a; Horsley, i. 753b.
48CONCERT; Albert (H.), i. 48b.
49CONCERT, i. 384a; iv. 596a; Accademia, i. 11b; Banister, i. 134b; Barnby, i. 145a; Britton, i. 277b; Chappell, i. 339b; Cramer (W.), i. 413b; Habeneck, i. 643a; Haydn, i. 708b; Hullah, i. 756a; Liverpool Mus. Festival, ii. 154a; Manchester, ii. 204a; Monday Popular Concerts, ii. 352a; Mus. Soc. of London, ii. 432b; Mus. Union, ii. 432b; Pasdeloup, ii. 660a; Promenade Concerts, iii. 40b; Rehearsal, iii. 97b; Sat. Concerts, Crystal Palace, iii. 229b; Saturday Popular Concerts, iii. 230a; Schools of Comp., iii. 313b; Thomas (T.), iv. 105b; Trompette, la, iv. 179a; Britton, iv. 565b.
50CONCEIT DES AMATEURS; Concert Spirituel, i. 385b.
51CONCERT OF ANCIENT MUSIC. (See ANCIENT CONCERTS, i. 64a.)
52CONCERT-MEISTER, i. 384b; Leader, ii. 108b.
53CONCERT PITCH, i. 384b.
54CONCERT SPIRITUEL, i. 385a; iv. 596a; Adam (L.), i. 29a; Aubert (J.), i. 103b; Concert, i. 384b; Mercure de France, ii. 313a; Mondonville, ii. 353a; Philidor (Anne), ii. 703b; Garcin, iv. 645b; Gaviniès, iv. 646b.
55CONCERT-STICK, i. 386a; Weber, iv. 426a.
56CONCERTANTE, i. 386b; Ripieno, iii. 136b.
57CONCEITED FINALE; Schools of Comp., iii. 287b.
58CONCERTINA, i. 386b; Aeolina, i. 40b; Instrument, ii. 6a; Regondi, iii. 97b.
59CONCERTINO, i. 387a; iv. 596a.
60CONCERTO, i. 387a; Cadenza, i. 294a, etc.; Concert, i. 384a; Concert-Stick, i. 386b; Concertino, i. 387a; Form, i. 554a; Grosso, i. 634a; PF.-playing, ii. 738a, etc; Subject, iii. 752b; Symphony, iv. 13b; Torelli, iv. 150b; Tutti, iv. 196a; Violin-playing, iv. 290b.
61CONCERTO GROSSO, iv. 596a.
62CONCIALINI; Mara, ii. 209a.
63CONCONE, G., iv. 596b; Solfeggio, iii. 549a.
64CONCORD, i. 389b.
65CONCORDANT; Baryton, i. 147a.
66CONDELL, H., i. 389b; iv. 596b.
67CONDICELLI; Clementi, i. 372b.
68CONDUCTOR, i. 389b; Argyll Rooms, i. 82b; Baton, i. 155b; Beat, i. 158b; Beethoven, i. 174b; Bülow, i. 280b; Cannabich, i. 303a; Clementi, i. 372b; Habeneck, i. 641a; Hainl, i. 644a; Manns, ii. 206a; Orchestra, ii. 564a; Pasdeloup, ii. 660a; Persuis (L. de), ii. 694b; Reinecke, iii. 102b; Richter (Hans), iii. 128b; Rietz, iii. 133a; Righini, iii. 134b; Schelble, iii. 244b; Spohr, iii. 659a; Tilmant, iv. 116a; Wüllner, iv. 491b; Altès, iv. 521b; Colonne, iv. 595a; Dupont (J.), iv. 621a; Faccio, iv. 631a; Lamoureux, iv. 696b; Levi, iv. 700b;
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