Scan 47
A Dictionary of Music and Musicians: (A.D. 1450-1889), 1890
50 lines. Read by computer on 9 September 2026, twice; the two readings disagreed in places. No printed page number was found. See the scan on archive.org.
1INDEX.
3COULISSE; Lupot, ii. 175 a.
4COULISSE; Slide, iii. 536 a.
5COULY; Strakosch, iii. 735 a.
6COUNTER-EXPOSITION; Exposition, iv. 630 b.
7COUNTERPOINT, i. 407 b; Answer, i. 69 b; Art of Fugue, i. 96 a; Bach (J. S.), i. 116 a; Bellermann, i. 211 b; Bind, i. 243 a; Cathedral Mus., i. 324 a; Diminution, i. 448 a; Discant, i. 448 b; Double Counterpoint, i. 459 a; Faux Bourdon, i. 509 a; Figured, i. 522 a; Florid Counterpoint, i. 534 b; Fugue, i. 567 a, etc.; Hidden Fifths and Octaves, i. 736 a; Imitation, i. 765 b; Inversion, ii. 15 b; Marpurg, ii. 218 b; Martini, ii. 222 b; Mass, ii. 227 a; Mendelssohn, ii. 300 a; Micrologus, ii. 327 b; Motion, ii. 377 a; Nanini (G. B.), ii. 443 b; Nota cambiata, ii. 466 b; Organum, ii. 608 b, etc.; Partimenti, ii. 656 a; Saggio di Contrappunto, iii. 212 a; Schools of Comp., iii. 259 b; Sechter (S.), iii. 455 a; Strict Counterpoint, iii. 740 a; Subject, iii. 748 a, etc.; Wechselnote, Die Fux'sche, iv. 430 a; Zarlino, iv. 502 a; Part-writing, iv. 741 b; Psalter, iv. 756 a, etc.
8COUNTERSUBJECT, i. 409 a; Counterpoint, i. 407 a; Double Fugue, i. 459 a; Fugue, i. 567 a, etc.; Subject, iii. 749 a, etc.; Tonal Fugue, iv. 135 a, etc.
9COUNTERTENOR, i. 409 b; Alto, i. 58 a; Bass, i. 148 b; Contralto, i. 395 b; Falsetto, i. 502 a; Singing, iii. 504 a; Tenor, iv. 87 b; Voices, iv. 334 b.
10COUNTRY-DANCE. (See CONTREDANSE, i. 396 b.)
11COUPART, A. M., i. 409 b.
12COUP D'ARCHET; Attack, i. 100 b.
13COUPERIN, F., i. 409 b; Allemande, i. 55 b; Canarie, i. 302 a; Chambonnières, i. 332 b; Courante, i. 410 b; Doubles, i. 460 a; Echos du Temps passé, i. 482 a; Fingering, i. 526 a; Form, i. 542 a; Harmony, i. 676 a; Hawkins, i. 700 a; Klavier Mus., Alte, ii. 63 a; Maître, ii. 200 a; March, ii. 211 b; Meister, Alte, ii. 247 b; Modulation, ii. 348 a; Passepied, ii. 662 b; PF.-playing, ii. 736 a; Programme Mus., iii. 36 b; Suite, iii. 756 b; Taskin, iv. 63 a; Trésor des Pianistes, iv. 168 a; Variations, iv. 222 b; Chrysander, iv. 591 b; Ordres, iv. 735 a; Programme-Mus., iv. 752 a.
14COUPLER, i. 410 a; Organ, ii. 596 b, etc.; Treatment of Organ, iv. 164 a. one of two readings
15COUPLEUR, i. 410 a; Organ, ii. 596 b, etc.; Treatment of Organ, iv. 164 a. one of two readings
16COUPLETS; Chanson, i. 335 a.
17COUPPEY, Le, iv. 600 b; Conservatoire de Mus., i. 392 b; Montigny-Rémaury, ii. 360 a; PF. Mus., ii. 731 b; Delibes, iv. 610 b.
18COURANTE, i. 410 a; Allemande, i. 55 b; Form, i. 544 b; Oratorio, ii. 534 b; Orchésographie, ii. 560 a; Song, iii. 592 b; Specimens, Crotch's, iii. 649 a; Subject, iii. 751 b; Suite, iii. 756 a, etc.
19COURTEVILLE, J., i. 411 a.
20COURTEVILLE, Raphael, i. 411 a.
21COURTEVILLE, Raphael, i. 411 a; iv. 600 b; Mus. Lib., ii. 421 b.
22COURTEVILLE, Raphael, i. 411 a.
23COURTOIS, J., i. 411 b.
24COUSIN, J.; Schools of Comp., iii. 260 a.
25COUSINS, C.; Kneller Hall, iv. 692 a.
26COUSSEMAKER, C. E. H. de, i. 411 b; iv. 601 a; Chanson, i. 336 a; Gerbert, i. 590 a; Hothby, i. 754 b; Jahrbücher, etc., ii. 30 b; Meibom, ii. 247 b; Mus. Mensurata, ii. 415 b; Mus. Lib., ii. 426 b; Notation, ii. 468 a; Ochetto, ii. 491 a; Plain Song, ii. 763 a; Schools of Comp., iii. 260 a, etc.; Song, iii. 598 a; Sumer is icumen in, iii. 768 b; Volkslied, iv. 337 b; Hist. of Mus., iv. 674 a; Mus. Lib., iv. 724 a; Tunsted, iv. 805 a.
27COUSSE, J. S., i. 412 a; Opera, ii. 508 a.
28COVENT GARDEN THEATRE, i. 412 a; iv. 601 a.
29COWARD, J., iv. 601 a.
30COWEN, F. H., i. 413 a; iv. 601 a; Hauptmann, i. 698 a; Schools of Comp., iii. 307 b, etc.; Song, iii. 608 b; Suite, iii. 761 a; Symphony, iv. 42 b; Hueffer, iv. 681 a; Philh. Soc., iv. 746 b; University Mus. Soc., iv. 806 b.
31COWPER; Part-books, iv. 740 a.
32COX AND BOX, i. 413 a; Sullivan, iii. 764 a.
33CRAOOVIENNE. (See KRAKOVIAK, ii. 70 a.)
34CRAN, N.; Schools of Comp., iii. 260 b; Dodecachordon, iv. 616 a. one of two readings
35CRAEN, N.; Schools of Comp., iii. 260 b; Dodecachordon, iv. 616 a. one of two readings
36CRAMER, C., i. 413 b.
37CRAMER, Ch., iv. 601 a; King's Band, ii. 58 a.
38CRAMER, F., i. 413 b; Blagrove, i. 247 a; Giardini, i. 594 a; King's Band, ii. 58 a; Philh. Soc., ii. 698 a; Royal Acad. of Mus., iii. 185 a; Vocal Concerts, iv. 319 a.
39CRAMER, H.; PF. Mus., ii. 732 b.
40CRAMER, J., i. 413 a.
41CRAMER, J., i. 413 a.
42CRAMER, J. B., i. 413 a; iv. 601 a; Abel (K. F.), i. 5 a; Bach (C. P. E.), i. 114 a; Beale, i. 157 b; Bigot, i. 241 a; Chappell & Co., i. 339 b; Clementi, i. 373 a; Dreyschock, i. 463 a; Dussek (J. L.), i. 476 b; Études, i. 496 b, etc.; Hart (J.), i. 693 a; Herz, i. 733 a; Jarnowick, ii. 32 b; Jupiter, ii. 46 b; Klavier Mus., Alte, ii. 63 a; Melodists' Club, ii. 249 a; Mendelssohn, ii. 263 a; Moscheles, ii. 370 a; Nägeli, ii. 442 a; Onslow, ii. 497 a; Paradies, ii. 647 b; Philh. Soc., ii. 698 a; PF. Mus., ii. 726 a; PF.-playing, ii. 737 b, etc.; Rosenhain, iii. 162 a; Royal Acad. of Mus., iii. 185 a; Schools of Comp., iii. 308 a; Steibelt, iii. 701 a; Studies, iii. 747 a; Trésor des Pianistes, iv. 168 b; Welsh, iv. 444 a.
43CRAMER, W., i. 413 b; Abel (K. F.), i. 5 a; Ancient Concerts, i. 64 b; Baker, i. 126 a; Banti, i. 135 b; Baumgarten, i. 157 a; Haydn, i. 708 b, etc.; Orchestra, ii. 564 a, note; Smart (H.), iii. 537 b; Violin-playing, iv. 293 b, etc.
44CRAMER & Co., i. 414 b.
45CRANFIELD, W.; Psalter, iv. 763 a.
46CRANFORD, W. (See CRANFIELD.)
47CRANG & HANCOCK, i. 415 a; Hancock, i. 647 b; Spinet, iii. 656 a.
48CRANMER; Cathedral Mus., i. 324 a.
49CRANZ; Beethoven, i. 180 b; Diabelli, i. 442 a.
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