Books › A dictionary of music and musicians (A.D. 1450-1889) (1890)
A dictionary of music and musicians (A.D. 1450-1889)
1890.
On archive.org as adictionarymusi01maigoog.
57 pages read (scans 1 to 813)0 makers on this site cite it
Pages
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| Scan | Page | Starts | |
|---|---|---|---|
| 1 | This is a digital copy of a book that wa… | Read | |
| 2 | There is no text on this page. | Read | |
| 3 | There is no text on this page. | Read | |
| 6 | TSI | Read | |
| 21 | 5 | SUSPENSION. | Read |
| 22 | 6 | fortes is characteristic of modern uses… | Read |
| 23 | 7 | SVENDSEN. | Read |
| 24 | 8 | greatest brilliancy, not only for his un… | Read |
| 28 | 12 | at a later time more familiar types; but… | Read |
| 29 | 13 | SYMPHONY. | Read |
| 30 | 14 | specimens of this kind remaining—almost… | Read |
| 31 | 15 | examples from the first movement of the… | Read |
| 32 | 16 | (no line here) | Read |
| 33 | 17 | SYMPHONY. | Read |
| 34 | 18 | to have been composed at Linz for Count… | Read |
| 66 | 50 | TABLATURE. | Read |
| 67 | 51 | TABLE ENTERTAINMENT. | Read |
| 75 | 59 | TARANTELLA. | Read |
| 76 | 60 | TARTINI, GIUSEPPE, famous violin-player… | Read |
| 77 | 61 | and bow, enabling him to overcome the gr… | Read |
| 78 | 62 | modulations richer and more varied. Stil… | Read |
| 79 | 63 | TASKIN. | Read |
| 85 | 69 | the exact Orchestra employed by Purcell;… | Read |
| 92 | 76 | It would be unnecessary in general to tr… | Read |
| 98 | 82 | taking the part of Hawthorn, with Mrs. W… | Read |
| 103 | 87 | TENOR. | Read |
| 104 | 88 | the voice, as is usually the case. In co… | Read |
| 105 | 89 | TENOR VIOLIN. | Read |
| 106 | 90 | probably based on reminiscences of this… | Read |
| 107 | 91 | TENOR VIOLIN. | Read |
| 118 | 102 | itself. Music was to him an elevating, I… | Read |
| 119 | 103 | and when they began to come into use in… | Read |
| 120 | 104 | Perruquier de la Régence,' 3 acts (March… | Read |
| 170 | 154 | not be supposed that touch on the organ… | Read |
| 171 | 155 | TOURJÉE. | Read |
| 225 | 209 | URHAN. | Read |
| 276 | 260 | indebted than is generally known. She wa… | Read |
| 294 | 278 | enough to give a resonant note on the lo… | Read |
| 295 | 279 | d'Amore): the next largest size was call… | Read |
| 296 | 280 | sufficiently indicate the extent to whic… | Read |
| 297 | 281 | VIOLIN. | Read |
| 298 | 282 | no constructive changes in the instrumen… | Read |
| 299 | 283 | world was by this time amply provided wi… | Read |
| 300 | 284 | Hill & Sons charge £15, Mr. Duncan of Gl… | Read |
| 301 | 285 | VIOLIN. | Read |
| 305 | 289 | TABLE SHOWING THE CONNEXIONS OF THE PRIN… | Read |
| 313 | 297 | VIOLIN-PLAYING. | Read |
| 317 | 301 | VIOLONCELLO-PLAYING. | Read |
| 339 | 323 | VOCES HAMMERIANÆ. | Read |
| 356 | 340 | is in accordance with a rule which is in… | Read |
| 386 | 370 | The dialogue in each scene shall exhibit… | Read |
| 395 | 379 | WALMISLEY. | Read |
| 500 | 484 | the demisemiquaver passing notes are omi… | Read |
| 544 | 528 | of arms with Marchand in 1717, he had be… | Read |
| 545 | 529 | BACH CHOIR. | Read |
| 738 | 722 | the true composers are known. One is the… | Read |
| 813 | 797 | STONARD. | Read |