Books › A dictionary of music and musicians (A.D. 1450-1889) by eminent writers, English and foreign : with illustrations and woodcuts, 1902 › scan 16
Scan 16
A dictionary of music and musicians (A.D. 1450-1889) by eminent writers, English and foreign : with illustrations and woodcuts, 1902
88 lines. Read by computer on 29 August 2026. Printed page 8. See the scan on archive.org.
1INDEX.
3Anthem, i. 72a; Bridgetower, i. 275b; Concentores Sodales, i. 383b; Cooper (G.), i. 398b; Ella, i. 486a; English Opera, i. 489a; Glee, i. 599a; God save the King, i. 607a; Goss (Sir J.), i. 610b; Hart (J.), i. 693a; Haydn, i. 708b; Kelly, ii. 49b; Mendelssohn, ii. 263b, etc.; Mozart, ii. 391b, etc.; Page (J.), ii. 632b; Pantomime, ii. 646a; Philh. Soc. ii. 698a; Pierson (H. H.), ii. 752a; Potter (Cip.), iii. 23a; Roy. Acad. of Mus., iii. 185a; Schools of Comp., iii. 308b; Service, iii. 473b; Steibelt, iii. 701a; Walmisley (T. F.), iv. 378a.
5AUBADE, i. 101b; Chanson, i. 335b.
7AUBER, D. F. E., i. 101b; iv. 525b; Académie de Mus., i. 9b; Ambassadrice, L', i. 59a; Barcarole, i. 138b; Bassoon, i. 154b; Batton, i. 157a; Bayadères, i. 157b; Chaperons blancs, i. 339b; Cheval de Bronze, i. 344b; Circassienne i. 359a; Conserv. de Mus., i. 392a; Crown Diamonds, i. 421a, 442b; Damoreau, i. 428b; Diamants de la Couronne, i. 442b; Domino Noir, i. 452b; Evers, i. 498a; Fra Diavolo, i. 557b; Goulding and Dalmaine, i. 612b; Grand Opera, i. 617a; Gustave trois, i. 641b; Haydée, i. 700b; Herold, i. 731b; Jenny Bell, ii. 33b; Lac des Fées, Le, ii. 81b; Leocadie, ii. 121a; Lucca, ii. 171a; Maçon, Le, ii. 187a; Masaniello, ii. 224b; Massé, ii. 235b; Mendelssohn, ii. 257b; Muette de Portici, La, ii. 407b; Mus. Lib., ii. 424a; Neige, La, ii. 451a; Opera, ii. 523a, etc.; Overture, ii. 622b; Parisienne La, ii. 649b; Part du Diable, ii. 653a; Philtre, Le, ii. 706a; Pitch, ii. 758a, note; Pleyel (Mme.), iii. 3b; Roger (G. H.), iii. 144b; Rossini, iii. 170b; St. Georges (Marquis De), iii. 213b; Schools of Comp., iii. 303a, etc.; Scribe, iii. 453a; Sedie (E. delle), iii. 456b; Sirène, La, iii, 518b; Spontini, i. 681b; Tarantella, iv. 59b; Templeton (J.), iv. 82a; Thillon (Anna), iv. 102a; Zanetta, iv. 499b; Zerline, iv. 506b; Bazin, iv. 532b; Levey (W. C.), iv. 700b.
9AUBERT, J., i. 103b; Violin-playing, iv. 289, 812b.
11AUBERT, L., i. 103b; Violin-playing, iv. 289.
13AUBERT, P. F. O., i. 103b.
15AUDRAN, E., iv. 525b.
17AUER, L., i. 103b; Müller (The Brothers), ii. 408b; Philh. Soc., ii. 700a; Violin-playing, iv. 298a.
19AUGARTEN, i. 104a; iv. 525b; Mozart, ii. 389a.
21AUGENER & Co., iv. 525b; Mus. printing, iv. 727b.
23AUGMENTATION, i. 104b; Amen, i. 60b; Canon, i. 304a; Counterpoint, i. 409a; Imitation, i. 766a; Tonal Fugue, iv. 137b.
25AUGMENTED INTERVAL, i. 104b; Harmony, i. 682b; Interval, ii. 12a; Italian sixth, ii. 26a; Ninth, ii. 459a; Octave, ii. 491b; Root, iii. 158b; Pentatonic, iv. 745b.
27AULETTA; Metastasio, ii. 316a.
29AURENHAMMER, Josepha; P.F.-playing, ii. 744.
31AUSTEN; Mus. Lib., ii. 417b.
33AUSTIN, Mrs.; Cooke (T. S.), i. 398a; Mendelssohn, ii. 279b, 302b, note.
35AUSWAHL VORZÜGLICHER MUSIK-WERKE, i. 105a.
37AUTHENTIC, i. 105a; Æolian Mode, i. 39b; Cadence, i. 291a; Dorian, i. 454b; Gregorian Modes, i. 626a; Hyper, i. 764b; Modes Eccles., ii. 341b; Participant, ii. 655b; Plagal Modes, ii. 760a.
39AUXCOUSTEAUX, A. D', i. 105b.
41AUXILIARY-NOTE; Appoggiatura, i. 75a.
43AVERY, J., i. 105b; Organ, ii. 598b.
45AVIA; Alfieri, iv. 520a, note.
47AVISON, C., i. 106a; iv. 526a; Ancient Concerts, i. 64b; Hayes (W.), i. 723a; Ross (J.), iii. 162b; Shield (W.), iii. 487a.
49AVOGLIO, Signora, i. 106a; Handel, i. 651a; Messiah, ii. 315a.
51AVVERTIMENTO AI GELOSI, i. 106b; Balfe, i. 127a.
53AYLEWARD, R.; Mus. Lib., ii. 421a.
55AYLWARD, T., i. 106b; iv. 526a; Adcock (J.), i. 30a; Clark (R.), i. 365a; Glee-Club, i. 599a; Gresham Mus. Professorship, i. 627b; Madrigal Soc., ii. 193b; Oxford, ii. 624b.
57AYRER, J.; Singspiel, iii. 516b.
59AYRTON, E., i. 106b; Arnold (S), i. 86b; Attwood, i. 101a; Carnaby (W.), i. 316a; Schools of Comp., iii. 286b, note; Smart (Sir G.), iii. 537a; Smith (C.), iii. 539a.
61AYRTON, W., i. 107a; Harmonicon, i. 663b; Philh. Soc., ii. 698a; Harmonious Blacksmith, iv. 667a.
63AYTON, Fanny, iv. 526a.
65AZOR AND ZEMIRA, i. 107b; Spohr, iii. 664b. (See ZEMIRE.)
67AZZOPARDI, F. iv. 526b; Imitation, i. 766a; Inversion, ii. 16b; Isouard, ii. 24a.
69B.
71B, i. 107a; Accidentals, i. 19a, etc.; Alphabet, i. 57a; B molle, B dur, i. 107b; H. i. 643a; Hexachord, i. 734a; Notation, ii. 474a; Si, iii. 490a; Transpos. of Eccles. Modes, iv. 161b; Zacconi, iv. 497b.
73BAADER, C.; Zeugheer, iv. 507a.
75BABAN, G., i. 108a; Eslava, i. 494b.
77BABINI, M., i. 108a; iv. 526a; Rossini, iii. 164b; Tacchinardi, iv. 51b; Tadolini, iv. 51b.
79BABELL, W., i. 287a; Transcription, iv. 800a, etc.
81BACCUSI, I., i. 108a; Oriana, ii. 611b; Mus. Lib., iv. 726a.
83BACH, A. W.; Commer, i. 380b; Haupt, i. 697b.
85BACH, Christoph, i. 110a.
87BACH, C. P. Emanuel, i. 113a; Agrémens, i. 42b; Appoggiatura, i. 75b; Appoggiatura, double, i. 79a; Arpeggio, i. 87b; Auswahl, i. 105a; Bebung, i. 160b; Beethoven, i. 170b; Briegel, i. 276a; Bülow,
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