Bow & Bridge Violin and bow makers, as the old books printed them

Books › A dictionary of music and musicians (A.D. 1450-1889) by eminent writers, English and foreign : with illustrations and woodcuts, 1902 › scan 77

Scan 77

A dictionary of music and musicians (A.D. 1450-1889) by eminent writers, English and foreign : with illustrations and woodcuts, 1902

75 lines. Read by computer on 29 August 2026, twice; the two readings disagreed in places. Printed page 69. See the scan on archive.org.

1INDEX.
3Trésor des Pianistes, iv. 168 a; Trio, iv. 171 b; Trombone, iv. 178 a; Trumpet, iv. 181 a, etc.; Tudway, iv. 199 b; Uri, iv. 209 b, etc.; Variations, iv. 222 a; Vauxhall Gardens, iv. 233 b; Violin, iv. 279 b; Violoncello-playing, iv. 300 a; Vogler, iv. 325 b; Voices, iv. 334 b; Wagenseil, iv. 345 a; Walsh (J.), iv. 380 a; Waltz (G.), iv. 382 a; Water Mus., iv. 384 a; Welsh Mus., iv. 440 b; Wesley (S.), iv. 446 a; Wilder, iv. 457 a; Windband, iv. 464 b; Worgan (J.), iv. 486 a; Zachau, iv. 498 b; Bach (J. S.), iv. 527 a; Burney, iv. 571 a; Camidge, iv. 576 a; Concerto grosso, iv. 596 a; Cuzzoni, iv. 602 b; Dance Rhythm, iv. 607 a; Harmonious Blacksmith, iv. 666 b; Kearns, iv. 688 b; Occasional Oratorio, iv. 733 b; Pizzicato, iv. 749 a; Quaver, iv. 766 b; Schütz, iv. 790 b; Smith (J. C.), iv. 794 b; Trumpet, iv. 804 a.
5HANDEL, COMMEMORATION OF, i. 657 a; iv. 665 a; Abrams (Misses), i. 6 a; Accompaniment, i. 22 b; Aylward, i. 106 b; Bartolini, i. 146 b; Bates (J.), i. 155 a; Bellamy (R.), i. 211 a; Borghi, i. 260 b; Bridgetower, i. 275 b; Burney, i. 284 b; Crosdill, i. 419 b; Double Bassoon, i. 458 b; Dyne, i. 478 a; Festivals, i. 516 b; Harrison (S.), i. 692 a; Haydn, i. 710 a; Knyvett (Chas.), ii. 67 b; Mara, ii. 209 b; Morelli, ii. 365 a; Norris (T.), ii. 465 b; Pacchierotti, ii. 626 a; Pantheon, ii. 645 b; Reinhold (C. F.), iii. 103 a.
7HANDEL FESTIVAL, i. 658 a; iv. 665 a; Analysis, i. 63 a; Bowley, i. 267 a; Costa, i. 406 b; Double Bassoon, i. 458 b; Festivals, i. 516 b; Novello (Clara), ii. 481 b; Sacred Harmonic Soc., iii. 211 a; Manns (A.), iv. 710 a.
9HÄNDEL GESELLSCHAFT, i. 658 b; iv. 665 a; Additional Accompaniments, i. 31 a; Chrysander, i. 356 b; iv. 591 a.
11HANDEL SOCIETY, THE, i. 659 a; Breitkopf & Härtel, i. 273 a; Rimbault (E. F.), iii. 135 b.
13HANDEL AND HAYDN SOCIETY, THE, i. 659 b; iv. 665 a; Horn (C. Ed.), i. 752 b; Boston Mus. Soc., iv. 555 a.
15HANDHARMONIKA; Accordion, i. 25 b.
17HÁNDL, J., i. 661 a. (See GALLUS, i. 579 a.)
19HANDLO, de R.; Hocket, i. 741 a; Mus. Mensurata, ii. 415 b.
21HANDROCK, J., PF. Mus., ii. 734 b.
23HANISCH; Lincke, ii. 139 b.
25HANNIBALI. (See ANNIBALI, i. 69 b.)
27HANOVER SQUARE ROOMS, i. 661 a; iv. 666 a; Abel (K. F.), i. 5 a; Argyll Rooms, i. 82 b; Bach. Soc., i. 120 a.
29HANOVER TUNE, iv. 666 b.
31HANSLICK, E., i. 661 b; Ambros, i. 59 b; Mus. Periodicals, ii. 427 b, etc.; Wind Band, iv. 470 a.
33HANSSSENS, C.; Orphéon, ii. 612 b; Verhulst (J.), iv. 255 a, etc.
35HARDEGEN, Count; PF. Mus., ii. 736 a.
37HARDING, J.; Virginal Mus., iv. 309 a.
39HARDY, J.; Wotton (W. B.), iv. 489 b.
41HARE, J.; London Violin Makers, ii. 164 b.
43HARFENZUG; Sordini, iii. 636 b.
45HARINGTON, H., i. 691 b; God save the King, i. 605 b; Hawkins (Sir J.), i. 700 b; Part Mus., ii. 656 b.
47HARMONIA SACRA. (See Page, ii. 632 a.)
49HARMONIC HAND, THE; Guido d'Arezzo, iv. 659 b.
51HARMONIC INSTITUTION. (See ARGYLL ROOMS, i. 82 a.)
53HARMONIC MINOR, iv. 666 b.
55HARMONIC STOPS, i. 665 b; Pandean Pipe, ii. 644 a.
57HARMONIC UNION, THE, i. 666 a.
59HARMONICA, i. 662 a; Davies, i. 435 a; Dussek (J. L.), i. 474 a; Ford (Miss), i. 540 a; Franklin, i. 559 a; Frick, i. 564 b; Gluck, i. 601 a; Instrument, ii. 7 a; Kirchgessner, ii. 61 a; Leonore Prohaska, ii. 122 b; Lobkowitz, ii. 155 a; Mus. Lib., ii. 421 a; Pohl (C. F.), iii. 5 a.
61HARMONICHORD, i. 663 a; Weber, iv. 427 a.
63HARMONICON, THE, i. 663 b; Ayrton, i. 197 b; Hogarth, i. 742 b; Mus. Periodicals, ii. 427 a.
65HARMONICS, i. 663 b; Aeolian Harp, 38 b; Bassoon, i. 153 a; Beats, i. 159 b; Flageolet, i. 531 a; Harp, i. 687 b; Helmholtz, i. 726 a; Horn, i. 749 b; Ninth, ii. 459 b; Node, ii. 461 a; Oboe, ii. 486 b; Octave, ii. 491 b; Paganini, ii. 631 a, etc.; Partial Tones, ii. 655 b; Pipes, Vibration of, ii. 755 a; Pizzicato, ii. 760 a; Root, iii. 157 b, etc.; Third, iv. 102 b; Tierce, iv. 114 b; Timbre, iv. 116 b; Tone, iv. 142 b; Tromba Marina, iv. 175 a; Violin, iv. 280 a; Stopping, iv. 797 a.
67HARMONIE, i. 666 a; Band, i. 134 a; Serenata, iii. 468 a.
69HARMONIOUS BLACKSMITH, iv. 666 b; Accidentals, i. 20 a; Wagenseil, iv. 345 a.
71HARMONIUM, i. 666 a; Action, i. 26 b; American Organ, i. 60 b; Debain, i. 438 b; Harmonics, i. 665 a; Helmholtz, i. 726 a; Instrument, ii. 6 a; Key, Keyboard, ii. 54 b; Lefébure-Wély, ii. 112 a; Mustel, ii. 438 a; Orgue Expressif, ii. 610 b; Physharmonica, ii. 709 a; Reed, iii. 90 a; Scotson Clark (Rev.), iii. 452 b; Seraphine, iii. 466 b; Temperament, iv. 71 a; Tone, iv. 144 a; Organophone, iv. 736 a; Regal, iv. 769 b.
73HARMONY, i. 669 a; iv. 667 b; Additional Accompaniments, i. 32 b, etc.; Anticipation, i. 73 a; Cadence, i. 291 a, etc.; Cathedral Mus., i. 324 a; Chord, i. 352 b; Concord, i. 389 b; Consecutive, i. 391 a; Day (A.), i. 436 a; Discord, i. 449 a; Figured Bass, i. 522 a; Form, i. 542 b; Helmholtz, i. 727 b; Imperfect, i. 767 b; Interval, ii. 11 b; Inversion, ii. 17 a; Key, ii. 52 b; Leading Note, ii. 109 a; Lied Form, ii. 134 a; Major, ii. 200 b; Melody, ii. 250 b; Minor, ii. 333 a; Mixed Cadence, ii. 338 b; Modulation, ii. 347 b, etc.; Monodia, ii. 355 a; Monteverde, ii. 357 a; Neapolitan Sixth, ii. 450 a; Ninth, ii. 459 a, etc.; Nota Cambita, ii. 466 b; Passing Notes, ii. 663 a, etc.; Pedal Point, ii. 678 b; Perfect, ii. 686 a; Rameau, iii. 69 a, etc.; Reber, iii. 82 b; Relation, iii. 105 a, etc.; Scale, iii. 236 a; Schools of Comp., iii. 264 b, etc.; one of two readings
74HARMONY, i. 669 a; iv. 667 b; Additional Accompaniments, i. 32 b, etc.; Anticipation, i. 73 a; Cadence, i. 291 a, etc.; Cathedral Mus., i. 324 a; Chord, i. 352 b; Concord, i. 389 b; Consecutive, i. 391 a; Day (A.), i. 436 a; Discord, i. 449 a; Figured Bass, i. 522 a; Form, i. 542 b; Helmholtz, i. 727 b; Imperfect, i. 767 b; Interval, ii. 111 b; Inversion, ii. 17 a; Key, ii. 52 b; Leading Note, ii. 109 a; Lied Form, ii. 134 a; Major, ii. 200 b; Melody, ii. 250 b; Minor, ii. 333 a; Mixed Cadence, ii. 338 b; Modulation, ii. 347 b, etc.; Monodia, ii. 355 a; Monteverde, ii. 357 a; Neapolitan Sixth, ii. 450 a; Ninth, ii. 459 a, etc.; Nota Cambita, ii. 466 b; Passing Notes, ii. 663 a, etc.; Pedal Point, ii. 678 b; Perfect, ii. 686 a; Rameau, iii. 69 a, etc.; Reber, iii. 82 b; Relation, iii. 105 a, etc.; Scale, iii. 236 a; Schools of Comp., iii. 264 b, etc.; one of two readings

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