Books › A Dictionary of music and musicians (A.D. 1450-1889): with …, Volume 1 (1880)
A Dictionary of music and musicians (A.D. 1450-1889): with …, Volume 1
1880.
On archive.org as adictionarymusi02fullgoog.
63 pages read (scans 15 to 721)6 names found0 makers on this site cite it
Pages
Scan is the archive.org leaf number. Page is the number printed on the page, where the reading found one.
| Scan | Page | Starts | |
|---|---|---|---|
| 15 | A DICTIONARY OF MUSIC AND MUSICIANS. | Read | |
| 16 | to have been the more celebrated of the… | Read | |
| 17 | ABBREVIATIONS. | Read | |
| 18 | according as the upper or lower octave i… | Read | |
| 19 | being of his own composition. His facili… | Read | |
| 25 | nous work but little beyond the names an… | Read | |
| 26 | twelve or fourteen performers, among who… | Read | |
| 36 | insertion of an additional short manual… | Read | |
| 37 | ACCOMPANIMENT. | Read | |
| 43 | regarded with interest, and gave his jou… | Read | |
| 50 | the works of Bach, in which, though no o… | Read | |
| 51 | ADDITIONAL ACCOMPANIMENTS. | Read | |
| 57 | AGREMENS. | Read | |
| 58 | The agrémens used in modern music or in… | Read | |
| 60 | Colla, who composed for her most of the… | Read | |
| 61 | AIR. | Read | |
| 62 | red, almost brown, varnish, is more rema… | Read | |
| 66 | was elected to the living of Wem, in Shr… | Read | |
| 67 | ALIANI. | Read | |
| 71 | the musical signs in use in his day amou… | Read | |
| 72 | called also counter-tenor, i.e. contra,… | Read | |
| 78 | corresponding to their vibratory capacit… | Read | |
| 79 | ANCIENT CONCERTS. | Read | |
| 80 | monic Society's concerts. She taught the… | Read | |
| 81 | ANDREOLI. | Read | |
| 98 | Arne married Miss Elizabeth Wright, a vo… | Read | |
| 99 | ARNE. | Read | |
| 100 | with the stage, which he cultivated with… | Read | |
| 101 | ARNOULD. | Read | |
| 102 | of the arpeggio to fall upon the beat, a… | Read | |
| 103 | ARPEGGIO. | Read | |
| 104 | of strings oboes and trumpets. The origi… | Read | |
| 105 | ARRANGEMENT. | Read | |
| 106 | It is to be remarked that the arrangemen… | Read | |
| 107 | ARRANGEMENT. | Read | |
| 162 | are generally rather vague, but middle C… | Read | |
| 163 | principal characters on the operatic sta… | Read | |
| 244 | and was called by the Italians Giachetto… | Read | |
| 245 | between two of our company,' has given '… | Read | |
| 246 | Henri Vieuxtemps is the most distinguish… | Read | |
| 279 | BOW. | Read | |
| 366 | the fact that Beethoven speaks of the fi… | Read | |
| 430 | answering in its construction to the pri… | Read | |
| 436 | her dramatic effects. In 1851 she went t… | Read | |
| 471 | richness of tone which is claimed for th… | Read | |
| 495 | No.40. Albrechtsberger, Offertorium. | Read | |
| 496 | but in 68 he was suddenly appointed to t… | Read | |
| 537 | defences, protests, recriminations, and… | Read | |
| 568 | an identical figure reappear in the diff… | Read | |
| 569 | William Forster died at the house of his… | Read | |
| 570 | FOUNDLING HOSPITAL. | Read | |
| 571 | tante and 3 duos for 2 violins, 9 quarte… | Read | |
| 583 | a general rule proceed only in perfect F… | Read | |
| 584 | FZ. | Read | |
| 585 | him to write the music to be performed a… | Read | |
| 586 | GABRIELLE, CHARMANTE. | Read | |
| 587 | century, studied counterpoint under Padr… | Read | |
| 588 | GÄNSBACHER. | Read | |
| 629 | modern reprints—or, rather, re-compilati… | Read | |
| 649 | varian model. The design is often bold t… | Read | |
| 676 | was engaged exclusively for the instrume… | Read | |
| 720 | HAYDN. | Read | |
| 721 | 20 years later—in 1802, when she was Dow… | Read |