Scan 12
A Dictionary of Music and Musicians A.D. 14501880, 1890
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1646b; Mus. Union, The, ii. 432b; Pole (W.), iii. 7b; Reid Concerts, iii. 101b, note; Schools of Comp., iii. 313b; Thomson (J.), iv. 107b; Bennett (Jos.), iv. 543b; Davison (J. W.), iv. 609a; Ella, iv. 626b.
3ANALYSIS OF COMPOUND MUSICAL SOUNDS, i. 63b; Harmonics, i. 664a, etc.; Helmholtz, i. 726a.
5ANANDALE, Miss; Strakosch, iii. 735a.
7ANAPÆST, iv. 521b; Accent, i. 12a; Metre, ii. 318a.
9ANCIENT CONCERTS, i. 64a; iv. 522a; Abrams, Misses, i. 6a; Addison, i. 30a; Albert, Prince, i. 49a; Bartleman, i. 146a; Bates (Joah), i. 155a; Bellamy, i. 211a; Billington, i. 242a; Birchall, i. 243b; Bishop, i. 245b; Concert, i. 384a; Cramer, i. 413b; Crosdill, i. 419b; Greatorex, i. 623a; Handel Commem. i. 657b; Hanover Square Rooms, i. 661a; Mus. Lib. ii. 418a; Vaughan (T.), iv. 233a; Vocal Concerts, iv. 319a.
11ANDACHT, MIT, iv. 522a.
13ANDAMENTO, iv. 522a; Soggetto, iv. 794b.
15ANDANTE, i. 65a; Beethoven, i. 167b; Tempo, iv. 83a.
17ANDANTINO, i. 65a; iv. 522b; Tempo, iv. 83a.
19ANDER, A., i. 65b; Staudigl (J.), iii. 691b; Strauss (J.), iii. 738a.
21ANDERS; Revue et Gazette Mus., iii. 121b.
23ANDERSON, G. F.; King's Band of Music, ii. 58a.
25ANDERSON, Mrs., i. 65b; iv. 522b; Goddard (Arabella), i. 604b; Loder (Kate), ii. 159a; Philh. Soc., ii. 699a; PF.-playing, ii. 744; Royal Soc. Female Mus. iii. 187b; Ruy Blas, iii. 206b; PF.-playing, iv. 748b.
27ANDRÉ, A., i. 66b; Mus. Lib., ii. 427a.
29ANDRÉ, Joh., i. 66a; Entführung, i. 492a; Song, iii. 622a.
31ANDRÉ, Joh. A., i. 66a; Abbreviations, i. 4b; Erk (L.), i. 492a; Fugue, i. 569b; Mendelssohn, ii. 257a; Mozart, ii. 405a; Requiem, iii. 110b; Riotte, iii. 136a; Schmitt (A.), iii. 254b; Speyer, iii. 650b; Wacht am Rhein, iv. 343a; Weber, iv. 395b.
33ANDRÉ, Joh. B., i. 66b; iv. 523a.
35ANDRÉ, Jul., i. 66b; iv. 523a; À quatre mains, i. 80b; Nachspiel, ii. 442a.
37ANDRÉ, K. A., i. 66b.
39ANDRÉE, F. C.; Mus. Divina, ii. 412b.
41ANDREDI; Milan, ii. 329a.
43ANDREOLI, C., i. 67a; PF.-playing, ii. 745a.
45ANDREOLI, E., i. 66b.
47ANDREOLI, G., i. 66b; iv. 523a.
49ANDREOLI, Giuseppe, i. 66b.
51ANDREONI, i. 67a.
53ANDREOZZI; Olimpiade, ii. 496b.
55ANDREVI, F., i. 67a.
57ANDREW; Roy. Acad. of Mus., iii. 185a.
59ANDRIEN. (See ADRIEN, i. 38a.)
61ANDROT, A. A., iv. 523a; Gr. Prix de Rome, i. 618b.
63ANERIO, F., i. 67a; Bodenschatz, i. 254a; Costantini (F.), i. 407a; Madrigal, ii. 189b; Magnificat, ii. 196b; Mass, ii. 230b; Miserere, ii. 336a; Motet, ii. 375b; Mus. Divina, ii. 411b; Oriana, ii. 611b; Palestrina, ii. 637b; Part-Mus., ii. 656b; Plainsong, ii. 769a; Prince de la Moskowa, iii. 31a; Rochlitz, iii. 141b; Schools of Comp., iii. 264b; Sistine Choir, iii. 521a; Stabat Mater, iii. 684b; Te Deum, iv. 68a; Vespers, iv. 257b; Mus. Lib., iv. 726a; Rome, iv. 774a; Sistine Chapel, iv. 794a.
65ANERIO, G. F., i. 67b; Costantini, i. 407a; Madrigal, ii. 190a; Miserere, ii. 336a; Motet, ii. 375b; Requiem, iii. 109b; Schools of Comp., iii. 264b; Dies Iræ, iv. 614a; Sistine Chapel, iv. 794a.
67ANET, B., i. 67b. (See BAPTISTE, i. 136a.)
69ANFOSSI, V.; Isouard, ii. 24a.
71ANFOSSI, P., i. 67b; iv. 523a; Curioso indiscreto, II, i. 424a; Haydn, i. 707a; Mazzinghi, ii. 242a; Olimpiade, ii. 496b; Piccinni, ii. 748a; Zenobia, iv. 506a.
73ANFOSSI; Howell (Jas.), i. 754b; Roy. Acad. of Mus., iii. 185a.
75ANGELENI; Lamperti, ii. 89a.
77ANGELESI; Fumagalli (A.), iv. 643b.
79ANGLAISE, i. 68a; Redoute, iii. 89a.
81ANGLEBERT, J. H. D', i. 68a; Chambonnières, i. 332b; Trésor des Pianistes, iv. 168b.
83ANGLUS, P. P.; Mus. Lib., ii. 419a.
85ANGRI, Mme. D'; Strakosch, iii. 734a.
87ANGRISANI, C., i. 68a; Garcia, i. 582a.
89ANIMATO, i. 68a; iv. 523a; Tempo, iv. 83a.
91ANIMUCCIA, G. i. 68b; Goudimel, i. 612a; Laudi Spirituali, ii. 105a; Magnificat, ii. 196a; Martini, ii. 222b; Mus. Lib. ii. 423b; Palestrina, ii. 636a; Saggio di Contrappunto, iii. 212a; Schools of Comp., iii. 263a; Soto, iii. 639b; Burney, iv. 570b; Rome, iv. 773b; Sistine Chapel, iv. 794a.
93ANIMUCCIA, P., i. 69a; Barré (A.), i. 142b.
95ANNA AMALIA, Duchess of Saxe-Weimar, i. 69a.
97ANNA AMALIA, Princess of Prussia, i. 69a; Bachgesellschaft, i. 119a.
99ANNA BOLENA, i. 69b; iv. 523a; Donizetti, i. 453a.
101ANNIBALI, D., i. 69b.
103ANSANI, G., i. 69b; Garcia (M.), i. 581b; Maccherini, ii. 185a; Singing, iii. 511a.
105ANSCHLAG; Agrémens, i. 42b.
107ANSCHÜTZ; Wednesday Concerts, iv. 431b.
109ANSWER, i. 69b; Countersubject, i. 409a; Fugue, i. 567a; Risposta, iii. 136b; Tonal Fugue, iv. 135a; Comes, iv. 595b.
111ANTERI-MANZOCCHI; Schools of Comp., iii. 301b.
113ANTEGNATI, iv. 523a; Mus. Lib. iv. 726a.
115ANTHEMS, i. 70a; iv. 523a; Accompt., i. 24a; Antiphon, i. 74a; Cathedral Mus., i. 324a, etc.; Clifford, i. 374b; Este (T.), i. 496a; Israel in Egypt, ii. 25a; Kirchen Cantaten, ii. 59b; Motet, ii. 375b; Mus. Antiqua, ii. 410b; Mus. Antiq. Soc. ii. 416b; Mus. Lib. ii. 417b, etc.; Page, ii. 632b; Ritornello, iii. 137b; Sacred Harmonic Soc., iii. 210b; Schools of Comp., iii. 270b, etc.; Verse, iv. 257a; Burney, iv. 571a.
117ANTICIPATION, i. 73a; Harmony, i. 678b; Wechselnote, iv. 430a.
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