Scan 38
A Dictionary of Music and Musicians A.D. 14501880, 1890
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1INDEX.
3CAZZATI, M., i. 328b.
4CEBELL, iv. 583b; Hawkins, i. 700a; Suite, iii. 756a.
5CECCARELLI; Palestrina, ii. 641b.
6CECCARELLI; Mozart, ii. 387b.
7CECCHERINI; Poniatowski, iii. 14b.
8CECILIA, St., i. 328b; iv. 583b; Clark (J.), i. 365a; Purcell (H.), iii. 47b, etc.; Purcell (D.), iii. 52a; Festivals, iv. 635b.
9CEDIRNE; Organ, ii. 594a.
10CÉLESTE; Sordini, iii. 636b.
11CELESTINA; Sostinente, P.F., iii. 639b.
12CELESTINO, E., i. 329b.
13CELLI, F.; Albertazzi (Emma), i. 49b; Grisi, i. 632b.
14CELLIER, A., iv. 583b; Schools of Comp., iii. 307b.
15CELLIER, L.; Baltazarini, i. 133a.
16CELLINI, Mme.; Haydn, i. 706b.
17CELLO. (See VIOLONCELLO, iv. 299b.)
18CEMBAL D'AMORE, i. 330a; iv. 584a; Silbermann, iii. 495a.
19CEMBALO, i. 330a; iv. 584a; Casini, i. 318b; Clavicembalo, i. 366a; Dulcimer, i. 468b; Harpsichord, i. 688a.
20CENERENTOLA, LA, i. 330b; Rossini, iii. 167b.
21CEPHALICUS. (See TORCULUS, iv. 87b.)
22CERITO; Ballet, i. 132a; Interlude, ii. 9b; Laporte (P. F.), ii. 91b.
23CERONE, D. P., i. 330b; Mersennus, ii. 314b; Mus. Lib., ii. 423b.
24CERRETO, S.; Tablature, iv. 48a.
25CERTON, P., i. 331a; iv. 584a; Attaignant, i. 100b; Mus. Antiqua, ii. 411a; Motett Soc., ii. 376b; Schools of Comp., iii. 267a; Song, iii. 593a.
26CERUTI; Stradivari, iii. 732b; Violin, iv. 284a.
27CERVETTO, G., i. 331a; Stradivari, iii. 732a.
28CERVETTO, J., i. 331a; Lindley (R.), ii. 143a; Rauzzini, iii. 78a.
29CESI; Martucci, iv. 712b.
30CESTI, A., i. 331b; iv. 584a; Cantata, i. 305a; Carissimi, i. 314b; Harmony, i. 675b, etc.; Hawkins, i. 700a; Modulation, ii. 348a; Mus. Lib., ii. 422a; Opera, ii. 503b; Pasquini, ii. 660b; Ritornello, iii. 137b; Schools of Comp., iii. 279a; Sonata, iii. 555a; Specimens, Crotch's, iii. 650a; Cantata, iv. 584b.
31CEVALLOS, F., i. 331b.
32CHABRIER, A. E., iv. 584a; Lamoureux, iv. 696b.
33CHA CONNE, i. 331b; Folia, i. 539b; Passacaglia, ii. 661a; Song, iii. 598b, note; Subject, iii. 751b; Suite, iii. 756a; Variations, iv. 221b.
34CHAIR ORGAN. (See CHOIR ORGAN, i. 349a.)
35CHALET, LE, i. 332a; Adam (A.), i. 28a.
36CHALUMEAU, i. 332a; Abbreviations, i. 4a; Clarinet, i. 361a; Cor Anglais, i. 400a; Oboe, ii. 486a; Shawm, iii. 485b; Clarinet, iv. 591b.
37CHAMATERO; Mus. Lib., ii. 419a.
38CHAMBER MUSIC, i. 332a; Becker (J.), i. 161b; Dando, i. 429b; Monday Popular Concerts, ii. 352b; Müller Brothers, ii. 408b; Sonata, iii. 556b, etc.; Trompette, La, iv. 178b; Violin-playing, iv. 295a, etc.
39CHAMBER-SONATA; Sonata, iii. 556b, etc.
40CHAMONNIÈRES, J. de, i. 332b; Agrémens, i. 42b; Cambert (R.), i. 299b; Harmony, i. 676a; Klavier Mus. Alte, ii. 63a; Trésor des Pianistes, iv. 168a.
41CHAMPEIN, S. de; Maîtrise, ii. 200a.
42CHAMPFLEURY; Hist. of Mus., iv. 675a.
43CHAMPIGNY; Specimens, Crotch's, iii. 650a.
44CHAMPION, A., i. 332b; Cham bonnières, i. 332b.
45CHAMPNESS, S.; Battishill, i. 156a; Handel, Commemoration of, 658a.
46CHANGE, i. 332b; Diminished intervals, i. 448a; Modulation, ii. 344b; Ninth, ii. 460b; Resolution, iii. 115a.
47CHANGE, i. 333b; Bells, i. 219b; Bob, i. 250b; Campanology, i. 300b; Carillon, i. 313b; Caters, i. 323b; Cinques, i. 358b; College Youths, Ancient Soc. of, i. 377b; Cumberlands, R. Soc. of, i. 423b; Doubles, i. 460a; Grandsire, i. 619a; Hand-Bells, i. 647b.
48CHANGE-RINGING. (See CHANGE, i. 333b.)
49CHANGING NOTE. (See NOTA CAMBIATA, ii. 466a.)
50CHANOT, F., i. 335a; London Violin Makers, ii. 165b; Violin, iv. 283a, etc.; Vuillaume, iv. 341a.
51CHANSON, i. 335a; iv. 584b; Auber, i. 102b; Boieldieu, i. 257b; Leroy, ii. 123a; L'homme armé, ii. 126b; Madrigal, ii. 188a, etc.; Mus. Antiqua, ii. 411a; Mus. Lib., ii. 418b; Perne, ii. 692b; Schools of Comp., iii. 259b, etc.; Song, iii. 591b, etc.; Weckerlin, iv. 431a; Burney, iv. 570b; Dance Rhythm, iv. 606a; Hale, iv. 662b; Hist. of Mus., iv. 675a.
52CHANT, i. 336b; iv. 584b; Accents, i. 17a; Accompaniment, i. 24b; Cathedral Mus., i. 324a; Creed, i. 416a; Double Chant, i. 459a; Flin toft, i. 533a; Intermezzo, ii. 8a; Jones (J.), ii. 39b; Notation, ii. 470a; Ouseley, ii. 618a; Perielesis, ii. 691b; Schools of Comp., iii. 283b.
53CHANTEORS; Song, iii. 585b.
54CHANTERELLE, i. 338b; Banjo, i. 135a; E., i. 478a; Hurdy Gurdy, i. 759a; Tablature, iv. 49a; Violin, iv. 267b, etc.
55CHAPEAU CHINOIS, i. 338b.
56CHAPELLE, i. 338b; Capella, i. 306b.
57CHAPELS ROYAL, i. 339a; Blow, i. 249b; Morley, ii. 367b.
58CHAPERON; Lalande, iv. 694b.
59CHAPERONS BLANCS, LES, i. 339b; Auber, i. 102b.
60CHAPPELL & Co., i. 339b; Cramer & Co., i. 415a; Monday Popular Concerts, ii. 352a; Ruckers (Hans), iii. 195b; Ruckers (Hans de Oude), iii. 197b; St. James's Hall Concert Rooms, iii. 214b.
61CHAPPELL, W., i. 339b; Ballad, i. 129a; God save the King, i. 605b; Madrigal Soc., ii. 194a; Mus. Association, ii. 417a; Mus. Periodicals, ii. 427a; Pop. Ancient Eng. Mus., iii. 6a; Purcell Soc., iii. 53a; Schools of Comp., iii. 268a; Scottish Mus., iii. 448a; Song, iii. 601a, etc.; Sumer isicumen, iii. 765b; Virginal Mus., iv. 306a; Hist. of Mus., iv. 674a, etc.; Pop. Ancient Eng. Mus., iv. 750a.
62CHAPPINGTON, J., i. 340a.
63CHAPPLE, S., i. 340a; iv. 584b.
64CHARACTERISTIC, i. 340a.
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