Scan 53
A Dictionary of Music and Musicians A.D. 14501880, 1890
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1(J. S.), ii. 241a; Mendelssohn, ii. 268a; Mus. Lib., ii. 420a; Naples, ii. 446a; Nourrit, ii. 480b; Opera, ii. 525a; Parisina, ii. 650a; Patter-Song, ii. 673b; Persiani, ii. 693b; Poliuto, iii. 7b; Ponchielli, iii. 14a; Rataplan, iii. 78a; Roberto Devereux, iii. 138b; Romani, iii. 148a; Rossi (Lauro), iii. 163a; Rubini, iii. 190a; S. Georges (Marquis de), iii. 213b; San Carlo, iii. 223b; Schools of Comp., iii. 301a, etc.; Scribe, iii. 453a; Torquato Tasso, iv. 151a; Unger (Caroline), iv. 202a; Sistine Chapel, iv. 794b.
2DONJON; Tulou, iv. 186b.
3DONNA DEL LAGO, i. 454b; Rossini, iii. 169a.
4DONT, J.; Auer, i. 103b; Etudes, i. 497a; Violin-playing, iv. 297b; Violin-playing, iv. 812b.
5DONZELLI, D., i. 454b; Laporte, ii. 91b; Mendelssohn, ii. 263a; Singing, iii. 511a; Tamburini, iv. 56a; Tenor, iv. 87b; Fétis, iv. 636a.
6DOPPELSCHLAG; Agrémens, i. 42b, etc.
7DOPPELVORSCHLAG; Appoggatura, Double, i. 79a.
8DOPPIO, i. 454b.
9DOPPLER, C.; Magyar Mus., ii. 198b.
10DOR, J.; Sistine Chapel, iv. 794a.
11DORATI; Mus. Lib., iv. 726a.
12DORÉ, E.; PF. Mus., ii. 736a.
13DORIAN, i. 454b; Æolian Mode, i. 39b, etc.; Gregorian Modes, i. 626a; Modes Eccles., ii. 341a.
14DORN, H. L. E., i. 455a; iv. 617b; Eckert, i. 483a; Mendelssohn, ii. 257a; Niederrheinische Musikfeste, ii. 457a; Orpheus, ii. 613b; Schumann, iii. 388b; Score, arranging from, iii. 435a; Song, iii. 630b; Spontini, iii. 670a, etc.; Wagner, iv. 348a.
15DORRELL, W.; Bach Soc., i. 120a.
16DORSET GARDEN THEATRE, iv. 617b; Purcell, iv. 766a.
17DORUS; Conservatoire, i. 392b; Demeur (J.), iv. 611a, note.
18DORUS-GRAS. (See GRAS, Mme., J. A. D., i. 619a.)
19DOT, i. 455b; iv. 618a; Dash, i. 431a; Imperfect, i. 767a; Slur, iii. 537a; Staccato, iii. 685b; Triplet, iv. 173b.
20DOTTI, Anna, i. 457a.
21DOTZAUER, J. J. F., i. 457a; iv. 618a; Bassoon, i. 154b; Drechsler (K.), i. 462b; Kummer, ii. 77a; Schubert (C.), iii. 383a; Violoncello-playing, iv. 300b.
22DOUBLE BAR, i. 457b; Bar, i. 137b; Notation, ii. 477a.
23DOUBLE BASS, i. 457b; iv. 618a; Acad. de Mus., i. 7b; Addison, i. 30a; Back, i. 122a; Basso di Camera, i. 151b; Contrabasso, i. 395b; Doubles, i. 460a; Dragonetti, i. 461b; Howell, i. 754b; Instrument, ii. 6b; Onslow, ii. 497b; Orchestra, ii. 565b; Orchestration, ii. 569b; Rowland, iii. 184a; Salo (G. di), iii. 220b; Sordini, iii. 637b; Stradivari, iii. 731b; Violin, iv. 270a; Bottesini, iv. 556b.
24DOUBLE BASSOON, i. 458a; Contra-Fagotto, i. 395b; Instrument, ii. 6b; Orchestra, ii. 564a.
25DOUBLE CHANT, i. 459a; Chant, i. 336b; Flintoft, i. 533a.
26DOUBLE CONCERTO, i. 459a; Concerto, i. 389a.
27DOUBLE COUNTERPOINT, i. 459a; Counterpoint, i. 407b, etc.; Countersubject, i. 409a; Inversion, ii. 16a.
28DOUBLE DIAPASON; Organ, ii. 601a, etc.
29DOUBLE FLAT, i. 459a; Accidentals, i. 19a, etc.
30DOUBLE FUGUE, i. 459a; Fugue, i. 568a.
31DOUBLE LONG; Notation, ii. 471a.
32DOUBLE OPEN DIAPASON; Organ, ii. 580b.
33DOUBLE RELISH; Agrémens, i. 43b.
34DOUBLE SHARP, i. 459b; Accidentals, i. 18b, etc.
35DOUBLE STOPPING, i. 459b; Paganini, ii. 631b; Positions, iii. 20b; Stopping, iii. 717b.
36DOUBLE TONGUEING, i. 459b; Drouet, i. 463b.
37DOUBLES, i. 459b; Variations, iv. 219a.
38DOUBLES, i. 460a.
39DOUBLETTE; Organ, ii. 601a.
40DOUEN, M. O.; Old 100th Tune, ii. 495b; Song, iii. 592b; Bourgeois (L.), iv. 560a; Franc (G. le.), iv. 638b.
41DOURLEN; Gr. Prix de Rome, i. 618b; Vaucorbeil, iv. 230b.
42DOWLAND, J., i. 460a; iv. 618a; Chappell & Co., i. 339b; Este (T.), i. 495b; Hymn, i. 762b; Ionian Mode, ii. 18a; Leighton, ii. 114a; Madrigal, ii. 191a; Marenzio, ii. 216a; Micrologus, ii. 328a; Mus. Antiquarian Soc., ii. 411a; Mus. Antiquarian Soc., ii. 416b; Mus. Lib., ii. 417b, etc.; Ornithoparcus, ii. 611b; Part Mus., ii. 656b, etc.; Part-Song, ii. 658a; Pavan, ii. 677a; Song, iii. 610a; Specimeus, Crotch's, iii. 649b; Strict Counterpoint, iii. 740b; Tablature, iv. 48a; Virginal Mus., iv. 309a; Vocal Scores, iv. 320a; Burney, iv. 570b; Dance Rhythm, iv. 606b; Part-books, iv. 740b; Psalter, iv. 761a.
43DOWLAND, R., i. 460b; Dowland (John), i. 460b; Holborne, i. 743a; Mus. Lib., ii. 423a.
44DOXOLOGY; Response, iii. 118a.
45DOYAGÜE, M.; Eslava, i. 495a.
46DRAESEKE, F., i. 460b; Zuckunftsmusik, iv. 514a.
47DRAGHI, A., i. 461a.
48DRAGHI, C., i. 461a.
49DRAGHI, G. B., i. 461a; iv. 618a; Cecilia, St., i. 329b; Division Violin, i. 451a; English Opera, i. 489a; Hawkins, i. 700a; Dorset Garden Theatre, iv. 618a.
50DRAGONE, A.; Palestrina, ii. 638b.
51DRAGONETTI, D., i. 461a; iv. 618a; Bach (J.S.), i. 118b; Double Bass, i. 458a; Haydn, i. 712a; Howell (Jas.), i. 754b; Mus. Lib., ii. 419a; Onslow, ii. 497b; Pacchierotti, ii. 626a; Royal Academy of Mus., iii. 185a; Schools of Comp., iii. 310b; Secco Recitative, iii. 455a; Sechter, iii. 455a; Stradivari, iii. 731b; Trento, iv. 167b; Bottesini, iv. 557a.
52DRAHANEK; Strauss (J.), iii. 737b.
53DRASDIL, Anna; Rudersdorff (H.), iii. 200a.
54DREAM OF ST. JEROME, iv. 618b.
55DRECHSLER, J., i. 462b; Song, iii. 614b; Strauss (Joh.), iii. 738b; Vaterländische Künstlerverein, iv. 807b.
56DRECHSLER, K., i. 462b; iv. 618b; Cossmann, i. 405b;
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