Scan 56
A Dictionary of Music and Musicians A.D. 14501880, 1890
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1ECCLES, H., i. 481b; Division Violin, i. 451a.
2ECCLES, J., i. 481b; iv. 625a; Cecilia, St., i. 329a; Division Violin, i. 451a; Finger, i. 525a; Hawkins, i. 700a; King's Band, ii. 58a; Laroche, ii. 92b; Macbeth Mus., ii. 185a, etc.; Sir Roger de Coverley, iii. 519a; Song, iii. 604b; Walsh (J., jun.), iv. 380b; Weldon (J.), iv. 435a.
3ECCLES, S., i. 481a; Division Violin, i. 451a; Hawkins, i. 700a.
4ECCLES, T., i. 481b.
5ECCLESIASTICAL MODES. (See MODES, ECCLES., ii. 340b.)
6ECCLESIASTICON, i. 481b; Diabelli, i. 442a.
7ECHO, i. 482a; Accompaniment, i. 22a; Organ, ii. 578b, etc.
8ECHOS DU TEMPS PASSÉ, i. 482a; Wekerlin, iv. 431a.
9ECK, F. and J. F., i. 482a; Spohr, iii. 657b; Violin-playing, iv. 294b.
10ECKERT, C. A. F., i. 482b; iv. 625a; Dorn, i. 455a; Mendelssohn, ii. 295b; Song, iii. 630b.
11ECLOGUES; Tomaschek, iv. 133b.
12ECOSSAISE, i. 483a; Anglaise, i. 68a; Schottische, iii. 315b.
13EDDY, H. C., iv. 625a.
14EDE, R.; Bac. of Mus., i. 121a.
15EDELMANN; Méhul, ii. 245b.
16EDER, Josephine; Vieuxtemps, iv. 262b.
17EDINBURGH PROFESSORSHIP OF MUSIC, i. 483a; Oakeley, ii. 485a; Professor, iii. 33a; Reid, iii. 100b; University Soc., iv. 207a.
18EDMUNDS, E.; Kennedy, iv. 689b.
19EDWARDS, H. S., iv. 626a; Hist. of Mus., iv. 677a.
20EDWARDS, R., i. 483b; Hawkins, i. 700a; Hymn, i. 762a; Madrigal, ii. 192a; Mus. Lib., ii. 419b; Part Mus., ii. 656b; Schools of Comp., iii. 270b; Psalter, iv. 759b.
21EEDEN. (See VAN DER EEDEN, iv. 216a.)
22EGAN, E. N., i. 483b.
23EGERTON, S.; Song, iii. 608b.
24EGGELING, E.; PF. Mus., ii. 731a; Studies, iii. 746b.
25EGGHARD, J.; PF. Mus., ii. 736a.
26EGMONT, i. 483b; Beethoven, i. 188b.
27EHLERT, L., i. 483b; iv. 626a; Jensen, ii. 33b; PF. Mus., ii. 734a; Song, iii. 630b; Beringer, iv. 545a.
28EHMANT, A.; PF. Mus., ii. 736a.
29EHRHART; Gr. Prix de Rome, i. 618b.
30EICHBERG, J., iv. 626a; Opera, ii. 530b; United States, iv. 202b.
31EICHBORN, H.; Trumpet, iv. 181a; Hist. of Mus., iv. 676b.
32EIN' FESTE BURG, i. 484a; Authentic, i. 105b; Chorale, i. 351b; Form, i. 543a; Gregorian Modes, i. 626a; Luther, ii. 179a; Part Mus., ii. 656b; Burney, iv. 570b.
33EISENHOFER; Orpheus, ii. 613a; Roeckel (J. L.), iii. 144a.
34EISFELD, T.; Philh. Soc., New York, ii. 702a.
35EISLER, M.; Philh. Soc., iv. 747a.
36EISTEDDFOD, i. 484a; iv. 626b; Parry (John), ii. 651a; Thomas (J.), iv. 105a; Welsh Music, iv. 442b.
37EITNER, R., i. 484b; iv. 626b; Mus. Periodicals, ii. 430a, etc.; Petrucci, ii. 696b; Sweelinck (J. P.), iv. 7b, note; Vereeniging, iv. 255a; Volkslied, iv. 337b; Mus. Lib., iv. 724a.
38ELECTRIC ACTION, i. 485a; Barker, i. 140a; Organ, ii. 607b.
39ELEGY, i. 485b.
40ELER; Adam (A. C.), i. 28a; Conservatoire, i. 392a, etc.; Prumier (A.), iii. 44b.
41ELEVATION; Agrémens, i. 43b.
42ELEWYCK, Ch. van; Vroye (T. J. de), iv. 341a; Hist. of Mus., iv. 675b, etc.
43ELFORD, R., i. 485b.
44ELI, iv. 626b; Costa (Sir M.), i. 406b; Naaman, ii. 440a.
45ELIJAH, i. 486a; iv. 626b; Mendelssohn, ii. 274a, etc.; Staudigl (J.), iii. 691b.
46ELISA, i. 486a; Cherubini, i. 342a.
47ELISI, F., i. 486a.
48ELISIR D'AMORE, L', i. 486a; Donizetti, i. 453a.
49ELLA, J., i. 486a; iv. 626b; Analysis, i. 63a; Mus. Lib., ii. 424a; Mus. Periodicals, ii. 427a; Musical Union, ii. 432a; Harmonious Blacksmith, iv. 667a; Mus. Periodicals, iv. 727a.
50ELLACOMBE, T.; Hist. of Mus., iv. 676a.
51ELLERTON, J. L., i. 486b.
52ELLIOT & HILL, i. 486b; Or-
53gan, ii. 600a; Pedals, ii. 682a.
54ELLIOT, C.; Philh. Soc., iv. 747a.
55ELLIOTT, T.; Irish Mus., ii. 19a.
56ELLIOTT; Ashley (J.), i. 98b; Concentores Sodales, i. 383b.
57ELLIS, A., iv. 626b; Temperament, iv. 72a, note, etc.; Tone, iv. 144a.
58ELLIS, Ashton; Mus. Periodicals, iv. 727a.
59ELNONENSIS; Huchaldus, iv. 680a.
60ELOY; Motet, ii. 372a; Schools of Comp., iii. 260a; Sistine Chapel, iv. 794a.
61ELSNER, J., i. 486b; Chopin, i. 350a; Song, iv. 795a.
62ELSSLER, Johann, i. 712a, note.
63ELSSLER, Fanny, i. 712a, note; Ballet, i. 132a; Cachucha, i. 290b; Intermezzo, ii. 9b; Krakoviak, ii. 70a; Veron, iv. 256a.
64ELVERT, C. d'; Hist. of Mus., iv. 675a.
65ELVEY, Sir G. J., i. 487a; Mus. Lib., ii. 422b; Parry (C. H. H.), ii. 651b; Purcell Soc., The, iii. 53a; Thorne (E. H.), iv. 108a.
66ELVEY, S., i. 487a; Chant, i. 338b; Mus. Soc. London, ii. 431b; Oakeley, ii. 485a; Garrett, iv. 646a.
67ELWART, A. A. E., i. 487b; Comettant, i. 379a; Conservatoire, i. 392a, etc.; Gouvy, i. 614b; Gr. Prix de Rome, i. 618b; Lesueur, ii. 125b; Odeon, ii. 492b; Reicha, iii. 98b; Joncières, iv. 686a; Laurent de Rillé, iv. 698a.
68ELY CATHEDRAL, i. 487b.
69EMBOUCHURE, i. 488a; Double Bassoon, i. 458b; Horn., i. 748a; Mouthpiece, ii. 378a.
70EMIOLIA. (See HEMIOLIA, i. 727b.)
71EMMERLING; Albrechtsberger, i. 51a.
72EMPEROR CONCERTO, Thê, i. 488a; iv. 627a; Beethoven, i. 207a.
73EMPEROR'S HYMN, The, i. 488a; iv. 627a; Haydn, i. 714a; Song, iii. 624a, note.
74EMPHASIS; Accent, i. 12a; Form, i. 542a; Romantic, iii. 151a; Sequence, iii. 465a; Song, iii. 632a.
75ENCHIRIDION; Chorale, i. 351a; Huchaldus, iv. 680a.
76ENCKHAUSEN, H. F.; PF. Mus., ii. 729a.
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