Bow & Bridge Violin and bow makers, as the old books printed them

Scan 12

A Dictionary of Music and Musicians a. D. 14501889 by Eminent Writers, English and Foreign…, 1890

118 lines. Read by computer on 16 September 2026. No printed page number was found. See the scan on archive.org.

1646b; Mus. Union, The, ii. 432b; Pole (W.), iii. 7b; Reid Concerts, iii. 101b, note; Schools of Comp., iii. 313b; Thomson (J.), iv. 107b; Bennett (Jos.), iv. 543b; Davison (J. W.), iv. 609a; Ella, iv. 626b.
3ANALYSIS OF COMPOUND MUSICAL SOUNDS, i. 63b; Harmonics, i. 664a, etc.; Helmholtz, i. 726a.
5ANANDALE, Miss; Strakosch, iii. 735a.
7ANAPAST, iv. 521b; Accent, i. 12a; Metre, ii. 318a.
9ANCIENT CONCERTS, i. 64a; iv. 522a; Abrams, Misses, i. 6a; Addison, i. 30a; Albert, Prince, i. 49a; Bartleman, i. 146a; Bates (Joah), i. 155a; Bellamy, i. 211a; Billington, i. 242a; Birchall, i. 243b; Bishop, i. 245b; Concert, i. 384a; Cramer, i. 413b; Crosdill, i. 419b; Greatorex, i. 623a; Handel Commem. i. 657b; Hanover Square Rooms, i. 661a; Mus. Lib. ii. 418a; Vaughan (T.), iv. 233a; Vocal Concerts, iv. 319a.
11ANDACHT, MIT, iv. 522a.
13ANDAMENTO, iv. 522a; Soggetto, iv. 794b.
15ANDANTE, i. 65a; Beethoven, i. 167b; Tempo, iv. 83a.
17ANDANTINO, i. 65a; iv. 522b; Tempo, iv. 83a.
19ANDER, A., i. 65b; Staudigl (J.), iii. 691b; Strauss (J.), iii. 738a.
21ANDERS; Revue et Gazette Mus., iii. 121b.
23ANDERSON, G. F.; King's Band of Music, ii. 58a.
25ANDERSON, Mrs., i. 65b; iv. 522b; Goddard (Arabella), i. 604b; Loder (Kate), ii. 159a; Philh. Soc., ii. 699a; PF.-playing, ii. 744; Royal Soc. Female Mus. iii. 187b; Ruy Blas, iii. 206b; PF.-playing, iv. 748b.
27ANDRÉ, A., i. 66b; Mus. Lib., ii. 427a.
29ANDRÉ, Joh., i. 66a; Entführung, i. 490a; Song, iii. 622a.
31ANDRÉ, Joh. A., i. 66a; Abbreviations, i. 4b; Erk (L.), i. 492a; Fugue, i. 569b; Mendelssohn, ii. 257a; Mozart, ii. 405a; Requiem, iii. 110b; Riotte, iii. 136a; Schmitt (A.), iii. 254b; Speyer, iii. 650b; Wacht am Rhein, iv. 343a; Weber, iv. 395b.
33ANDRÉ, Joh. B., i. 66b; iv. 523a.
35ANDRÉ, Jul., i. 66b; iv. 523a; À quatre mains, i. 80b; Nachspiel, ii. 442a.
37ANDRÉ, K. A., i. 66b.
39ANDRÉE, F. C.; Mus. Divina, ii. 412b.
41ANDREDI; Milan, ii. 329a.
43ANDREOLI, C., i. 67a; PF.-playing, ii. 745a.
45ANDREOLI, E., i. 66b.
47ANDREOLI, G., i. 66b; iv. 523a.
49ANDREOLI, Giuseppe, i. 66b.
51ANDREONI, i. 67a.
53ANDREOZZI; Olimpiade, ii. 496b.
55ANDREVI, F., i. 67a.
57ANDREW; Roy. Acad. of Mus., iii. 185a.
59ANDRIEN. (See ADRIEN, i. 38a.)
61ANDROT, A. A., iv. 523a; Gr. Prix de Rome, i. 618b.
63ANERIO, F., i. 67a; Bodenschatz, i. 254a; Costantini (F.), i. 407a; Madrigal, ii. 189b; Magnificat, ii. 196b; Mass, ii. 230b; Miserere, ii. 336a; Motet, ii. 375b; Mus. Divina, ii. 411b; Oriana, ii. 611b; Palestrina, ii. 637b; Part-Mus., ii. 656b; Plainsong, ii. 769a; Prince de la Moskowa, iii. 31a; Rochlitz, iii. 141b; Schools of Comp., iii. 264b; Sistine Choir, iii. 521a; Stabat Mater, iii. 684b; Te Deum, iv. 68a; Vespers, iv. 257b; Mus. Lib., iv. 726a; Rome, iv. 774a; Sistine Chapel, iv. 794a.
65ANERIO, G. F., i. 67b; Costantini, i. 407a; Madrigal, ii. 190a; Miserere, ii. 336a; Motet, ii. 375b; Requiem, iii. 109b; Schools of Comp., iii. 264b; Dies Irae, iv. 614a; Sistine Chapel, iv. 794a.
67ANET, B., i. 67b. (See BAPTISTE, i. 136a.)
69ANFOSSI, V.; Isouard, ii. 24a.
71ANFOSSI, P., i. 67b; iv. 523a; Curioso indiscreto, II, i. 424a; Haydn, i. 707a; Mazzinghi, ii. 242a; Olimpiade, ii. 496b; Piccinni, ii. 748a; Zenobia, iv. 506a.
73ANFOSSI; Howell (Jas.), i. 754b; Roy. Acad. of Mus., iii. 185a.
75ANGELERI; Lamperti, ii. 89a.
77ANGELESI; Fumagalli (A.), iv. 643b.
79ANGLAISE, i. 68a; Redoute, iii. 89a.
81ANGLEBERT, J. H. D', i. 68a; Chambonnières, i. 332b; Trésor des Pianistes, iv. 168b.
83ANGLUS, P. P.; Mus. Lib., ii. 419a.
85ANGRI, Mme. D'; Strakosch, iii. 734a.
87ANGRISANI, C., i. 68a; Garcia, i. 582a.
89ANIMATO, i. 68a; iv. 523a; Tempo, iv. 83a.
91ANIMUCCIA, G. i. 68b; Goudimel, i. 612a; Laudi Spirituali, ii. 105a; Magnificat, ii. 196a; Martini, ii. 222b; Mus. Lib. ii. 423b; Palestrina, ii. 636a; Saggio di Contrapunto, iii. 212a; Schools of Comp., iii. 263a; Soto, iii. 639b; Burney, iv. 570b; Rome, iv. 773b; Sistine Chapel, iv. 794a.
93ANIMUCCIA, P., i. 69a; Barré (A.), i. 142b.
95ANNA AMALIA, Duchess of Saxe-Weimar, i. 69a.
97ANNA AMALIA, Princess of Prussia, i. 69a; Bachgesellschaft, i. 119a.
99ANNA BOLENA, i. 69b; iv. 523a; Donizetti, i. 453a.
101ANNIBALI, D., i. 69b.
103ANSANI, G., i. 69b; Garcia (M.), i. 581b; Maccherini, ii. 185a; Singing, iii. 511a.
105ANSCHLAG; Agrémens, i. 42b.
107ANSCHÜTZ; Wednesday Concerts, iv. 431b.
109ANSWER, i. 69b; Countersubject, i. 409a; Fugue, i. 567a; Risposta, iii. 136b; Tonal Fugue, iv. 135a; Comes, iv. 595b.
111ANTERI-MANZOCCHI; Schools of Comp., iii. 301b.
113ANTEGNATI, iv. 523a; Mus. Lib. iv. 726a.
115ANTHEMS, i. 70a; iv. 523a; Accompt., i. 24a; Antiphon, i. 74a; Cathedral Mus., i. 324a, etc.; Clifford, i. 374b; Este (T.), i. 496a; Israel in Egypt, ii. 25a; Kirchen Cantaten, ii. 59b; Motet, ii. 375b; Mus. Antiqua, ii. 410b; Mus. Antiq. Soc. ii. 416b; Mus. Lib. ii. 417b, etc.; Page, ii. 632b; Ritornello, iii. 137b; Sacred Harmonic Soc., iii. 210b; Schools of Comp., iii. 270b, etc.; Verse, iv. 257a; Burney, iv. 571a.
117ANTICIPATION, i. 73a; Harmony, i. 678b; Wechselnote, iv. 430a.

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