Books › A Dictionary of Music and Musicians a. D. 14501889 by Eminent Writers, English and Foreign…, 1890 › scan 34
Scan 34
A Dictionary of Music and Musicians a. D. 14501889 by Eminent Writers, English and Foreign…, 1890
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1Sumer is icumen in, iii. 765b; Hist. of Mus., iv. 674a.
2BUSCHMANN; Terpodeon, iv. 93a.
3BUSNOIS, A., i. 285b; L'homme Armé, ii. 127a; Madrigal, ii. 188a; Polyphonia, iii. 13a; Schools of Comp., iii. 260a; Sistine Chapel, iv. 794a.
4BUSSE; Orpheus, ii. 613b.
5BUSSINE; Conservatoire, i. 393a; Zur Mühlen, iv. 818b.
6BUTLER, T. H., i. 286a; Programme Mus., iii. 37b.
7BUTLER; Ballad, i. 129a; Bar, i. 136b.
8BUTTSTEDT, F. V.; Trésor des Pianistes, iv. 168a.
9BUUS, J. de; Berchem (J.), i. 230a; Merulo, ii. 314b, note; Wert, iv. 445a.
10BUXTENHUEDE, D., i. 286a, iv. 571b; Bach (J. S.), i. 114b; Kirchen Cantaten, ii. 60a; Organ, ii. 586b; Passacaglia, ii. 661a; Programme Mus., iii. 36a; Spitta, iii. 656b; Suite, iii. 757a; Theile (J.), iv. 99a; Variations, iv. 220a; Bach (J. S.), iv. 527a.
11BUXTON, E.; Ewer & Co., iv. 630a.
12BUYTEN, M. van; Mus. printing, ii. 436a.
14BUZIAU; Philh. Soc., ii. 700a.
15BUZZOLA, A.; Verdi, iv. 252a.
16BYFIELD, J., iv. 571b; Organ, ii. 596b.
17BYFIELD, J., jun., iv. 571b.
18BYFIELD, JORDAN and BRIDGE, iv. 571b.
19BYLINAS; Song, iii. 612b.
20BYRD, T., iv. 574a; Bull, i. 282a.
21BYRD, W., i. 286b; iv. 571b; Ambrosian Chant, i. 60a; Anthem, i. 70b; Barnard, i. 140a; Boyce, i. 268a; Bull, i. 282b; Canon, i. 304b; Carman's Whistle, i. 315b; Case (J.), i. 318b; Cathedral Mus., i. 325a; Creed, i. 415b; Este (T.), i. 495b, etc.; Ferrabosco (A.), i. 512a; Gibbons (O.), i. 594b; Glee Club, i. 599a; Harmony, i. 672a; Hawkins, i. 700a; Haym, i. 723b; Horsley, i. 753b; Hymn, i. 761a; Klavier Mus., Alte, ii. 63b; Kyrie, ii. 79b; Leighton, ii. 114a; Lesson, ii. 124a; Litany, ii. 152a; Madrigal, ii. 191a; Magnificat, ii. 197a; Mass, ii. 230b; Morley, ii. 367b; Motett, ii. 375b, etc.; Motett Soc., ii. 376b; Mundy (W.), ii. 409a; Mus. Antiqua, ii. 411b; Mus. Transalpina, ii. 416a; Mus. Antiquarian Soc., ii. 416b; Mus. Lib., ii. 417b, etc.; Music-printing, ii. 435a; Non Nobis, ii. 464a; Parthenia, ii. 653a; Part Mus., ii. 657a; Passamezzo, ii. 662a; Plain Song, ii. 769a; Programme Mus., iii. 35b; Recte et Retro, iii. 87b; Sanctus, iii. 224b; Schools of Comp., iii. 272b, etc.; Service, iii. 472b; Sounds and Signals, iii. 644a; Specimens, Crotch's, iii. 649b; Subject, iii. 750a; Suite, iii. 755b, etc.; Tallys, iv. 53b; Te Deum, iv. 68a; Tomkins (T.), iv. 134b; Tudway, iv. 198a; Variations, iv. 217b; Versicle, iv. 257a; Vespers, iv. 257b; Virginal Mus., iv. 307a, etc.; Vocal Scores, iv. 319b, etc.; Watson (T.), iv. 387a; Burney, iv. 570b; Cantiones sacrae, iv. 578a; Carol, iv. 580b; Mass, iv. 713a; Mus. Lib., iv. 723b; Part books, iv. 740a; Tallys, iv. 798a.
22BYRNE, D.; Irish Mus., ii. 19a.
23BYRON; Strakosch, iii. 735a.
25C.
26C, i. 289a; iv. 574a; Canto, i. 306a; Common Time, i. 381a.
27CABALETTA, i. 289b; Pacini (G.), ii. 627b; Rossini, iii. 176a.
28CABALLERO, M. F.; Eslava, i. 495a.
29CABEL, E., iv. 574b.
30CABEL, Marie J., i. 289b; iv. 574a.
31CABINET PIANO, i. 290a; iv. 574b; Cottage Piano, i. 407b.
32CABO, F. J.; Eslava, i. 495a.
33CABRERA, F.; Eslava, i. 495a.
34CACCINI, G., i. 290a; Bardi, i. 139a; Cantata, i. 304b; Cavalieri, i. 327a; Figured bass, i. 522a; Florence, i. 533b; Harmony, i. 673b; Intermezzo, ii. 8b; Monodia, ii. 354b; Opera, ii. 498a; Pergola, La, ii. 686a; Peri, ii. 690b; Rochlitz, iii. 142a; Schools of Comp., iii. 278b; Shake, iii. 480a; Singing, 504b, etc.; Song, iii. 587b; Theorbo, iv. 101a; Thorough-bass, iv. 108b; Trill, iv. 169b; Burney, iv. 571a; Mus. Lib., iv. 726a.
35CACHUCHA, i. 290b; Seguidilla, iii. 457a.
36CADEAC, P., i. 290b.
37CADENCE, i. 290b; Close, i. 375a; Form, i. 546b, etc.; Harmony, i. 674a, etc.; Imperfect, i. 766b; Inganno, ii. 3a; Interrupted cadence, ii. 11a; Mixed cadence, ii. 338b; Perfect, ii. 686a; Plagal cadence, ii. 760a; Radical cadence, iii. 63b; Seventh, iii. 477a; Part-writing, iv. 741b.
38CADENCE; Agrémens, i. 43a.
39CADENT; Agrémens, i. 43b.
40CADENZA, i. 293b; iv. 574b; Bar, i. 137b; Concerto, i. 387b, etc.; Extempore playing, i. 499b; Fioriture, i. 528b; Melisma, ii. 248b; Mendelssohn, ii. 272b; Periclesis, ii. 691b; Point d'Orgue, iii. 6b.
41CAECILIA, i. 294b; iv. 574b; Mus. Periodicals, ii. 430b.
42CAECILIAN SOCIETY, i. 295a; iv. 574b.
43CAECILIEN – VEREIN; Balde- necker, i. 126a; Hiller (F.), i. 737b; Schelble (J.N.), iii. 244a; Schools of Comp., iii. 312a.
44CÆSAR, i. 295b.
45CÆSAR, J., i. 295b; iv. 574b.
46CÆSURÆ; Metre, ii. 317a; Modulation, ii. 347a.
47CAFARO, P., i. 295b; iv. 574b; Caffarelli (G.), i. 295b; Fitzwilliam Coll., i. 530b; Latrobe, ii. 102b; Naples, ii. 446a; Olimpiade, ii. 496b; Sala (N.), iii. 217b; Solteggio, iii. 547b; Mus. Lib., iv. 726a.
48CAFFARELLI, G. M., i. 295b; Cafaro, i. 295b; Gizziello, i. 597b; Leo, ii. 121a; Majo- rano, ii. 200b; Pacchierotti, ii. 625b; Porpora, iii. 17b; Singing, iii. 505a, etc.; Soprano, iii. 636a.
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