Bow & Bridge Violin and bow makers, as the old books printed them

Scan 40

A Dictionary of Music and Musicians a. D. 14501889 by Eminent Writers, English and Foreign…, 1890

42 lines. Read by computer on 16 September 2026. No printed page number was found. See the scan on archive.org.

1CHOIR, i. 349a; Quire, iii. 62a.
2CHOIR ORGAN, i. 349a; Accompaniment, i. 21b; Chair Organ, i. 332a; Organ, ii. 578b, etc.
3CHOLLET, J. B. M., iv. 587b.
4CHOPIN, F. F., i. 349a; iv. 588a; Ballade, i. 129b; Barcarole, i. 138b; Berceuse, i. 229b; Etudes, i. 496b, etc.; Evers, i. 498a; Field, i. 519b; Filtsch, i. 523a; Fingering, i. 527a; Form, i. 553b; Franc-homme, i. 558b; Goldschmidt, i. 608a; Hallé, i. 646b; Harmony, i. 682b; Hiller (Ferd.), i. 737a; Impromptu, i. 768b; Kalkbrenner, ii. 46a; Klindworth, ii. 64b; Kreisleriana, ii. 71a; Leipzig, ii. 115a; Lenz, ii. 120b; Liszt, ii. 149a; Mazurka, ii. 242a; Moscheles, ii. 370b; Mus. Lib., ii. 424a; Nocturne, ii. 460b; Osborne, ii. 615a; Pedal Point, ii. 680b; Pedals, ii. 683a; PF., ii. 715b; PF. Mus., ii. 730a; PF.-playing, ii. 742b, etc.; Pixis (F. G.), ii. 759b; Pleyel & Co., iii. 4a; Polacca, iii. 7b; Polonaise, iii. 10b; Prelude, iii. 28b; Quintuple Time, iii. 61b; Repetition, iii. 108b; Romantic, iii. 152a; Scherzo, iii. 248a; Schools of Comp., iii. 298b, etc.; Schulhof (J.), iii. 383b; Song, iii. 614a; Spianato, iii. 650b; Studies, iii. 747a; Tellefsen, iv. 70a; Thalberg, iv. 97a; Thematic Catalogue, iv. 99b; Trésor des Pianistes, iv. 168a; Viardot-Garcia, iv. 260a; Wagner, iv. 369a; Waltz, iv. 386b; Wessel, iv. 448b; Mayer (C.), iv. 715b; Pachmann, iv. 737b.
5CHORAGUS, i. 350b; Coryphaeus, i. 405b; Elvey (S.), i. 487a; Ouseley, ii. 618a; Oxford, ii. 624a; Professor, iii. 32b.
6CHORALE, i. 351a; iv. 588b; Æolian Mode, i. 40b; Bach (J. S.), i. 116b; Chorus, i. 354b; Dorian, i. 454b; Figured, i. 522a; Form, i. 541b, etc.; Hassler (H. L.), i. 697a; Hymn, i. 761a; Instrument, ii. 6b; Interlude, ii. 7b; Isaac, ii. 23b; Luther, ii. 178a, etc.; Madrigal, ii. 190b; Mosewius, ii. 371b; Oratorio, ii. 540a, etc.; Partie, ii. 656a; Passion Mus., ii. 665b, etc.; Pause, ii. 676a; Schools of Comp., iii. 266b, etc.; Song, iii. 619a; Subject, iii. 747b, etc.; Thibaut, iv. 102a; Variations, iv. 219a; Vogler, iv. 326a; Volkslied, iv. 337a; Vorspiel, iv. 340b; Walther (J.), iv. 381b; Wind-band, iv. 467a; Dance Rhythm, iv. 666b; Hammer-schmidt (A.), iv. 664a; Hist. of Mus., iv. 674a, etc.; Neumark (G.), iv. 730b; Psalter, iv. 754a, etc.; Scheidemann, iv. 781b, note; Scheidt, iv. 783b; Schein, iv. 784b; Vulpius, iv. 814a.
7CHORALEON; Æolodion, i. 41a.
8CHORAL FANTASIA, i. 351b; Beethoven, i. 205a.
9CHORAL HARMONIC SOCIETY, i. 352a.
10CHORAL HARMONISTS' SOCIETY, i. 352a; Classical Harmonists, i. 366a; Novello (V.), ii. 481a.
11CHORAL SYMPHONY, i. 352a; iv. 591a; Beethoven, i. 175b, etc.; Choral Fantasia, i. 351b; Philh. Soc., ii. 699a.
12CHORD, i. 352b; False Relation, i. 501a; Harmony, i. 669a, etc.; Inversion, ii. 17a; Root, iii. 157a; Thoroughbass, iv. 109a.
13CHORÉGRAPHIE. (See ORCHÉSOGRAPHIE, ii. 560b.)
14CHORLEY, H. F., i. 352b; Analysis, i. 63a; Hocket, i. 741a; Mendelssohn, ii. 277a, etc.; Schröder-Devrient, iii. 316b; Thayer, iv. 98b; Hist. of Mus., iv. 675a; Wynne, iv. 818b.
15CHORON, A. E., i. 353b; Allegri, i. 54a; Caresana, i. 308b; Conservatoire de Mus., i. 392b; Dic. of Mus., i. 445b; Duprez, i. 470a; Fayolle, i. 510b; Gerber, i. 589b; Hiller (Ferd.), i. 737a; Improperia, ii. 2a; Jannequin, ii. 32a; La Fage, ii. 83b, etc.; Maitrise, ii. 200a; Monpou, ii. 355a; Motet, ii. 373b; Niedermeyer, ii. 455b; Palestrina, ii. 642b; Raccolta Generale, etc., iii. 63a; Sala (N.), iii. 217b; Schools of Comp., iii. 261a; Scudo, iii. 453b; Song, iii. 595a; Stoltz, iii. 717a; Vogler, iv. 328a; Wartel, iv. 383b.
16CHORTON, iv. 591a.
17CHORUS, i. 354b; iv. 591a; Bach (J. S.), i. 116b; Handel, i. 654a; Willaert, iv. 459a.
18CHOTEK, F. X.; PF. Mus., ii. 729a.
19CHOUQUET, G., i. 354a; iv. 591a; Conservatoire de Mus., i. 394a; Grisar, i. 632b; Mus. Periodicals, ii. 429a; Revue et Gaz. Mus., iii. 121b; Song, iii. 598a; Hist. of Mus., iv. 675a; Mus. Instruments, Collections of, iv. 722b.
20CHRISMAN, F. X., i. 355a.
21CHRISTIANOWITSCH, A.; Hist. of Mus., iv. 674b.
22CHRISTMANN, J. F., i. 355a; Vogler, iv. 331b.
23CHRISTMAS ORATORIO; Bach (J. S.), i. 117a.
24CHRISTUS, i. 355a; iv. 591a; Mendelssohn, ii. 285b.
25CHRISTUS AM OELBERGE, i. 355b; Beethoven, i. 207b.
26CHROMATIC, i. 355b; Accidentals, i. 18b; Change, i. 333a; Clavichord, i. 368a; Melody, ii. 251b; Modulation, ii. 343b; Scale, iii. 236b; Sequence, iii. 464b; Part-writing, iv. 741b.
27CHYRSANDER, F., i. 356a; iv. 591a; Additional Accompaniments, i. 31a, note; Erba, i. 491b; Händel-Gesellschaft, i. 659a; Jahrbücher, ii. 30b; Leipzig, ii. 115a; Mus. Periodicals, ii. 428a, etc.; Mus.-printing, ii. 436b; Steffani, iii. 697a, etc.; Tonkünstlerverein, iv. 150b; Zachau, iv. 499a; Handel, iv. 664b; Händel-Gesellschaft, iv. 665a.
28CHULA; Song, iii. 600a.
29CHURCH, J., i. 356b; Schools of Comp., iii. 286b, note; Tudway, iv. 199b.
30CHURCH MODES. (See MODES ECCLES., ii. 340b.)
31CHURCH SONATAS; Kirchen Cantaten, ii. 60b; Sonata, iii. 556b, etc.
32CHWATAL, F. X., iv. 591b; Orpheus, ii. 613a; PF. Mus., ii. 729b.
33CIAFFEI; De Reszke, iv. 611b.
34CIAJA, A. B. D., i. 357a.
35CIAMPI, L. V., i. 357a.
36CIAMPI, F.; Latrobe, ii. 102b.
37CIANCHETTINI, P., i. 357a.
38CIANCHETTINI, V., i. 357a.
39CIARLATANI; Song, iii. 586a.
40CIBBER, Colley; Beggar's Opera, i. 209b; Clive (Cath.), i. 374b; Swiney, iv. 9b.
41CIBBER, Susanna, Mrs., i. 357a;

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