Books › A popular history of music, musical instruments, ballet, and opera, from St. Ambrose to Mozart, 1888 › scan 323
Scan 323
A popular history of music, musical instruments, ballet, and opera, from St. Ambrose to Mozart, 1888
75 lines. Read by computer on 29 September 2026. Printed page 307. See the scan on archive.org.
1Borromeo, Cardinal, 75.
2Boscherville, bas-relief of concert at, 56, 57.
3Bouffons," "Guerre des, 274.
4Bourgeois Gentilhomme, Le, incidental music to, by Lully, 136.
5Boyce, Dr. William (1710—1779), 211; his Cathedral Music, ib.
6Brabant, Duke of, 17.
7Bracegirdle, Mrs., singer (1663—1748), 222.
8Brady and Tate, their "New Version" of the Psalms, 101.
9Breitkopf and Härtel, their edition of Palestrina's works, 77.
10Britton, Thomas, "the musical small-coal man" (1651—1714), 251, 254.
11Broschi, R., 231.
12Brouncker, Lord, his translation of Descartes' Compendium Musicae, 148.
13Brumel, Antonio (1460[?]—15—), 67.
14Bruyer, 67.
15Bull, Dr. John (1563[?]—1628), 96, 97.
16Buononcini, G. B. (1665[?]—1750), 172, 185, 231, 238.
17Buononcini, M. A. (1655—1726), 222.
18Burci or Burtius, Nicolas (1450[?]—15—), 79.
19Burney, Dr. (1726—1814), his edition of music for Holy Week sung in the Sistine Chapel, 78; his History of Music, 260.
20Buxtehude, Dietrich (1637—1707), 151, 156, 173.
21Byrd, Thomas, 97.
22Byrd, William (1537[?]—1623), 90; his patent for printing music with Tallis, ib., 96.
24Caccini, Giulio (1558[?]—1640), 104.
25Cadi Dupé, Le, opera by Monsigny, 281.
26Cadmus, opera by Lully, 137.
27Caduta de' Giganti, opera by Gluck, 252.
28Caffarelli, G. M. (1703—1783), 114.
29Caldara, Antonio (1678—1763), 186, 188.
30Callcott, Dr. J. W. (1766—1821), 256, 259.
31Calvin on sacred music, 122.
32Calzabigi, poet, writes Gluck's libretti, 189.
33Camargo, Mademoiselle, dancer, 302.
34Cambert, Robert (1628—1677), 130; his opera La Pastorale, 131; his Ariane; ou, Le Mariage de Bacchus, ib.; his Pomona, 132; supplanted by Lully, 136; 141, 221.
35Camelin, 67.
37Camilla, opera by M. A. Buononcini, 222.
38Campanile, 31.
39Campra, André (1660—1744), 144, 146.
40Cantiones Sacrae, by Tallis and Byrd, 90.
41Capistrum, or mouth bandage, 35.
42Cara sposa, air from Handel's Rinaldo, 226.
43Carestini, Giovanni, singer (1705—1763), 240, 241.
44Carey, Henry (1685[?]—1743), 250.
45Carillon, 32.
46Carissimi, Giacomo (1604[?]—1674), 109.
47Castor et Pollux, opera by Rameau, 269.
48Catch Club, Noblemen and Gentlemen's, 258.
49Catch, the, 256.
50Cathedral music, Boyce's collection of, 211.
51Cathedral Service, Short Direction for the Performance of, by E. Lowe, 203.
52Catone, opera by Leonardo Leo, 238.
53Cauroy, Eustache de (1549—1609), 127.
54Cavaliere, Emilio del (1550[?]—1598[?]), 104, 108.
55Cavalli, P. Francesco (1599[?]—1676), 107.
56Cazotte, Jacques (1720—1793), 275.
57Cecilia, St., Cologne, bell at, 31.
58Cecilia's, St., Day, 208, 209.
59Cecilia's Day, ode for St., Handel's, 243.
60Cesti, Marco Antonio (1620—1675), 108.
61Chalumeau, 44.
62Champeron finances the opera founded by Perrin and Cambert, 131, 132.
63Chandos Anthems and Te Deums, Handel's, 229.
64Chandos, Duke of, 228.
65Change-ringing, 34.
66Chanterelle, 55.
67Chantilly, Mademoiselle, singer (Madame Favart), 302.
68Chant sur le Livre, 16.
69Chapel, the Royal, in France, 299.
70Chapel Royal, London, at the Restoration, choir of, 195; introduction of instrumental music in, 198.
71Chappell, Mr. W., his Popular Music of the Olden Time, facsimile of Sumer is icumen in, 86.
72Charlemagne endeavours to introduce uniformity of ritual, 5; dirge on death of, 8; receives an organ from Haroun Alraschid, 39.
73Charles II. of England, music at his court, 219.
74Charles VI., Emperor of Austria, 186.
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